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Some fun facts to celebrate its birthday: * It’s the most successful Electronic Dance Music album of all-time. Selling over 15 million copies worldwide. * It spent over 200 weeks at #1 on the Dance/Electronic Albums chart. * It’s currently on 645 weeks (12 years and 4 months) of being in the Top 10 of the Dance/Electronic Albums. * It has spent over 400 weeks (8 years) on the Billboard 200 album chart. * It only peaked at #2 on the Billboard 200, in January 2010. Before that it only peaked at #17 in 2008.

Justice for the original Mayhem font that couldn’t be used on any of the tour stuff because of those dickwads

Then make him wear nothing

A lot of you have been waiting and I'm so excited to share this project that I have been working on for the past few months. Here it is, A MAYHEM ODYSSEY, the evolution of LADY GAGA. OUT NOW!

https://www.thepixelproject.net/2026/08/19/statement-from-the-pixel-project-regarding-kim-nam-joon-rms-photo-with-chris-brown/ The Pixel Project is a virtual, volunteer-led global 501(c)3 nonprofit organisation whose mission is to raise awareness, funds and volunteer power for the cause to end violence against women through campaigns, initiatives, projects, and programmes at the intersection of social media, new technologies, and popular culture/the Arts.

SAW YOUR FONT IN MIIIINNNNNEEEEEE IN A SURFING BOARD BY A BEACH SIDE.

Runway has been nominated for Best Dance Video at the VMAs 2026.

I wasn't expecting a revolution anyway. There's a limit to reinventing stealing cars and bumping into pedestrians.

Edit - I think her Apple Music was hacked

VMAs are basically irrelevant these days lets be real. But i'm still kind of shook to see them platforming Madonna like this instead of chasing the latest gen z trend artist

My parents died, til they got divorced cuz I ruined their lives

Aww … Pop: grab your old girl with her new tricks; if this were Gaga’s first and last album, it would be just as complete as it is in context as a dynasty starter. The Fame is nothing more and nothing less than a perfect Pop debut through and through. Visceral, catchy, panoramic, reflective, progressive, chock full of hit singles, formidable filler, and fun; foreshadowing or foreboding depending on how you look at it – and yet, so very simple. Disco – Electronic Dance music – is universal, it is liberating, it is innate, it is self-made, it is the high-hated, it can’t pay rent but it is gorgeous, and it’s never dead – just beautysleeping in a trance, but never sleeping to dream: and this is The Fame. The Fame is Pop; Pop is as personal, as it is political, as it is a commercial vehicle. The Fame is exactly the same; each song is a scene from a story, and it means whatever you want it to mean. So, we venture along as the Lady reminds us of this lovelorn path most stumbled: the path of Pop stardom, the little boy monster. “Hold me and love me, just wanna touch you for a minute / Maybe three seconds is enough for my heart to quit it;” it all comes down to one question: “Do you want love, or you want fame?” Art is passion, fame is vapid: vanity please, Ladies first. Then come the Paparazzi, and with the fatal flashes come the fans, the fiends, the frenemies, the cold cruel world beneath the hot, hot lights. Fame is crumbling beneath the weight of your own ego, The Fame is making it work and faking it until then – fight flash with the facade; you don’t hustle this hard to fall harder. Gaga just danced her way into a love game with the industry, willy-nilly and aloof, but beneath the pink haired My Little Pony shell was a Trojan Horse. Pulling yourself up by the bootstraps, when you’ve only got stripper heels to pay your way through college: and this is The Fame. Where before she knocked on fame’s door with a formal request for entry into the house, she now knocks the door down; riding in on the four singles of the Pop Apocalypse, her own Haus in tow. The kids do the dance right, they have got it made like ice cream topped with honey; they’ve got the red light scope dead set on two things: the father and the fame; Daddy I’m so sorry: bang, bang. The beautiful, dirty, rich ones want nothing more than to overthrow the entitled in a Clockwork Orange County coup; if New York is where stars are born, and L.A. is where they go to die, the beautiful, dirty, rich are infantile, and the famous are a beautiful lie. The Fame is funny because it’s true, but funnier if it weren’t. Gaga wrote it into being, and if this were her first and last album she would have a famous obituary; but her inevitably legendary career will be looked back on with The Fame as the starting point – the catalyst, not the final mark of success: and this is The Fame. So here, we find ourselves looking back on 2008: the institutions had crumbled; celebrity had collapsed; the grand old party had ended; Hamptonite billionaires became slumdog millionaires — the top dropped. Yet with their last ounce of influence, they gave the false American ideal to us: that their reality check was our dream deferred, that we had failed – but when the everyman had nothing, it was nothing new, and for those who had nothing again, we had nothing to lose. It is timeless, and senseless, with no direction, just vamp; here today, gone tomorrow, if you want it:

2008 was 18 years ago?!?

billie should’ve won AOTY for HMHAS

They lost all credibility for me when they awarded Katy the Most Iconic Performance over Madonna's Like A Virgin performance, and Gaga's 2009. BLATANT rigging

sunday to sunday I can turn the sunday into a sunday

Please, Red clears.

