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Madonna - CONFESSIONS II - OUT NOW + Instrumentals


Joshua James
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Anderson123

Does anyone know if there’s one of those Song vs Song websites that they do to rank them? Like the one we did for Gaga. 

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salty like sodium
3 hours ago, Bronco said:

Honestly, it doesn't even feel mixed for the most part. Only a few songs have a genuine transition like My Sins into Betrayal. 
The continuous mix is the most disappointing part for me personally, need to give my vinyl a spin with the 12 track mix see if its better.

I feel like these are the only transitions that actually feel like there was a (limited) amount of effort put into making a smooth transition:

1->2; 3->4->5; 10->11; 15->16

Literally nothing else feels like a real transition.

And nothing even comes close to the transition between Forbidden Love and Jump, where the final chorus of FL has the entire beat from Jump on it! Or how Push really blended really nicely with Isaac's conclusion rhythmically. 

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Future Lovers
16 hours ago, CHIPCHROME said:

Babe the lyrics are chat gpt on 10/16 songs

Considering you’re just camping in this thread trolling at this point, I’m not gonna even legitimize this by arguing with you

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Future Lovers

I love nearly every track but Fragile and LES Girl are songs I’ve been waiting for from her as a super fan. She doesn’t often let herself be truly vulnerable or reflective, and when she does, it’s really something. 

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iAmToton

Don’t distract her with numbers, she did it all for love. Have fun until the tour ticket-buying bloodbath begins.

Excited Dance Floor GIF

Edited by iAmToton
𝖂𝖊 𝖆𝖗𝖊 𝖒𝖔𝖓𝖘𝖙𝖊𝖗𝖘 𝖆𝖓𝖉 𝖒𝖔𝖓𝖘𝖙𝖊𝖗𝖘 𝖓𝖊𝖛𝖊𝖗 𝖉𝖎𝖊
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River

School to L.E.S Girl is like the same slow down that Mayhem has from HBDUWM to DWAS lol

But it's kind of makes sense in the album, it's like the last 2 hours at the club when you're either sleeping wasted on a couch or just feeling the alcohol/drugs going out of your system and you're in between sadness, melancholy and partying

So sploosh your juice all over me you Riverboy
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River

L.E.S Girl feels like a goodbye song :( 

So sploosh your juice all over me you Riverboy
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The Breast

School and Betrayal are the SOAM and The Beast of this album lowkurr :crossed:

Create a new persona
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Bronco
7 hours ago, salty like sodium said:

And nothing even comes close to the transition between Forbidden Love and Jump, where the final chorus of FL has the entire beat from Jump on it! Or how Push really blended really nicely with Isaac's conclusion rhythmically. 

Yeah, that transition between Forbidden Love and Jump is legendary. 
I also particularly like the transition between Hung Up & Get Together with the alarm bell going off. 

It is a real shame that Confessions 2 despite leaning harder into actual dance music over being pop has less effort in its transitions

The gays know how to party
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River
2 minutes ago, Bronco said:

Yeah, that transition between Forbidden Love and Jump is legendary. 
I also particularly like the transition between Hung Up & Get Together with the alarm bell going off. 

It is a real shame that Confessions 2 despite leaning harder into actual dance music over being pop has less effort in its transitions

there are a few highlights but many of the are very lazy, hardly a transition tbh

So sploosh your juice all over me you Riverboy
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  • Joshua James changed the title to Madonna - CONFESSIONS II - OUT NOW + Instrumentals
Anderson123
8 hours ago, Joshua James said:

CONFESSIONS II: Instrumentals by Madonna now available on

@AppleMusic and @qobuz 

https://music.apple.com/us/album/confessions-ii-instrumentals/6787791249

HMho49GaQAAje03?format=jpg&name=large

Slay. I was just thinking last night about these and wondering if they’d come out some day. Glad to see it didn’t take long but I was still going to use the Apple Music thing to lower the vocals and listen to them. 

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RAMROD

Got them, hope the instrumentals also available on physicals :sis:

IMG-5094.jpg

(ノ◕ヮ◕)ノ✧*:・゚ ʰᵃᵖᵖʸ 🌈 ᵖʳⁱᵈᵉ ᵐᵒⁿᵗʰ (*´艸`*) ♡♡♡
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Shadownight

This album is absolutely beautiful. There's an incredible sense of power and emotional depth running through every track. I'm usually a pretty cynical and analytical listener, I tend to dissect music more than simply experience it, so it's rare for an album to genuinely move me on an emotional level. Very few have ever made me truly feel something.

This one is different. Somehow, it completely bypasses the emotional wall I usually have up and connects with me in a way that's hard to explain. 

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