Leaderboard

The last PH Hot 100 chart for the year was just revealed. Congrats Gaga! Billboard Philippines Hot 100—Women with the most weeks at #1 in 2024 1. Lady Gaga (7 weeks) 2. ROSÉ of BLACKPINK (6 weeks) 3. Sza (1 week) Billboard Philippines Hot 100 was just relaunched in July 2024 so there are actually ONLY 6 songs which topped the chart in 2024. Gaga previously made history on this relaunched chart as the FIRST WOMAN & also the FIRST NON-FILIPINO to hit #1. https://twitter.com/gerrygaga28/status/1871799033859371212

Gaga could never make The Fame Monster today. Albums take a really long time to produce and it's already 3pm on the west coast. Also Gaga and her producers would probably like to spend christmas eve with their families.

Christmas Tree earns a new peak in streams on Spotify with 84 929 streams gained yesterday. Santa Claus is Coming To Town also gets a new peak with 794 994 streams

Blinding Lights by The Weeknd has left Spotify Global for the first time after 1852 days (5 years) Sweater Weather is now the longest charting song on the Global Spotify

With 4.95M views, Die With A Smile achieved its second best daily performance on YouTube since its released. The 24-hour cumulative was only surpassed by the day of its debut, when the video obtained 5.42M views

“ When I create art, it’s not just for the music, it’s the visuals. They add an undertone that sometimes the music can’t quite capture or unlock a completely different idea.” — Lady Gaga, Rolling Stone (2011) Music videos have long been a crucial medium for artists to visually express their music, enhance storytelling, and connect with audiences on a deeper level. Iconic videos like Michael Jackson’s “Thriller” revolutionized the format, blending cinematic storytelling with groundbreaking choreography, while Madonna’s “Like a Prayer” pushed boundaries with its provocative imagery and social commentary. Queen’s “Bohemian Rhapsody” introduced innovative visual effects that helped define the music video as an art form. These early classics set the stage for music videos to become a powerful cultural force, merging music and visuals to leave a lasting impact on pop culture. When it comes to Lady Gaga, she has consistently elevated the music video format since her debut in 2008. From the colorful, dance-driven “Just Dance” to the avant-garde masterpiece “Bad Romance”—directed by Francis Lawrence, who later helmed The Hunger Games trilogy—Gaga has always pushed creative boundaries. Most recently, her October release of the highly anticipated comeback video “Disease” has once again showcased her ability to merge music and film into unforgettable experiences. While these are some of Gaga’s major works, her videography is a treasure trove of artistry and innovation that captivates viewers. Today, let’s take a closer look at some of Lady Gaga’s most iconic music videos. JUST DANCE (2008) On March 31, 2008, just three days after her 22nd birthday, Lady Gaga embarked on the creation of her very first music video for her debut single, “Just Dance.” At this early stage in her career, she was determined to establish herself not just as a musician but as a visionary artist who could seamlessly blend music, performance, and visual storytelling. Directed by Melina Matsoukas, the video premiered on the NewNowNext Music Awards on April 25, 2008, and quickly introduced audiences to Gaga’s unique aesthetic and unapologetic persona. The concept for the video was deeply rooted in Gaga’s own experiences and lifestyle. Rather than setting the video in a glossy nightclub, she opted to portray a raw and relatable house party—a scene she felt connected to and wanted to share with the world. This choice gave the video a sense of authenticity and grounded it in a reality that many viewers could recognize. Gaga envisioned the production as a fusion of performance art and pop culture, aiming to balance commercial appeal with an edgy, provocative undertone. Throughout the shoot, Gaga was fully immersed in the creative process. She wasn’t just a performer on set—she was a driving force behind every detail, from the styling of her costumes to the placement of extras and props. Her meticulous attention to detail ensured the video captured not only her artistic vision but also her provocative, sexy persona, which would become a hallmark of her career. For Gaga, this project wasn’t just another music video—it was the foundation for her future as a multi-dimensional artist. As of today, the “Just Dance” video has garnered over 464 million views on YouTube, a testament to its enduring popularity. While it may lack the intricate storytelling and avant-garde artistry of her later works, it remains a defining moment in her career. This video not only introduced Lady Gaga to the world but also set the stage for her evolution into one of the most innovative and influential music video creators of her generation. It was a bold first step that hinted at the groundbreaking visuals and narratives that would soon become her trademark. POKER FACE (2008) As October 2008 drew to a close, Lady Gaga was preparing to release what would become one of the most iconic music videos of her career for her single “Poker Face.” The track, from her debut album The Fame, would go on to cement her as a global pop phenomenon. Little did Gaga know at the time that “Poker Face” would become one of her most infamous songs, defining the sound and visuals of her early career. The music video was shot on October 