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She knows what she's doing

Interviewed by InfoMoney, the CEO of Bonus Track confirmed Lady Gaga's concert in Copacabana will have 40 minutes more than Coachella. The concert’s duration will be two and a half hours. Source: https://www.infomoney.com.br/business/exclusivo-lady-gaga-no-rio-sera-maior-que-o-coachella-diz-ceo-da-bonus-track/amp/

As she should! It's a great album whether the little flopsters wanna give it attention or not

All of you complaining and saying "give it a rest". Do you really care? As Gaga once said, "My fans don't care and neither do I" We keep enjoying her music, let people be and enjoy stuff. Period.

Wow, she’s absolutely thriving—let her keep going! No need to slow down. I hope she’ll release 2 new albums this year plus the last couple of TV albums and then she’ll headline Super Bowl, Coachella, Glastonbury and Rita Ora's World Tour next year.

Radio Callouts #1(+1) DWAS #23(+5) Abracadabra

A Harlequin Act II would be so funny

Spotify Global 1(=) Smash with a smile 5,817,171 23(+3) Miss Debra 2,571,247 92(+28) Poker Face 1,444,582 191 Just dance 1,107,345 NEW 192 Bad Romance 1,103,834 NEW OH MY GOD

Why does anyone care if she’s releasing music? That’s literally her career. She’s an artist. If you don’t want to listen to her, I guess just don’t.

As she should, Happy Mistake is one of her best songs and has one of her best live vocals ever

The last 2 pages of the CHARTS thread being just a series of random opinions and fanfic‘ postings that have absolutely NOTHING to do with the charts… There‘s a „Thoughts“ message board, just take it there guys…

https://vm.tiktok.com/ZNdFYqbWJ/

Erik Arvinder worked with Max Martin on the latest albums by Ariana Grande and The Weeknd

Can't believe her label is letting her do this just before a tour The insurance must be good

It says ‘Flop’ 26 times, I zoomed in and used AI to improve the quality.

“Abracadabra” enters the Top 10 on today’s US Pop Radio (Mediabase) rolling chart. If it maintains its position by Sunday, it’ll officially be her 16th song to reach the Top 10 at the format (2nd from ‘Mayhem’).

I hate her

this image is about the quality i expect from katy perry in 2025

Lasted longer than woman's world on the hot 100

It’s so funny how she lowkey sets fire on her own fanbase sometimes even knowing how annoying LMs can get it gives me

Overall radio DWAS: 68.14 (+0.48) Abracadabra: 27.32 (+0.62)

Thank you very much for participating and making the ceremony unforgettable! RESULT PARTICIPANTS

Afterwards she will attend a Google summit on climate change in a private jet in Sicily or Mallorca. "“Scores of celebrities and the rich have arrived in Sicily for a Google conference. They came in 114 private jets and a flotilla of super yachts,” Neil wrote to his nearly 1 million Twitter followers. “The conference is on global warming." https://www.transcend.org/tms/2019/08/googles-extravagant-climate-change-camp-mocked-as-party-for-entitled-fools/

https://www.dailymail.co.uk/tvshowbiz/article-14601877/Lady-Gaga-Coachella-performance-satanic-rituals-fans.html

Spotify UK #8 (=) Die with a smile #28 (+7) Abracadabra #130 (+39) Just Dance #162 Poker Face (Re-entry) Spotify US #4 (=) Die with a smile #40 (+14) Abracadabra #175 Poker Face (Re-entry) Spotify Germany #13(+4) Die with a smile #25(+5) Abracadabra #144(+10) Poker Face #170(-4) Just Dance Spotify Canada #4(=) Die with a smile #36(+7) Abracadabra #120(+30) Poker Face #150(+33) Just Dance Rising everywhere

Happy Mistake easily one of her best ballads .

All this fuel, money, energy.. for basically a rollercoaster ride. Less than 11 min. Rich people will end us.