I thought it was going to be this

I've always shipped michael and trevor lmao... old man yaoi realness

I still hear that idk why she pronounced it like that

one of my favorite albums of all time time flies, i cant believe THE FAME has already reached the age of adulthood! back then, she truly burst onto the scene out of nowhere—an eternal goddess.

Madonna leads the 2026 MTV Video Music Award nominations, the network announced Tuesday. She is up for 11 awards at this year's ceremony, including video, artist and song of the year as well as best collaboration, dance, direction, art direction, cinematography, editing, choreography and visual effects. x VIDEO OF THE YEAR Ariana Grande – “Hate That I Made You Love Me” – Republic Records Bruno Mars – “I Just Might” – Atlantic Records GENER8ION – “Storm Starring Yung Lean” – Iconoclast Music Madonna – “Confessions II – The Film” – Warner Records Sabrina Carpenter – “Tears”- Island Taylor Swift – “The Fate of Ophelia” – Republic Records ARTIST OF THE YEAR Ariana Grande – Republic Records Bruno Mars – Atlantic Records Madonna – Warner Records Morgan Wallen – Big Loud/Mercury Records Sabrina Carpenter – Island Taylor Swift – Republic Records SONG OF THE YEAR BTS – “Swim” – BIGHIT MUSIC Ella Langley – “Choosin’ Texas” – Columbia Records HUNTR/X: Ejae, Audrey Nuna, Rei Ami – “Golden” – Republic Records/Visva Records Madonna & Sabrina Carpenter – “Bring Your Love” – Warner Records Olivia Dean – “Man I Need” – Island PinkPantheress – “Stateside + Zara Larsson” – Warner Records UK/Atlantic Records Raye – “Where Is My Husband!!” – Human Re Sources BEST NEW ARTIST Bella Kay – Atlantic Records Cortis – BIGHIT MUSIC Magnus Ferrell -Visva Records/Republic Records Malcolm Todd – Columbia Records Myles Smith – RCA Records Sienna Spiro – Capitol Records Stella Lefty – Sandlot/Atlantic Outpost BEST COLLABORATION Clipse, Kendrick Lamar, Pusha T, Malice – “Chains & Whips” – Roc Nation Distribution French Montana x Max B – “Ever Since U Left Me” – Coke Boys Records Madonna & Sabrina Carpenter – “Bring Your Love” – Warner Records PinkPantheress – “Stateside + Zara Larsson” – Warner Records UK/Atlantic Records Shakira & Burna Boy – “Dai Dai” – Sony Music US Latin Teyana Taylor & Lucky Daye – “Hard Part” – Def Jam Recordings BEST POP Ariana Grande – “Hate That I Made You Love Me” – Republic Records Charli xcx – “SS26” – Atlantic Records Lisa – “Dream feat. Kentaro Sakaguchi” – Lloud Co./RCA Records Olivia Rodrigo – “drop dead” – Geffen Records Sabrina Carpenter – “House Tour” – Island Tate McRae – “Nobody’s Girl” – RCA Records Taylor Swift – “The Fate of Ophelia” – Republic Records BEST HIP-HOP Cardi B ft. Kehlani – “Safe” – Atlantic Records Don Toliver – “E85” – Cactus Jack/ Atlantic Records Drake – “Janice STFU” – OVO/Republic Records Megan Thee Stallion – “LOVER GIRL” – Hot Girl Productions Travis Scott – “DUMBO” – Cactus Jack/Epic Records Tyler, the Creator – “SUGAR ON MY TONGUE” – Columbia Records BEST R&B Bruno Mars – “I Just Might” – Atlantic Records Chris Brown – “It Depends/Obvious” – RCA Records Dave & Tems – “Raindance” – Neighbourhood Recordings/Capitol Records Justin Bieber – “YUKON” – Def Jam Recordings Kehlani – “Folded” – Atlantic Records Mariah the Scientist & Kali Uchis – “Is It a Crime” – Epic Records BEST ALTERNATIVE Geese – “Taxes” – Partisan Records/Play It Again Sam MGK & Fred Durst – “Fix Ur Face” – EST 19XX LLC/Interscope Records Noah Kahan – “The Great Divide” – Mercury Records Olivia Rodrigo – “The Cure” – Geffen Records Sombr – “Homewrecker” – SMB Music/Warner Records Tame Impala – “Dracula” – Columbia Records Twenty One Pilots – “Drag Path” – Fueled By Ramen BEST DANCE Bebe Rexha & Faithless – “New