3, 2008, with direction from the talented duo Ray Kay and Anthony Mandler. Gaga envisioned a striking blend of sex appeal and futuristic aesthetics for the video’s treatment, setting out to create a visual that was both provocative and forward-thinking. Initially, the concept was to film on a beach in Ibiza, with Gaga emerging from the surf in a moment inspired by Halle Berry’s iconic scene in Die Another Day. However, when plans fell through at the last minute, the production pivoted to a new location: a stunning Malibu mansion known as Bwin PokerIsland. Over the course of a single day, the team brought Gaga’s vision to life. In her Transmission Gagavision series, Gaga explained the inspiration behind the video, stating, “I knew I wanted it to be sexy, so I thought no pants, because that’s sexy. And I knew I wanted it to be futuristic, so I thought of shoulder pads, because that’s my thing.” These elements became key to the video’s aesthetic, as Gaga paired sleek, cutting-edge fashion with a bold confidence that perfectly matched the song’s themes of mystery, dominance, and control. The final product was a visually captivating masterpiece, combining sharp visuals, daring fashion, and Gaga’s magnetic performance. The video not only enhanced the song’s success but also solidified Gaga’s reputation as a pop innovator who could deliver music videos that were both artistically daring and commercially accessible. Today, “Poker Face” has garnered over 1.4 billion views on YouTube, making it her third most-viewed video to date. The enduring popularity of the video and song highlights their impact on pop culture and underscores Gaga’s ability to create art that resonates with audiences worldwide. BAD ROMANCE (2009) As Halloween approached in 2009, Lady Gaga was gearing up to release the first single from her highly anticipated second album, The Fame Monster, set to drop in November. The single she chose was none other than “Bad Romance,” a track that would soon become one of the most prolific and defining songs of her career. With a song of such magnitude, Gaga knew the accompanying music video had to be equally groundbreaking—and she was determined to deliver nothing less. For the video, Gaga enlisted the talents of director Francis Lawrence, a filmmaker who would go on to helm one of the most prolific film franchises of all time, The Hunger Games. Even at that time, Gaga recognized Lawrence’s exceptional abilities, later stating that she was “impressed” with both herself and Lawrence for what they achieved with the video. “I knew [Lawrence’s] ability as a director is so much higher than what I could [do],” Gaga explained. The music video premiered on November 10, 2009, and instantly became a cultural phenomenon. The concept for “Bad Romance” revolved around merging Gaga’s eccentric, avant-garde vision with Lawrence’s polished, cinematic expertise, creating a video that was both artistically daring and widely accessible. With art direction by her creative team, the Haus of Gaga, the video was a collaborative effort that allowed Gaga to channel her “weirdest, most psychotic ideas” into a visual masterpiece. Gaga described the process as collaborative, praising Lawrence for his ability to transform her unconventional ideas into a narrative that would resonate with a mainstream audience. The video explores themes of empowerment, desire, and dark romance, brought to life through surreal imagery, bold fashion, and striking choreography. Gaga’s meticulous control over the treatment, costumes, and thematic elements, combined with Lawrence’s skill as a filmmaker, resulted in a visually stunning work of art that pushed the boundaries of pop music videos. As of today, the “Bad Romance” video has amassed over 1.8 billion views on YouTube, making it Lady Gaga’s most viewed music video to date. Its impact extended beyond viewership, earning an unprecedented seven MTV Video Music Awards in 2010, setting a record for the most awarded music video by a female artist. Widely regarded as one of Gaga’s most iconic works, the “Bad Romance” video stands as a testament to her ability to seamlessly blend avant-garde artistry with mainstream appeal, solidifying her status as a pop culture trailblazer. MARRY THE NIGHT (2011) Picture it—it’s November 2011. By this point, Lady Gaga had firmly established herself as a global icon. With the monumental success of The Fame Monster and her record-breaking Monster Ball Tour, it seemed impossible for her to take her stardom to even greater heights. But this is Lady Gaga—an artist who thrives on defying limits and redefining expectations. Having already released four music videos from her Born This Way album, Gaga was ready to deliver one final visual masterpiece to close the era. She chose “Marry the Night,” a song that was not just a celebration of her love for New York City but a raw, deeply personal exploration of loss, resilience, and self-reclamation. Gaga began filming the “Marry the Night” music video on October 10, 2011, in Staten Island, New York. From the start, it was clear this project was going to be unlike anything she had done before. On October 12, Gaga teased her fans on Twitter, humorously noting that they had already shot 30,000 feet of film, hinting at the ambitious scale of her vision. For the first time, Gaga stepped into the role of director, not only starring in the video but shaping its narrative and execution. Her commitment to this project went beyond performance—she poured her