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https://www.instagram.com/reel/DQpT2jejChX/?igsh=NnlqaGwzbmhrZW90 👀

Open the monster schools and chain this person to the desk, because, WHAT??

if this isnt rage bait then oh lord how the values have been lost

Lady Starlight was in the audience for N1 of The MAYHEM Ball in Berlin: During the show, Lady Gaga performed The Edge Of Glory as the first acoustic surprise song and she gave a moving speech about Lady Starlight: “This is for the original Lady, the OG Lady, Lady Starlight”

Was GagaDaily a mistake?

She belongs to a mental institution

Soory, but...

she needs to stop doing the funny camp sh1t, it's not engaging with the public and she keeps trying

This looks as foolish as Woman‘s World

Rosalía’s LUX is already making history before its official Spanish release. The Guardian: 5/5 ⭐⭐⭐⭐⭐ The Times: 5/5 ⭐⭐⭐⭐⭐ Rolling Stones Brazil: 5/5 ⭐⭐⭐⭐⭐ Alexis Petridis from The Guardian gave Lux five out of five stars, describing it as “a truly captivating and immersive experience” and praising Rosalía’s voice as “a fireworks display of talent.” Daniela Swidrak from Rolling Stone Brazil also gave it five out of five stars and wrote: “The album moves between intimacy and operatic scale… it is an ambitious emotional arc, a radiant world where sound, language, and culture merge into one.” Pop’s most provocative chaos agent delivers a transcendent album that sounds like nothing else in music right now. Both Rolling Stone and The Guardian have given it a perfect 5/5 — the highest possible score — and the praise couldn’t be louder. According to Rolling Stone, LUX is “radically different, more ambitious than Motomami, and infinitely bolder.” They describe it as a spiritual ascent through music, where Rosalía’s voice “has never sounded so divine, reaching operatic heights with flawless control.” The review calls it “an operatic masterpiece that redefines what it means to be a pop star — absurdly brilliant from start to finish.” Meanwhile, The Guardian calls it “a demanding and distinctive clash between the classical and the chaotic that could only come from Rosalía.” It highlights how the album blends sacred themes, experimental soundscapes, and emotional rawness into something completely new. With 18 songs divided into four movements, LUX isn’t background music — it’s an immersive experience meant to be heard in full. Or, as Rolling Stone puts it: “Don’t shuffle this while washing dishes — this album deserves your full attention.” https://rollingstone.com.br/musica/rosalia-quebra-todas-as-convencoes-do-pop-em-lux-e-mostra-que-para-disco-bom-nao-ha-receita-pronta/ https://www.abc.es/cultura/musica/disco-impresionante-estrella-pop-decadas-critica-extranjera-20251103182503-nt.html?ref=https%3A%2F%2Fwww.abc.es%2Fcultura%2Fmusica%2Fdisco-impresionante-estrella-pop-decadas-critica-extranjera-20251103182503-nt.html

There was a fan over on tiktok with a Joanne pfp and they commented something like "What song is this?" and the song was Aura from ARTPOP .

Possibly but as an autistic person it's none of our business and para socially diagnosing people does nothing good

Looks very classic Katy camp idk I feel like she’s trying to move on from this 143 flop too soon and people will just see this as a continuation of that and not something completely new idk

This looks like a direct sequel to Woman's World

She saw Katy Perry is releasing a new song and she said

Is it so hard to accept that we may actually be getting new music?

(The video he posted features 200 other people as well.. wouldn't hold my breath too much)

Well, it’s Total Mayhem

So...Woman's World again?

Despite what fans say, Gaga has been quite calculated this time around with her "Easter eggs". A fraud.

If it is, the melody sounds beautiful.

It's just not productive. It reinforces stereotypes, it overgeneralizes and focuses on very surface level "symptoms", it's invasive and there's no point.

I honestly just think speculating about someone else’s health (mental health, neurodivergence, etc) is kind of invasive (not that it would be shameful or an insult to imply someone was autistic or anything). Also I think the criterion people apply is overly broad and a lot of people online have a tendency to overly pathologize human behavior in general (categorizing fairly normal behaviors as ADHD symptoms, trauma responses, signs of autism etc).

Which rituals? The satanic ones? Those are record label requirements/deal with the dark lord.

The vast majority of her discography is upbeat electronic/dance music. Tbh, there aren't enough ballads. I need her to do a full-on ballad album (not counting ASIB since that was for a movie and not a solo era). They're also universally loved, despite what some fans say. I mean, I feel like most people prefer the 1000 Doves piano version over the album one, even though supposedly everyone only wants more electronic/dance pop Gaga.

I fear this is just her so in love is doesn’t want to marry the night anymore, so she changed the meaning.

