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She scammed her fans with these TVs all Swifties who can now stop listening to these butchered versions:

TUDUM TUDUM i hear it and I know TUDUM TUDUM I’m about to watch a show

Putting it on headed paper like it's a letter from Buckingham Palace to announce the death of the queen

Letter on her site: https://www.taylorswift.com/

If y'all didn't boycott Harry Potter before, you should 100% be doing so now.

Well I’m not surprised. Miley’s successful eras have always been broken up by eras like this. She never seems to have two eras in a row with a major hit. She always seems to be able to bounce back whenever she wants though, which many cannot do. Still, it makes one realize that Gaga’s “flop” eras are not actually flops at all.

idk sounds like a compliment to me

Also confirmed: NO REP TV - she never finished rerecording it. Debut TV has been rerecorded in full and may be released. Rep Vault Tracks may be released. She also fully owns everything beyond her masters including music videos, album photo shoots, concert films etc etc.

Agree. Even ARTPOP which was the lowest point of her career with the whole world basically turning on her, that album still had a genuine enduring hit in “applause”, had a second cute hit that can’t be named, and the album till debuted at number one. That’s objectively a successful era. And it was still beloved by a certain section of fans (I was one and still love that album), and has been reevaluated by many more over time in a positive way.

“… the success of The Eras Tour is why I was able to buy back my music”

Fans who threw all original versions into the trash and set them on fire:

i aint reading alla that

she bought it for cheap after de-valuating it with the taylor versions

Inb4 "JoAnNe! I lIkE tHaT iT eNdS"

Time's up! Celebrating 5 years of Chromatica, we have 158 of the finest Gagadaily members, 1 guest, a guy from Twitter, a cute top I'm trying to rizz up, & yours truly. I'll see you back here for the ceremony, on Saturday 31 May at 2PM ET / 5PM PT / 10PM BST!

why couldn't she become obsessed with climate change or something

Is the entire value of pop music purely down to whether it's a "hit"? Let Miley do her thing.

‘Poker Face’ (1.715b) has surpassed ‘Dark Horse’ (1.714b) and is now the 285th most-streamed song on Spotify.

I really suggest some of y'all harry potter stans learn piracy

https://x.com/gagasourcelgs/status/1928475640228925558?t=nmTowYySOuw8_oIm4v1aMw&s=19

update: i infact did read alla that not sure why

Day 115 Abracadabra — 2,178,888 —————No Gaga no Hit————— Cowboy Carters (27 Tracks) — 2,539,086 CUFF IT — 2,035,437 TEXAS HOLD EM — 1,699,774 Break My Soul — 966,365

https://www.billboard.com/music/latin/lady-gaga-mexico-city-concert-review-mayhem-tour-1235956519/ https://www.infobae.com/mexico/2025/04/27/lady-gaga-conquista-a-mexico-con-un-show-epico-lleno-de-pasion-y-teatralidad/ Avg 7.77M gross per show. Avg +61k attendance per show.

I can't stop imagining ppl with different accents pronouncing ‘TUDUM’

her not re-recording rep actually shocked me and I’m so glad the original version is here to stay! after hearing look what you made me do tv, i was so worried because it just doesn’t hit the same as the original, and that one will always be iconic.

As expected, Abracadabra is now Gaga’s 17th (+1) most-streamed song, surpassing Stupid Love, where it will stay for a while. Gaga's top 20 most-streamed tracks (for 29.05.25) : 01. Shallow 2.778b (2,778,011,161) 02. Die With A Smile 2.537b (2,537,586,260) 03. Poker Face 1.714b (1,714,309,853) 04. ARUTW 1.594b (1,594,844,537) 05. Bad Romance 1.546b (1,546,784,624) 06. Just Dance 1.387b (1,387,684,570) 07. Rain On Me 1.156b (1,156,931,291) 08. Million Reasons 918m (918,227,607) 09. Telephone 894m (894,747,432) 10. Judas 834m (834,880,821) 11. Paparazzi 800m (800,966,006) 12. Born This Way 715m (715,825,733) 13. Applause 678m (678,153,318) 14. Bloody Mary 667m (667,043,022) 15. Alejandro 607m (607,846,106) 16. LoveGame 528m (528,113,793) 17. Abracadabra (+1) 403m (403,658,619) 18. Stupid Love (-1) 403m (403,562,646) 19. INLA (Film) 399m (399,256,471) 20. Sour Candy 392m (392,748,087) MAYHEM tracks:

I thought it meant master's degree and I was like yeah sure I guess rich people can do that

I kinda wanted rep tv ngl

Gay people are illiterate

Not sure if this has been discussed already In 2016, two Lady Gaga demos were copyrighted - Wicked Ways and Vampira (though they were made in 2015). They were written by Tommy London, from The Dirty Pearls https://x.com/antpats2/status/1928490448118755792?s=46&t=otnTsZmyY9a9x-nWMC-30Q A few months ago, Tommy London released a song called “Wicked Ways”. Presumably the same song? It’s worth mentioning that Gaga spent a lot of time with Tommy London in 2015. They sang a few songs together (Applause, Panama, Who’s Coming Back To Who, Hot For Teacher, etc) Edit: Vampira is out there too

Dead Dance Die With A Smile Killah Kill For Love Disease why is she so murderous this era

"if you want, i can release the rep vault tracks" MA'AM YOU KNOW WE WANT THEM

One of the last songs my grandpa learned to play on the guitar was Sinner's Prayer He grew up with country and just adored that song. He was gonna teach me how to play it too but the neuropathy made playing excruciating. Now I've inherited his guitar and every time I pick it up and even think about learning that song it feels like daggers flying through me Joanne will always be my favorite album just 'vause I connected with it in ways I haven't since I was a baby being introduced to MJ

The way Wikipedia states MAYHEM has only two singles: Disease and Abracadabra... doesn't sit right with me Especially when it states that TFM had Dance In The Dark as a single and Chromatica had Free Woman... Now, in what world is DWAS not a single?

love addi but babe, comparing her album to The Fame is crazy talk.