heart and soul into crafting a story that mirrored one of the darkest days of her life. The video is, at its core, a visual autobiography told through the lens of surrealism. Gaga revisits the moment she was dropped by her first record label, Island Def Jam—a crushing rejection that could have ended her career. Instead of succumbing to despair, Gaga turned that moment into a narrative of triumph. She described the video as a way to reimagine and process her pain, blending stark realism with fantastical elements to show how she transformed her heartbreak into a foundation for her future success. The music video opens with “Marry the Night: The Prelude Pathétique,” set to Ludwig van Beethoven’s Piano Sonata No. 8 in C minor, Op. 13. This seven-minute prologue introduces viewers to Gaga’s creative psyche, narrated by her internal monologue. The scene oscillates between humor and darkness, offering a glimpse into her state of mind as she relives that pivotal day. Gaga described this part of the video as an intimate insight into her creative process, where every thought, memory, and emotion intertwine to form the foundation of her artistry. One of the most strikingly realistic moments in the video occurs when Gaga portrays herself naked in her New York apartment. This raw and unfiltered scene captures her vulnerability during a time when she felt utterly defeated. Gaga revealed that she blacked out emotionally while filming this sequence, choosing to let the cameras roll uninterrupted to fully relive the trauma and allow the authenticity of the moment to speak for itself. The video builds to a climactic transformation, symbolizing Gaga’s rise from the ashes. In the final scenes, the pace quickens, the editing becomes frantic, and the visuals explode into a fiery crescendo. These moments of chaos mirror Gaga’s emotional intensity as she reclaims her identity and finds strength in her struggles. Fashion also plays a symbolic role, with Gaga using twisted ballet costumes and elongated toe shoes to represent her journey from imperfection to empowerment. Today, the “Marry the Night” video has garnered over 103 million views on YouTube. While it may not boast the same astronomical numbers as her earlier works, the video holds a special place in Gaga’s videography as one of her most personal and introspective pieces. It’s a raw and unflinching portrayal of how life’s challenges can strip everything away—but also how resilience and determination can rebuild it all. In the end, “Marry the Night” is more than a music video—it’s a testament to Gaga’s belief that hardships are an integral part of growth and creativity. Through its blend of rejection, perseverance, and triumph, the video encapsulates the very essence of Gaga’s artistry: embracing vulnerability, finding strength in adversity, and turning pain into an anthem for empowerment. It’s a love letter not just to New York City but to the struggles that shape us and the courage it takes to keep moving forward. APPLAUSE (2013) 2013 marked a pivotal and fascinating year for Lady Gaga. After the immense success of the Born This Way Ball Tour, which ended abruptly due to a labral tear in her hip, many fans wondered what the pop icon’s next move would be. Unbeknownst to them, Gaga was quietly working on her next artistic statement—her third studio album, ARTPOP. Among its tracks was “Applause,” a song that almost didn’t make it onto the album. Yet, it would ultimately become a defining entry in her discography, known for its polarizing reception among fans—some hailing it as a masterpiece, while others dismissed it as divisive. But for Gaga, “Applause” was more than just a song—it was a statement, a hunger for art, and an ode to the relationship between artist and audience. The “Applause” music video, directed by visionary duo Inez and Vinoodh, stands as one of Gaga’s most artistically ambitious works to date. Filmed on July 17, 2013, the video was a comeback moment for Gaga, reminding fans of her daring creativity and relentless drive. From avant-garde fashion to surreal jump cuts and even Gaga herself transforming into a bird, the video is a kaleidoscope of visual artistry, embodying Gaga’s mission to create something truly unique and unforgettable. At its core, “Applause” is an exploration of the complex relationship between performer and audience, delving into themes of sacrifice, vulnerability, and the lengths an artist will go to captivate and entertain. Gaga described the concept as a battle between simplicity and spectacle, represented by the interplay of black-and-white minimalism and bursts of vibrant color. Stripping away her usual wigs and elaborate looks, Gaga portrays a “classic figure,” yearning for authenticity amidst the chaos of her career. The minimalist aesthetic is juxtaposed with scenes that showcase the larger-than-life elements of her persona, reflecting her internal struggle to balance her artistry with the demands of fame. Throughout the video, Gaga revisits the stages of her career and the transformative power of performance. Lo-fi theatrics and symbolic gestures, like “magic tricks,” represent the relentless effort to gain the audience’s approval. The video’s emotional climax features Gaga walking down a runway in an archival John Galliano gown, holding a bouquet of flowers and a broken limb—an evocative metaphor for the physical and emotional toll of living for applause. Her tearful refrain, “I miss you, I miss you, I wish I could be with you,” reveals