Its because shes fake and comes across as fake. Camp can be funny and successful, but with Katy it just feels forced

Lmao what? There are several categories on this forum specifically not about gaga and this topic was posted in one of them... Imagine thinking we can only talk about her and nothing else

And another music video reaches 500M views And it also now has more views than Telephone MV (the main version at least)

So she's at least a little self aware

shes incapable of creating anything that isn't just egregiously surface level

Correct me if I’m wrong, but didn’t she mention somewhere that she wrote a ballad that didn’t make the album but was interested in releasing at some point?

SOUR CANDY MUSIC VIDEO????

I mean, this is how she teased Speechless back in 2009, so it isn't unreasonable to assume that she might have done something like this again (@7:20):

Hi so yes, she actually revisited Boys Boys Boys for TOTAL MAYHEM but had to sadly remove the egg part from the lyrics given political context. In The Morning is the revamped version, to be released during The Mayhem Balls’s next leg, specifically in Azerbaijan (don’t share this information cause I do not want to loose my source) She’s currently teasing it cause the label is refusing to release it as the lead, they’re actually going undercover on GGD hence all the negativity towards Total Mayhem here. This isn’t speculation, there’s science, and scientific proof, it’s biology.

Agreed. we need more abracadabra level epic anthems no more DWAS, no more shallow , no more million reasons Jfc

I’m really not buying that neither her team or Universal Studios could get her in a jet, if this was an Europe premiere she would’ve been there days prior to the event I hate this “I’m devastated” attitude, girl we know you’re not actually sad, I know Gaga has said that in the past but at least she was tweeting from a hospital

VIY haters getting brave.

The multifaceted star has joined a powerhouse female line-up including Glenn Close, Sarah Paulson and Teyana Taylor in Ryan Murphy's legal thriller All's Fair. The series, which dropped its first three episodes on Disney+ and Hulu this week, has been heavily promoted for months. But in the end no amount of carefully orchestrated TV crossovers and glossy promo could save the show from the critics' reviews. The signs were there with no press preview screenings scheduled, and so critics settled in to watch the first three installments upon their release on Tuesday, and it wasn't long before the zero star reviews came rolling in. So far the show has earned a rarely seen 0% 'rotten' rating on review aggregator website Rotten Tomatoes. The Times' Ben Dowell declared in his zero star review: 'This may be the worst TV drama ever' whilst USA Today's Kelly Lawler decided the drama was at the very least 'the worst TV show of the year.' Many took aim at Kim, who also served as an executive producer, with Dowell writing: 'Does Kardashian make a convincing lawyer? No, she does not. She is to acting what Genghis Khan is to a peaceful liberal democracy.' Angie Han of The Hollywood Reporter writes that 'Kardashian's performance, stiff and affectless without a single authentic note, is exactly what the writing, also stiff and affectless without a single authentic note, merits.' Lucy Mangan for The Guardian opened her review with the musing 'I did not know it was still possible to make television this bad... But I was wrong. All's Fair is terrible. Fascinatingly, incomprehensibly, existentially terrible.' source

Garden in Heaven lyrics leaked: Go get your friends and meet me at the church Youre out of tithings, I can get you mo-o-ore You started slurrin and God starts to squeel I'm fallin over in my nine inch nails, come on Jesus hit the lights come on and bless me, come on jesus hit the lights, jesus come on he hits the lights, come on and bless me come on jesus hit the lights I could be your angel for the weekend, you could be my pastor in the night Your excuse to make a bad decision, Jesus reveals all under the lights I’ve been feelin forever sinful feelings, til my god delivered sight take me to the garden in heaven, jesus christ bathe me tonight I’ll t t take you to the garden in heaven uh uh I’ll t t take you to the garden in heaven ohhh I’ll t t take you to the garden in heaven uh uh I’ll t t take you to HIS garden. in. HEAVEN! Youre gettin baptized, 'leven fifty nine this chick's a Chris-tian but her friends👏are👏a-thi-est But you forgive her since your god loves all so you say amen to the fath-er and so-on

All I need is tiiiime

marry the night isn't a piano ballad

She collabed with Gaga again to write this letter

I love how whenever it’s Gaga’s time to win something the rules or something changes so she doesn’t end up winning.