Religion” – Bebe Rexha Music LLC/EMPIRE Harry Styles – “Aperture” – Columbia Records Lady Gaga & Doechii – “Runaway” – Lil Monsters/Top Dawg Entertainment/Interscope Records/Capitol Records Madonna – “Confessions II – The Film” – Warner Records PinkPantheress – “Stateside + Zara Larsson” – Warner Records UK/Atlantic Records Slayyyter – “Dance…” – RECORDS/Columbia Records Tate McRae – “Nobody’s Girl” – RCA Records BEST LATIN Anitta with Shakira – “Choka Choka” – Republic Records/UMLE Bad Bunny – “NUEVAYoL” – Rimas Entertainment Fuerza Regida – “TU SANCHO” – Rancho Humilde/Street Mob Records/Sony Music US Latin Karol G – “Papasito” – Bichota Records/Interscope Records Rosalía ft. Yahritza Y Su Esencia – “La Perla” – Columbia Records Ryan Castro, Kapo & Gangsta- “LA VILLA” – AWOO Corp./ Sony Music US Latin Shakira & Burna Boy – “Dai Dai” – Sony Music US Latin BEST K-POP Blackpink – “Jump” – YG Entertainment BTS – “Swim” – BIGHIT MUSIC Cortis – “REDRED” – BIGHIT MUSIC Katseye – “Pinky Up” – HYBE x Geffen Records LE SSERAFIM (feat. J-Hope of BTS) – “SPAGHETTI” – SOURCE MUSIC Lisa- “Dream feat. Kentaro Sakaguchi” – Lloud Co./ RCA Records BEST COUNTRY Ella Langley – “Choosin’ Texas” – Columbia Records Kacey Musgraves – “Dry Spell” – Lost Highway/Interscope Records Lainey Wilson – “Somewhere Over Laredo” – Broken Bow Records Luke Combs – “Back in the Saddle” – Columbia Nashville Shaboozey – “Cowgirl” – American Dogwood/EMPIRE Stella Lefty – “Boston” – Sandlot/Atlantic Outpost Tucker Wetmore – “Brunette” – Back Blocks Music/Mercury Records BEST DIRECTION Ariana Grande – “Hate That I Made You Love Me” – Republic Records Bruno Mars – “I Just Might” – Atlantic Records GENER8ION – “STORM starring Yung Lean” – Iconoclast Music Madonna – “Confessions II – The Film” – Warner Records Sabrina Carpenter – “House Tour” – Island Taylor Swift – “Opalite” – Republic Records BEST ART DIRECTION Charli xcx – “SS26” – Atlantic Records Lady Gaga & Doechii – “Runaway” – Lil Monsters/Top Dawg Entertainment/Interscope Records/Capitol Records Madonna – “Confessions II – The Film” – Warner Records PinkPantheress – “Stateside + Zara Larsson” – Warner Records UK/Atlantic Records Sombr – “My Body Isn’t Ready” – SMB Music/Warner Records Taylor Swift – “The Fate of Ophelia” – Republic Records BEST CINEMATOGRAPHY A$AP Rocky – “Punk Rocky” – A$AP Worldwide/RCA Records Ariana Grande – “Hate That I Made You Love Me” – Republic Records Lisa – “Dream feat. Kentaro Sakaguchi” – Lloud Co./ RCA Records Madonna – “Confessions II – The Film” – Warner Records Shaboozey – “Cowgirl” – American Dogwood/EMPIRE Taylor Swift – “The Fate of Ophelia” – Republic Records BEST EDITING Ariana Grande – “Hate That I Made You Love Me” – Republic Records Bruno Mars – “I Just Might” – Atlantic Records Lisa – “Dream feat. Kentaro Sakaguchi” – Lloud Co./ RCA Records Madonna – “Confessions II – The Film” – Warner Records Sabrina Carpenter – “House Tour” – Island Taylor Swift – “The Fate of Ophelia” – Republic Records BEST CHOREOGRAPHY GENER8ION – “Storm starring Yung Lean” – Iconoclast Music Harry Styles – “Dance No More” – Columbia Records Katseye – “PINKY UP” – HYBE x Geffen Records Madonna – “Confessions II – The Film” – Warner Records Tate McRae – “Nobody’s Girl” – RCA Records Taylor Swift – “The Fate of Ophelia” – Republic Records BEST VISUAL EFFECTS Ariana Grande – “Hate That I Made You Love Me” – Republic Records Jisoo X Zayn – “Eyes Closed” – Warner Records Madonna – “Confessions II – The Film” – Warner Records PinkPantheress – “Stateside + Zara Larsson” – Warner Records UK/Atlantic Records Raye ft. Hans Zimmer – “Click Clack Symphony.” – Human Re Sources Taylor Swift – “The Fate of Ophelia” – Republic Records