the depth of her connection to her fans and her longing for their validation. With over 448 million views on YouTube, the “Applause” video ranks among Gaga’s most-watched works, narrowly making her top 10. Beyond the numbers, the video stands as a testament to Gaga’s ability to merge high art and pop culture. It celebrates the artist-audience bond while confronting the paradox of fame: the desire to stay authentic while continuously striving to meet expectations. Through its blend of simplicity and extravagance, “Applause” reveals that while Gaga lives for the applause, it comes at a price—a vulnerability and sacrifice she willingly embraces for her art. Ultimately, “Applause” is a love letter to performance and a tribute to the fans who sustain Gaga’s artistry. It’s a bold, theatrical declaration of her unwavering commitment to the transformative power of art, solidifying her place as one of pop’s most daring and innovative performers. JOHN WAYNE (2016) Imagine this: Lady Gaga—the same pop icon who once wore a meat dress—donning a cowboy hat. Sounds a bit wild, right? But with Joanne, Gaga proved once again that reinvention is her forte. After years of dominating the pop music scene with avant-garde hits and theatrical performances, she decided to take a step back, embracing a more stripped-down and conservative tone. Her post-ARTPOP era saw her exploring new artistic avenues, from her Grammy-winning jazz collaboration with Tony Bennett on Cheek to Cheek to her powerful song about sexual assault, “Til It Happens to You,” co-written with Diane Warren. She even earned her first Golden Globe for her haunting role in American Horror Story. Yet, no matter how far her creative ventures took her, Lady Gaga’s love for music remained steadfast. With her fifth studio album, Joanne (2016), Gaga sought to connect with her fans on a deeply personal level. The album showcased a more vulnerable, grounded side of the artist, appealing to longtime followers and even some new listeners. But, of course, it wouldn’t be a Lady Gaga album without at least one track that brought her trademark flair and theatrics to the forefront—and that track was “John Wayne.” When it came time to craft the music video for “John Wayne,” Gaga turned to a trusted collaborator who understood her vision and artistry better than most: Jonas Åkerlund. Known for directing some of her most iconic music videos, like “Paparazzi” and “Telephone” featuring Beyoncé, Åkerlund was the perfect choice to bring the chaos and energy of “John Wayne” to life. Filmed in California on January 20, 2017, the video was released on February 8, just days after Gaga’s jaw-dropping Super Bowl halftime show performance. The “John Wayne” music video is a wild ride that dives headfirst into the themes of reckless love, untamed desire, and the chaos that comes with chasing dangerous relationships. Gaga uses hyper-stylized, exaggerated visuals and frenetic editing to capture the thrill and destruction of being drawn to a high-octane, unpredictable partner. The narrative is a whirlwind, blending moments of absurd humor with darker, more intense imagery to reflect the duality of excitement and harm in these adrenaline-fueled connections. Throughout the video, Gaga portrays a character entranced and consumed by the allure of wild, untamed love. She rides through chaotic scenes filled with violence, destruction, and fantasy, embodying the metaphorical journey of chasing a “John Wayne” archetype—a rugged, dangerous figure who represents both freedom and destruction. The frenetic energy, explosive action sequences, and over-the-top aesthetic mirror the uncontrollable nature of lust and desire when paired with danger. At its core, the video explores the addictive cycle of pursuing something thrilling yet self-destructive. It’s a tongue-in-cheek commentary on the allure of living life on the edge, where the excitement of the chase often overshadows the inevitable crash. With its bold imagery and energetic pacing, the video stands as a testament to Gaga’s fearless approach to storytelling. As of today, the music video for “John Wayne” has 53,060,819 views on YouTube, placing it just shy of Gaga’s top 40 most-viewed music videos. While it may not have the massive numbers of her earlier hits, the video remains a fan favorite for its raw energy and unapologetic commitment to the chaos of reckless love. In the end, “John Wayne” is a captivating exploration of life on the edge—an exhilarating, dangerous journey fueled by wild desire and the thrill of the chase. 911 (2020) While we may not want to revisit the year 2020, it’s impossible to talk about Lady Gaga’s music videos without acknowledging the groundbreaking 911 video. For this project, Gaga teamed up with director Tarsem Singh, an Indian filmmaker known for his love of bold, artistic visuals. Their collaboration resulted in a video that, while shot in just two days—August 18 and 19 of 2020—became an iconic representation of Gaga’s ability to blend creativity with raw, personal experience. Released a month later in September, the video marked a striking return to Gaga’s avant-garde style. At its core, the 911 music video is a deeply personal exploration of mental health, trauma, and the therapeutic power of artistic expression. It delves into Gaga’s battle with her own mind, her struggles with psychotropic medication, and the aftermath of a traumatic car accident. Through a surreal, dreamlike lens, the video transforms these intensely real