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I wanted to know if it's properly documented what songs where uploaded to PureVolume or MySpace back then. Sadly I tried to check out her old profile on PureVolume through Web Archive but seems that PureVolume asked to take down their page from there so I couldn't find what songs were there. There's some hints on Gagapedia, but the info there is pretty bad in my opinion.

Welcome to the Megarate of Gaga's Videography! Lady Gaga’s music videography is a visual chronicle of transformation, ambition, and boundary-pushing art. Since her debut in 2008, Gaga has consistently used the music video not just as promotion but as a core element of her storytelling, fusing fashion, surrealism, narrative, and symbolism. Her early videos like Just Dance, Poker Face, and LoveGame were colorful, dance-heavy, and introduced her as a bold new figure in pop. But it was Paparazzi and Bad Romance that elevated her to a visual icon, both videos combining gothic aesthetics with dark commentary on fame and power. Telephone, her 2010 collaboration with Beyoncé, played out like a short film—gloriously absurd, cinematic, and rebellious. The Born This Way era brought myth, religion, and personal liberation into the mix. Gaga transformed herself in nearly every video—from giving birth to a new race in Born This Way, to channeling Mary Magdalene in Judas, to exploring hybrid identities in You and I. These works became more conceptual, pushing boundaries of gender and genre. In the Artpop and Joanne eras, Gaga oscillated between maximalism and minimalism. G.U.Y. was a surreal 11-minute epic filmed at Hearst Castle with mythological allusions and Real Housewives cameos, while Million Reasons and Perfect Illusion stripped everything down to raw emotional performance. Her return to dance-pop in the Chromatica era revived Gaga’s affinity for vivid, world-building visuals. Stupid Love and Rain on Me offered futuristic, choreographed utopias, while 911 stunned with its surreal psychological twist. The most recent, loosely defined Mayhem era continues in fragments. While traditional videos have been sparse, Gaga has released unpredictable, visually striking clips, sometimes tied to brands, remixes, or short art films. Videos like Abracadabra, Disease, and Die with a Smile (2025) showcase her ongoing commitment to transformation, blending fantasy, identity, and theatrical performance. Over the past nearly two decades, Gaga has turned the music video into a platform for experimentation, activism, and reinvention, making her one of the most visually innovative artists of her generation. Rules: 1) Each music video must be rated on a scale of 1 to 10. 2) Trolling is not allowed. Submit your rates here: https://docs.google.com/forms/d/1WVqPv3PTAR0QPPrVQyN15goSaVNxylZgXWksnMq3Lhk/ (THE DEAD DANCE INCLUDED) LAST DATE OF SUBMISSION: 25 OCT 2025 CEREMONY: 26 OCT 2025 Anyone from Gagadaily is welcome to join!