So Grammy nominations will be announced in two days, and with the typical discourse happening around Stan Twitter (as usual), it’s always best to ground expectations. Over the past two-three years I have been closely following the Pop Genre and General Field Grammys out of personal interest, but in the process of learning more about the Grammys and the way the operate, I think I’ve achieved a somewhat knowledgable grasp on predicting nominees and winners. So, I’d like to talk about Gaga’s chances so we know what to expect in a few days! Starting with Gaga’s Submissions, she sent 13 confirmed submissions and 2 speculated submissions, which you can check below: Lady Gaga's Grammy submissions MAYHEM - Album Of The Year - Best Pop Vocal Album - Best Engineered Album, Non Clasical Abracadabra - ROTY - SOTY - Dance Pop Recording - Music Video Disease - Pop Solo Perfect Celebrity - Rock Perf - Rock Song Harlequin - Trad Pop Album - Best Engineered Album, Non Clasical That's Entertainment - Best Arrangement The 2 remaining subs are for Best Album Cover, which is a new category that will be awarded for the first time in the upcoming ceremony. According to The Grammy Guru, we can safely assume most artists sent their covers too. In that case, Gaga would sent both Mayhem and Harlequin for consideration. That’s a total of 15 entries Now onto Gaga’s nominations: What’s “OK LOCK”? By “ON LOCK”, I’m referring to nominations she has 100% chance of obtaining. No margin of error, no chance of a snub no matter what. There’s TWO: Best Pop Vocal Album and Best Pop Dance Recording for Mayhem and Abracadabra respectively. She is also the frontrunner on both, but that’s a discussion for another thread. What’s “ALMOST ON LOCK”? Album of the Year. A lot of people like to discredit Gaga and I have seen a lot of users saying that Gaga is a long shot for this award, but the truth is she is one of three frontrunners, AND also, the main Pop Nominee for this year. It’s almost certain she’ll get the nom. The only reason I don’t see this as “locked” is cause the Grammys will always pull something unexpected in some category, so we should introduce a small amount of uncertainty for safety. What’s “VERY LIKELY”? The remaining two General Field categories: ROTY and SOTY. Depending on who you ask, and what Pop Media Publications you consume you might have seen people supporting Abracadabra and others saying she’s just barely making it into these categories. I personally think ROTY is a likelier chance that SOTY, but both still remain quite possible and would definitely be a snub if not nominated. The uncertainty is larger than AOTY, but still within the very likely range. As for Best Music Video, the visual committee is very selective and sometimes pop stars get shut out if their video isn’t a huge success. Lucky for Gaga, Abracadabra too the world by a storm and she already has two huge preceding videography awards at the VMA: Best Direction and Best Art Direction. Both awards were NOT FAN VOTED, which means it was awarded by industry experts. Again, it introducing a level of uncertainty for protection, but it’s likely too. As for Harlequin, given Gaga’s high visibility it’s almost also likely that Harlequin will get a Best Traditional Pop nom. ——— from this point onward we should keep expectations low ————— What’s “50/50?” Disease in Best Pop Solo Performance can happen for sure, and even The Grammy Guru predicts it, however given that Disease was not a commercial success nor had the impact Abracadabra had, larger songs could squeeze it out of the running. As for the Remix of Abracadabra, since Gessaffelstein has no track record or reputation at the Grammys, I see him banking considerably on Gaga’s name alone to get the nom. This nom can happen for sure. Regardless, it’s important to note Gaga will not win this award if the song wins. Best Engineering, non-classical: both Mayhem and Harlequin were submitted here. This is a 50/50 based on quantity alone because everyone submits here, and the variety of albums is too spread out. We can see Mayhem alongside a Jazz, RnB or totally different albums. Since this award goes to the sound engineers Gaga would not win this award either, but Cirkut, Watt and Gaga have been campaigning for it. It would be great to get it because usually the winner here also wins AOTY. Its a 50/50 What’s “NOT LIKELY”? Perfect Celebrity in either of the Best Rock Song and Best Rock Performance would surprise me if she gets in. Perfect Celebrity is not a rock song. It’s an industrial POP EDM song with a Rock performance. Genre specific committees are very closed off to these sort of “let’s throw spaghetti at the wall and see what sticks” type of submissions, so I don’t think Gaga will get neither of these. Rock Performance is the likelier pick. Best Arrangement for Harlequin’s “That’s Entertainment” is also a somewhat long shot because it’s another genre specific category where Gaga has not previously attempted to compete in. She has respect in the Traditional Pop and Jazz fields, but as an arrangement things might not go totally in her favor. This is also Gaga’s first year in the jazz and traditional pop fields without Tony, who absolutely pulled her weight. I would bet on the safe side that it’s best to not expect this one either. What’s UNKNOWN/CANT PREDICT? Best Album Cover is a new category that has never been awarded before, meaning we have no precedent on what voter “look for” in a deserving cover. Is it technical proficiency? Is it a cover that resonates with the sound and meaning of the album? We also know the voter pool is much smaller because only members of the recording and packaging committees vote. I think that Harlequin could have a shot here, but there’s simply no way of knowing the dynamic of this category until we actually see who’s nominated and who wins. So, what can we expect? We can expect Gaga to receive somewhere between 2-7 nominations, with 5 or 6 being the sweet spot and most likely outcome. This would be a very successful outcome, as most breakthrough artists rack up to 6 noms in the year and true juggernauts (like Beyonce) only surpassing that number, which Gaga can still do.