He's the opposite of controlling tbh. He's the manager that says "whatever you (Gaga) want, I will make it happen. Whatever you don't want, I will make it disappear" Some stans want her career handled by another Troy Carter type that'll run her into the ground again and Bobby is not that man. There's a massive amount of respect and love between them. Doesn't take an insider to see that but for what it's worth, every interaction we've had with the man, even if it was as simple as asking us to remove leaks, has been beyond pleasant. He's approachable by fans, has met several of the mods personally a few times, and he even asks about Admin. He's a good guy, idc what some stan says. And I'm not just saying that 'cause I might get the chance to personally ask Gaga what her favorite MJ song is in September

Billboard Global 200 DWAS 2-1-1-1-1-1-1-1-1-2-2-2-2-2-2-3-4-4-10-2-2-3-3-2-1-2-2-1-1-1-1-1-1-1-

"Baby I just need one good one toooo.... Rio, I'm so happy to be here tonight. This song reminds me of growing up in New York with Italian immigrant parents, surrounded by so many strong and independent women. I remember crying on my grandmother's couch and seeing, my now dear friend, Beyoncé on the TV, and when I met Beyoncé for the first time I told her this story and... *40 mins later* ...staaaaaaaayyyyyyy"

I hope **** **** performs her legendary single ******* ********

We are tired of DWAS, Abra should be there instead

Just Dance rising everywhere without even being performed at Coachella

I would unironically be here for it too. Although for Gaga's next jazz project, I'd love to hear some original songs like Folie A Deux!

Had Abra been released a few weeks later, it would've debuted Top 3. The obsession with the Hot 100 is bewildering when we know how volatile, arbitrary, and luck-based it is – despite having the same amount of points, there's literally a 10-spot difference between where Abra could've peaked. Does it really matter? Impact and longevity of the song is far more important – peak is irrelevant if a song free falls. It just baffles my mind how what's called a "hit" depends so much on the Hot 100. If everything was going exactly the same but Abra had debuted at #3 (which, with the exact same number of points it had in early February, would have been the case had it been released a month later instead), this wouldn't be a discussion. It's ridiculous how much is tied up in a chart. I think streaming stats are much more relevant nowadays because they're reflective of what people **actually choose to listen to**. The same fans who were bitching and moaning about A Bar Song staying at #1 for so long due to radio are now fine with DWAS being propped up in the same way. The whole chart is a joke because radio continues to make up such a huge chunk of how Billboard calculates points. tl;dr the song is a bona fide hit and idc what number it's assigned on the hot 100

Gaga has always stood for niceness and anti bullying but it’s still crazy to come on here and see so much hate towards someone. I am not even a huge fan of hers other than her popular songs but even I hope everything goes well. Some of you need to check your sassyness cause it comes off borderline bullying when you all gang up.

Apple Music US 111. (+11) Lady Gaga - Abracadabra

For those of us who actually enjoy her music, this is exciting. I don't see why people are so desperate for her to stop releasing music when so many people enjoy it (statistically, more than just about any other artist on Earth right now). If you don't like it, don't listen to it. I don't see this kind of irrational anger being directed towards the other artists that people hate. All I see on here is people losing their minds over Teddy Swims, Morgan Wallen and all the other male artists who are dominating the charts right now, yet not once have I seen someone calling for them to stop releasing music. If Gaga was releasing a new album every year and a half, this fanbase would go crazy. I don't see why it's so hard to have that empathy for people who do enjoy Taylor's music and realise that it's incredibly odd to be the first ones to comment about someone you apparently don't care for.