and painful experiences into something visually symbolic and breathtaking. It demonstrates how creativity can be a tool for survival and self-expression—turning suffering into art. The narrative of the video portrays Gaga’s inability to control her actions after skipping her antipsychotic medication, leading to a catastrophic car accident. Yet instead of showing the reality of this event, the video reframes it through her subconscious, using vibrant, fantastical imagery. Everyday occurrences, such as paramedics and bystanders, are reimagined as larger-than-life characters, while the physical injuries Gaga sustains are abstracted into surrealist symbolism. This transformation of trauma into something artistic reflects a common human experience—our instinct to process and make sense of life’s chaos in ways that allow us to regain control. Additionally, the video explores the delicate balance between vulnerability and control. Gaga openly acknowledges that her mind can be her “biggest enemy,” often requiring medication to help regulate her thoughts and emotions. Yet, through her artistry, she reasserts control over her narrative, showing that while mental health challenges can be overwhelming, they don’t define her. By re-contextualizing her struggles, Gaga transforms them into a source of strength, offering a powerful message of resilience. With over 1.7 million views on YouTube, 911 has arguably become one of her most impactful music videos of the 2020s. It was a true return to her avant-garde roots, blending surrealist visuals with a candid exploration of mental health. The video resonates with anyone who has felt isolated by their own struggles, yet it offers hope by showcasing how, through self-awareness, support, and artistic interpretation, one can navigate the darkest moments. The hyper-stylized, symbolic imagery not only mirrors the complexity of coping with trauma but also serves as a striking reminder of the strength required to turn life’s harshest realities into something beautiful and profound. DISEASE (2024) We’ve finally come full circle, and this last music video truly stands as one of Lady Gaga’s best of the 2020s. Disease embodies everything that fans first fell in love with: raw emotion, dark visuals, and a deeply personal narrative. Directed by Tanu Muino, known for her futuristic approach to music videos with artists like Doja Cat, the collaboration in Disease proves that no matter how many years Lady Gaga has spent in the business, she can still deliver stunning, dark visuals that captivate and resonate with her audience. Filmed in early October, Disease delves into themes of self-acceptance, focusing on embracing one’s darkness. Lady Gaga has always had a connection to the darker aspects of life, both in her music and her personal journey, and this video brings that relationship to the forefront. The overall concept is an introspective exploration of her inner demons—the internal struggles that come with facing one’s fears and darker tendencies. Throughout the video, Gaga grapples with the cycle of trying to escape chaos and turmoil, only to confront the realization that these parts of herself are inescapable. The video visualizes this cycle with striking imagery—running, dancing, morphing, and purging—all symbolic actions that represent the constant battle of confronting these dark facets of identity. Yet through it all, Gaga finds peace in the integration of these parts of herself, highlighting the journey of acceptance and growth. While the darkness may never fully disappear, she learns to handle it, embracing it as an inextricable part of who she is. The Disease video encapsulates the struggle and beauty in accepting all aspects of oneself, no matter how challenging or complex the journey may be. On YouTube, the video has garnered over 20 million views, proving that despite the evolving landscape of music videos, Gaga’s return still sparks immense intrigue and excitement. While Disease might not have the same massive impact as some of her earlier work, it solidifies her place as an artist whose vision and authenticity continue to captivate. Ultimately, Disease serves as a metaphor for self-empowerment—showing Gaga as the conductor of her own symphony, finding strength in the challenges she faces and continues to overcome. The video is a reminder of the power in accepting and embracing one’s entire self, even in the face of adversity. FINAL THOUGHTS So, there you have it—Lady Gaga’s best music videos spanning an incredible 16 years in the business. From the avant-garde visuals of her earlier works to the more introspective, empowering themes of her recent releases, it’s clear that Gaga has always used her music videos as a powerful medium for self-expression and artistry. Each video tells its own unique story, and together they form a visual journey that has captivated fans worldwide. Do you have a favorite Lady Gaga music video? I didn’t mention all of them, so feel free to comment below and let me know which one stands out to you the most. I hope you’ve enjoyed rediscovering these amazing pieces of art with me. It’s always a pleasure to revisit the music and the visuals that have defined Lady Gaga’s career. And with a new album on the horizon, I can only imagine the visual masterpieces she has in store for us next. Here’s to the future of Lady Gaga’s creative journey, and to the music videos that will continue to inspire and captivate us. Merry Christmas, everybody, and Happy New Year!