I'm not happy with Marc Jacobs for liking transphobic stuff on Instagram last year.

now put it on the ARTPOP tracklist bc its absolutely the crowned gem missing from the overall listening experience erase history with herstory

Not only is it an old clip, but it also misses the point of the statement “ALWAYS BEEN COUNTRY” as it relates to CC: that “country” as a genre is a construct, given how the album both plays with its roots, it’s current format, and it’s potential future. Not to mention the political exercise of reappropriating country as a black woman as a way of reclaiming a different form of patriotism from the white nationalist far right. Not even a Beyoncé superfan and that has always been fairly obvious to me lol

I don’t think it’s relevant since country made itself a very unsafe space for both Black and LGBTQIA+ people for over a decade, and she’s correct about Black contributions to country music. I’m grateful to Gaga, Beyonce, Orville, and several others for making country more accepting and accessible for people like me over the last ten years, and I’m glad the CMAs have feelings about it. People can seethe all day. Frankly, I’ll still be bopping to Cowboy Carter, folks can keep Blake Shelton and his cohorts lol.

Netanyahu has made overtures about Turkey being the “new Iran” and claimed he made the attack on Turkish assets because Turkey is a “threat” to Israel, potentially setting the stage for Israeli war with a NATO nation. Trump has also repeatedly floated US withdrawal from NATO due to insufficient support from allies in his fruitless war with Iran, adding more volatility and uncertainty to the situation.

I miss the days when Taylor gave a f*ck about the quality of her music, Red is fantastic!

the face transition from ASIB to ENIGMA, HELLO?

Gaga about to drop a Halloween EP...

damn, she's finally old enough to commit tax fraudulence the time is going too quickly...

Invented the genre we now call recession pop 👸

I kind of prefer the new one because it matches the tour aesthetic more tbh

Whew … 9.9.99 … a time to be alive

Post the solo one I hate the production on this one

Go to church

Cannot wait for Trump to be neutered in November so we can rain this ****wit in

Cowboy Carter just ain't my vibe. Meanwhile Red has State of Grace, Starlight, The Last Time & All Too Well.

Can’t wait to watch this! FYI: I’m also currently wearing the MAYHEM: REQUIEM graphic tee I bought from you. Love your work, diva

And the best part - no Nun was killed in court

In the following days... Disease will cross 350.000.000 streams on Spotify (+/- 2 days) Perfect Illusion will cross 250.000.000 streams on Spotify (+/- 8 days) Summerboy will cross 100.000.000 streams on Spotify (+/- 7 days)

Came out swinging 🎂

I was 15 years old I remember listening to her for the first time, Poker Face, and I was like this some weird sh1t, love it, no way this girl is famous nobody would care about someone so strange. Then it hit number 1. She was an explosion in the pop scene. Just Dance could have been a one-hit-wonder, but no, she went and had to release hit after hit after hit, and here we are with her in the top 20 global spotify 18 years lader. Fucqin legend. Full on fucqqin legend.

Completely agreed and I think, honestly, as much as I understand why she did it (pandering to people who never understood the meta nature of her persona and only respond to broad gestures of “authenticity”), I kind of wish she had just owned the campiness of a Manhattanite embracing an Americana aesthetic for her “roots” record. Give us Coyote Ugly, give us Versace cowgirl! Give us “western” Gaga! John Wayne’s MV is probably the closest she got to that approach, which is why I think it’s probably the strongest vid from the era (tho I enjoy PI), but I think the album would’ve been easier for her fans to digest (and more holistically sincere) had she approached it more in that vein.

I've done this too, he's not special

And please merge both versions of I'll Never Love Again They are currently merging a lot of stuff

Queer country artists deserve better than this statement