Welcome to THE 2025 Super-Megarate on Gaga's Discography! Some may dismiss pop as inauthentic. But for Lady Gaga—one of popular culture’s greatest, most extravagant creations—the inauthenticity is the point. No artist has more defiantly embodied that provocation this century than the one born Stefani Joanne Angelina Germanotta (in New York in 1986). Never wedded to the same image—one minute wearing a dress made of raw meat at the VMAs, the next a coat of Kermit the Frog puppets on German TV—Gaga personifies pop’s surface obsessions while simultaneously upending them. In a sense, her creative identity had crystallized by age 21, having been a child pianist, aspiring actor, and burlesque performer. Each of these facets powered her career’s most distinct chapters: the celebrity fascination of The Fame (2008) and The Fame Monster (2009); the radical pop politics of Born This Way (2011); the misunderstood maximalism of ARTPOP (2013); the smoky jazz standards of Cheek to Cheek (2014) and Love for Sale (2021); the personal Americana of Joanne (2016); and the Oscar-winning pathos of A Star Is Born (2018). She returned to the dancefloor with Chromatica (2020), blending techno-pop with trauma and resilience. She took to the skies in “Hold My Hand” (Top Gun: Maverick, 2022), and in 2024, fully embodied her theatrical alter ego in Joker: Folie à Deux as Harley Quinn—a role that inspired a whole new artistic dimension. Alongside the film, Gaga released Harlequin (2024), a genre-fluid soundtrack album combining jazz standards, big band theatricality, and original compositions like “Folie à Deux” and “Happy Mistake.” It marked yet another sonic detour—yet unmistakably hers. Then came MAYHEM (2025)—an industrial, conceptual, glittering monster of a record that shattered genre, blended eras, and reasserted Gaga as one of pop’s most daring visionaries. Across decades and dimensions, Gaga has remained a shapeshifter with a message: the surface may be artificial, but the transformation is always real. Rules: 1) You have to rate each and every track of the album from 2 to 10. 2) Trolling is prohibited. Submit your rates here: https://docs.google.com/forms/d/1N4wHqpWwqhVQuHNqcGVXc5-nEY0A84sOseKeEtvbeyw/ LAST DATE OF SUBMISSION: 9 MAY 2025 CEREMONY: 10 MAY 2025 Anyone from GagaDaily can join!

Tyra Banks suggested that Taylor Swift should play Whitney Houston's role in the new "Bodyguard" remake. When Banks co-hosted Monday's episode of "Today With Jenna and Friends" with Jenna Bush Hager, they theorized who could take over Houston and Kevin Costner's roles in an upcoming remake of the 1992 romantic thriller. "I think Taylor Swift, because business, commerce, art, and she would frickin' sell like crazy," Banks said. The former "America's Next Top Model" host added that since the original film starred Houston, a black woman, and Costner, a white man, they could "flip it" in the new version. "What if we flipped it, and it was Taylor Swift and Idris Elba?" Banks asked. The co-hosts also pointed out that the director of Swift's blockbuster "Taylor Swift: The Eras Tour" film, Sam Wrench, is set to direct the reboot. Deadline previously reported that Warner Bros will be revamping the "Bodyguard." The studio, which released the original, has set Taylor Swift: The Eras Tour director Sam Wrench to helm and script by Juror No. 2 writer Jonathan A. Abrams, Deadline has learned. No casting has been set, but after the first film’s star duo and box office success it certainly will be a casting process to watch. Beyond Swift, there are many singers who could play the singing star that this should be a magnet for an exciting cast. source deadline

Honestly, rationally, I want to hate how ****ed it is that billions has been spent by the two richest people of all time, culminating in this “feminist” space launch featuring millionaire/billionaire women while we are about to enter into an economic crisis - but girl that was the peak of entertainment. Like, I’m sorry but shut the **** up - I just witnessed Oprah crying on my screen because they blasted Gale King into space?? Shut the **** uppppppp that is so ****ing funny I’m not even sorry

The boost was noticeable on Spotify (Saturday update) : Disease +8,85% Abracadabra +7,54% Garden Of Eden +11,63% Perfect Celebrity +15,22% Vanish Into You 477,757 +13,95% Killah 309,107 +18,57% Zombieboy 358,241 +9,39% LoveDrug 303,164 +4,52% How Bad Do U Want Me 590,821 +5,78% Don't Call Tonight 207,308 +7,45% Shadow Of A Man 441,925 +8,63% The Beast 173,074 +16,27% Blade Of Grass 140,681 +5,3% Die With A Smile 6,615,519 +2,16% Plus, Abracadabra rose 25 spots on Spotify US and 7 spots on Spotify global. Today is Sunday's update, we should manage expectations but I'm confident we'll get a good update. And this is the last AM US update, a very good omen for today's US Spotify numbers: Apple Music US: #98. (+24) “Abracadabra” Very fair to say the Coachella effect is very real

They literally put crack in it or something. I heard it at least 1000 times and still not sick of it.