Deeply iconic behavior. Had me gagged. Thank god MIB is keeping the second bracket fresh and entertainting

Sorry but your avatar is disgusting 💀 How do i delete someone else's avatar!?

i hate her so much She's a literal billionaire that's targeting less than 1% of the world population, she's evil and history will not be kind to her.

Streaming Killah? Taste

It's the sound my log makes when it hits the bottom of the toilet

Khia forum?!! but i thought abra was a hit-

I just looked at her Spotify page for the first time in ages (I usually play music from my playlists) Since when does Judas have 830,000,000 streams?! She better include it on the new Mayhem Ball setlist 'cause I'm dying to see it live I went to the artRAVE too soon for her to perform it It was scrapped from the JWT It wasn't played at my Enigma date I NEED

No she’s talking about me.

Summerboy has once again earned its best day ever on Spotify this Wednesday! 5/26 — 62,852 [+9.19%] 5/27 — 70,022 [+11.41%] 5/28 — 72,650 [+3.75%] @SnapshotSpotify

Chromatic is a term in music and color that means the inclusion of all 12 notes in the octave or all the hues of color. This was apart of the early concept with the different tribes in the world of chromatica

Patti LuPone's recent comments in the New Yorker, about her fellow actors Kecia Lewis and Audra McDonald, has continued to send shockwaves throughout the theatrical community. After individual Broadway artists, and even McDonald herself, responded, an open letter has now been circulating throughout the industry. The letter has received over 500 signatures, including from Tony winners James Monroe Iglehart, Maleah Joi Moon, and Wendell Pierce. Even Courtney Love has signed the letter, which can be read in full here (any artist who wishes to provide their name to the letter can click here). The letter, which was provided to Playbill, addresses the Broadway League, the American Theatre Wing, and "the greater theatre community." It characterizes LuPone's comments about Lewis and McDonald as "degrading and misogynistic—it is a blatant act of racialized disrespect. It constitutes bullying. It constitutes harassment. It is emblematic of the microaggressions and abuse that people in this industry have endured for far too long, too often without consequence." The letter also says that LuPone's comments are part of a pattern in the theatre industry, which has "a persistent failure to hold people accountable for violent, disrespectful, or harmful behavior—especially when they are powerful or well-known." It then calls for the League and the Wing to disinvite LuPone (and anyone else "who use[s] their platform to publicly demean, harass, or disparage fellow artists") from industry events, including the Tony Awards. And it also asks those disinvited individuals, if they want to continue to engage with the community, to complete "comprehensive anti-bias or restorative justice programs." The letter also asks for "clear, transparent policies for addressing harmful behavior." This latest bit of theatre drama can be traced back to last year, when LuPone was on Broadway in The Roommate, a show that shared a wall with Hell's Kitchen, where Lewis was (and is) giving her Tony-winning performance in the Alicia Keys musical. There was a noise complaint, where the cast of The Roommate asked if the Hell's Kitchen sound design could be modified to minimize sound bleed. After a video of LuPone disparaging Hell's Kitchen for being loud made the rounds on social media, Lewis took to Instagram to ask for an apology from LuPone and said that calling a show with a majority Black cast loud was a "microaggression." When asked about the incident in the New Yorker, LuPone took issue with Lewis calling herself a "veteran," saying, "Let’s find out how many Broadway shows Kecia Lewis has done, because she doesn’t know what the **** she’s talking about...She’s done seven. I’ve done 31. Don’t call yourself a vet, bitch.” (Lewis has actually done 10 shows and LuPone has done 28 shows, though Lewis is younger than LuPone, having made her debut in the '80s). LuPone then added about the noise issue: “This is not unusual on Broadway. This happens all the time when walls are shared.” New Yorker writer Michael Schulman then brought up Audra McDonald, who had supported Lewis' video. And LuPone said: “And I thought, You should know better. That’s typical of Audra. She’s not a friend." She added that the two had a rift, which she declined to elaborate on. Schulman then asked LuPone what she thought of McDonald's performance in Gypsy (a show that LuPone had also starred in on Broadway and won a Tony for), and the former Madame Rose declined to answer the question. Those two actors weren't the only entities that LuPone criticized in the 6,000-word New Yorker profile. She also said that the Kennedy Center under President Trump “should get blown up," called Glenn Close a "bitch" (making it clear she hadn't forgiven Close for starring in Sunset Boulevard on Broadway, a part that had been promised to LuPone), and that she was done with Broadway (which she has said many times before her most recent Broadway show). But it is now clear, based on industry responses, which of LuPone's comments cut the deepest. https://playbill.com/article/over-500-broadway-artists-release-open-letter-reprimanding-patti-lupone Letter:

(Patti LuPone is an Italian Catholic) But yes on theatre people being dramatic asf