Spotify India #4 (=) Die with a Smile - 808,591 NEW PEAK IN STREAMS

This is the correct pronunciation

Monthly listeners Lady Gaga: 111,950,801 (+702,516)

DWAS the LG7 hit single that you are

Spotify : DWAS : 1 332 072 635 (+10 350 155) Disease : 94 846 205 (+ 916 294)

I actually disagree with this one BTW is a pretty political album so the song about unfair laws (directly referring to the anti-same sex marriage laws of its time and nodding to the unfair immigration laws of the US) fit perfectly.

Well he's right for once! Unfortunately Taylor has released 2 bland water soup albums in a row

Plural?

Joanne probably contains some of her best lyrically work to date. The Fame is overseas (overrated) ARTPOP has a ridiculous amount of personality to the point where it scared people. Dance in the Dark is overrated by fans (it's also the least streamed on tfm) So Happy I Could Die > DITD "Replay" might be one of Gaga's best songs to date. Schiese would not have worked as a 2011 single "Aura" was ahead of its time DWAS might be Gaga's best duet so far. The vocal chemistry with her blue nose is something else. Maybe LG7 was the alternate pop comeback not Chromatica 👀

Rain on Me and Sour Candy are two of Gaga's worst songs

Beyoncé NFL Halftime Show Will Be Available to Rewatch on Netflix as a Stand-Alone Special Setlist 16 CARRIAGES (pretaped) BLACKBIIRD (pretaped) YA YA MY HOUSE SPAGHETTII / RIIVERDANCE / SWEET ★ HONEY ★ BUCKIIN' with Shaboozey LEVII'S JEANS with Post Malone JOLENE TEXAS HOLD 'EM

A community note has been placed on @sza’s post, correcting her initial statement about reaching #1 without any playlisting. -Stream! pic.twitter.com/SDIevssTEz — Pop Flop (@ThePopFlop) December 25, 2024

TVs are probably about as related to LG7 as that horrid color bar "channel missing" aesthetic was to Perfect Illusion

Speaks on truth about artists who based on albums will have longevity than artists who based their career on great singles.