And she’s not wrong jk, love those other albums too, but I think Harlequin is severely underrated. That record has some of her best production and vocals

"No you won't." "Betch."

She's back n licking the ground

MAYHEM Apple Music (10x #1): #1 Armenia (+2) #1 Australia (+1) #1 Azerbaijan (+9) #1 Brazil (+1) #1 Bulgaria (+2) #1 Cyprus (=) #1 Latvia (+2) #1 Malta (+1) #1 Poland (+1) #1 Turkey (=) #2 China (=) #2 Estonia (+2) #2 Finland (+2) #2 Ireland (=) #2 Netherlands (+3) #2 New Zealand (+2) #2 Portugal (+1) #2 Sweden (+2) #2 Uruguay (+1) #3 Argentina (=) #3 Czech Republic (+1) #3 Germany (+1) #3 Hong Kong (+1) #3 Luxembourg (-1) #3 Macau (+3) #3 Paraguay (=) #3 Singapore (=) #3 Taiwan (+3) #3 United Kingdom (=) #4 Austria (+3) #4 Colombia (=) #4 Costa Rica (=) #4 Hungary (+1) #4 Kuwait (=) #4 Malaysia (=) #4 Mexico (+2) #4 North Macedonia (=) #4 Panama (+1) #4 Philippines (=) #4 Spain (=) #4 Tajikistan (+9) #4 Ukraine (+5) #4 Vietnam (+1) #5 Bahrain (+2) #5 Croatia (+3) #5 Indonesia (=) #5 Nicaragua (+2) #5 Peru (+1) #5 Slovenia (+1) #5 Switzerland (+1) #6 Belgium (+1) #6 Canada (+1) #6 Chile (=) #6 Ecuador (=) #6 El Salvador (+2) #6 Italy (+1) #6 Serbia (-2) #7 Cambodia (+1) #7 France (=) #7 Lebanon (-1) #7 Lithuania (=) #8 Bolivia (+1) #8 Greece (+3) #8 Romania (+1) #8 Saudi Arabia (+2) #8 United Arab Emirates (+4) #9 Denmark (+2) #9 Honduras (+2) #9 Israel (+2) #9 Norway (=) #9 Thailand (+1) #10 Venezuela (-3) #11 Oman (-1) #11 Slovakia (+2) #12 Belize (+18) #12 Fiji (-5) #12 United States (+2) #15 Guatemala (-2) #15 Kazakhstan (+2) #16 Kyrgyzstan (-1) #17 Trinidad and Tobago (+4) #18 Mauritius (+5) #20 Dominican Republic (-3) #22 Moldova (+7) #23 Jordan (NE) #23 Turkmenistan (-8) #25 Algeria (+1) #25 Uzbekistan (+8) #27 Grenada (NE) #27 South Korea (+22) #29 Jamaica (+11) #29 Mongolia (+4) #32 Myanmar (+9) #33 Tunisia (-7) #34 Egypt (-13) #38 Qatar (-8) #39 Sri Lanka (+33) #42 Bermuda (-4) #68 South Africa (+15) #1 in 10 countries and Top 10 in 72 countries right now. Global smash!!!!

It's a transition. A simple one at that In no way does she owe these guys credit for putting her own acapella over another song's instrumental

Today, DWAS will overtake 3 songs in streams on the all time most streamed list: a-ha's Take on Me, Sam Smith's Too Good at Goodbyes and Uptown Funk... it'll become the 92nd most streamed song on Spotify.