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Tried my best to re-master the audio as especially early on in the stream the audio was a bit rough MP3 256kbs TRACKLIST: 1. Manifesto Of Mayhem (Intro) 2. Bloody Mary 3. Abracadabra 4. Judas 5. Scheiße 6. Garden Of Eden (Prelude) 7. Garden Of Eden 8. Poker Face 9. Abracadabra - Gesaffelstein Remix (Interlude) 10. Perfect Celebrity 11. Disease 12. Paparazzi + Chat 13. Alejandro 14. The Beast 15. Killah - ft. Gesaffelstein (Prelude) 16. Killah - ft. Gesaffelstein 17. Zombieboy 18. Die With A smile 19. How Bad Do U Want Me 20. To Wake Her Is To Loose Her (Interlude) 21. Shadow Of A Man 22. Born This Way (Prelude) 23. Born This Way 24. Shallow 25. Vanish Into You 26. Eternal Aria Of The Monster Heart (Interlude) 27. Bad Romance

Welcome to THE 2025 Super-Megarate on Gaga's Discography! Some may dismiss pop as inauthentic. But for Lady Gaga—one of popular culture’s greatest, most extravagant creations—the inauthenticity is the point. No artist has more defiantly embodied that provocation this century than the one born Stefani Joanne Angelina Germanotta (in New York in 1986). Never wedded to the same image—one minute wearing a dress made of raw meat at the VMAs, the next a coat of Kermit the Frog puppets on German TV—Gaga personifies pop’s surface obsessions while simultaneously upending them. In a sense, her creative identity had crystallized by age 21, having been a child pianist, aspiring actor, and burlesque performer. Each of these facets powered her career’s most distinct chapters: the celebrity fascination of The Fame (2008) and The Fame Monster (2009); the radical pop politics of Born This Way (2011); the misunderstood maximalism of ARTPOP (2013); the smoky jazz standards of Cheek to Cheek (2014) and Love for Sale (2021); the personal Americana of Joanne (2016); and the Oscar-winning pathos of A Star Is Born (2018). She returned to the dancefloor with Chromatica (2020), blending techno-pop with trauma and resilience. She took to the skies in “Hold My Hand” (Top Gun: Maverick, 2022), and in 2024, fully embodied her theatrical alter ego in Joker: Folie à Deux as Harley Quinn—a role that inspired a whole new artistic dimension. Alongside the film, Gaga released Harlequin (2024), a genre-fluid soundtrack album combining jazz standards, big band theatricality, and original compositions like “Folie à Deux” and “Happy Mistake.” It marked yet another sonic detour—yet unmistakably hers. Then came MAYHEM (2025)—an industrial, conceptual, glittering monster of a record that shattered genre, blended eras, and reasserted Gaga as one of pop’s most daring visionaries. Across decades and dimensions, Gaga has remained a shapeshifter with a message: the surface may be artificial, but the transformation is always real. Rules: 1) You have to rate each and every track of the album from 2 to 10. 2) Trolling is prohibited. Submit your rates here: https://docs.google.com/forms/d/1N4wHqpWwqhVQuHNqcGVXc5-nEY0A84sOseKeEtvbeyw/ LAST DATE OF SUBMISSION: 9 MAY 2025 CEREMONY: 10 MAY 2025 Anyone from GagaDaily can join!