Spotify : DWAS : 1 342 160 260 (+10 087 625) Disease : 95 694 025 (+847 820)

Damn those numbers I gotta write xmas music asap

The Kendrick Lamar collabs falling through is one of her biggest missed opportunities. A missed way to bring back GP favor in a lower risk way because she was a featured artist, and these would've put her in the light of a new audience.

this working class middle america cosplay she’s been doing lately is getting old chile…i need her to serve old money east coast girl again

they didn’t say timeless, flawless, never been done before, bus nother club, so it can’t possibly be disease.

Genuinely feel like LG7 is Gaga's last chance to have a career defining magnum opus like the Dangerous album or Ray of Light. For various reasons she's been too distracted/disjointed since Born This Way. Atm her creativity and passion seems to be back at levels i havent seen in a decade so it feels like the perfect moment for that career & identity defining album. Given her increasing focus on film these days I feel like she needs to bottle the lightning now before she moves on to raising a family etc

Also "Gaga Returns" on DITS tease. Abel also had "The Weeknd Returns" on one of his teasers. But who knows. We will take anything from those 2 come through DWAS of 2025.

only a few hours left for this madness to end, charts during December are such a bore

New Woman being on there is crazy! That song is such a banger!

I always thought that if they truly wanted to, they could've milked the ASIB soundtrack and, at the very least, had 3 major hits; Shallow, ARUTW & INLA. If they wanted to push it further, I could see ITA and maybe LWIF or IDKWLI being moderate hits.

I couldn’t care less about any of this and it feels like such a distraction. The media hoopla around this is so insane. Why do we care about these people? We have absolutely no need to pay attention to this drama while our government is on the verge of being gutted by the richest man in the world. People love their slop though.

Bruno Mars becomes the first artist to surpass 140 million monthly listeners in Spotify history.

LG7 is actually a Taylor Swift cover album (Gaga's Version)

She's a liar and a fraud. She should be in prison alongside Luigi

DWAS expected to be the biggest non-Christmas song on the Hot 100 by a big margin in the early prediction. I think we’re going #1 in January.

Genuinely concerned for your hearing because, as a huge Madonna fan, these sound nothing alike

US Radio Chart 3. (=) DWAS - 59.38 (+0.45) 71. (=) Disease - 14.20 (-0.21)

Merry Christmas little charters

Kelly Clarkson, Ariana Grande, Lady Gaga and Rihanna are the only female artists of this century to have at least a Top 10 hit with their first 7 studio albums.

Alice has amazing verses, but the chorus hurts my ears, I can't help but imagine a cat dying while giving a birth when I hear that IZEENDALICE

You two should fight

SPOTIFY ACHIEVEMENTS TODAY (for 22.12.24) : Shallow crosses 2.627b streams (2,627,718,132) Poker Face crosses 1.493b streams (1,493,249,994) ARUTW crosses 1.444b streams (1,444,678,030) Bad Romance crosses 1.386b streams (1,386,278,768) Die With A Smile crosses 1.332b streams (1,332,072,635) Rain On Me crosses 1.112b streams (1,112,095,795) Paparazzi crosses 692m streams (692,077,162) Born This Way crosses 663m streams (663,078,168) Bloody Mary crosses 603m streams (603,120,164) Alejandro crosses 528m streams (528,017,998) LoveGame crosses 464m streams (464,017,970) 911 crosses 169m streams (169,012,496) Disease crosses 94m streams (94,846,205) Alice crosses 90m streams (90,011,534) GAGA CHRISTMAS SONGS UPDATE (for 23.12.24) : Winter Wonderland: 36.7m streams Christmas Tree: 12.5m streams White Christmas (Live): 7.8m streams Santa Claus Is Coming To Town: 1.5m streams

she was actually playing bad romance and the interviewer was living under a rock until now

Radio ABS -0,06 DWAS +0,45 (one of the biggest updates of the top100)

Free what?

I really don't think its funny to make fun of people who get hacked. #StopVictimBlaming I've reported this post and expect you'll be permanently banned soon.

Radios : A Bar Song : -1.39 DWAS: -0.05

Michael Bublé was the most-streamed artist on Spotify on Christmas Eve (December 24th). pic.twitter.com/MkM7LC9jOq — Pop Crave (@PopCrave) December 25, 2024

Die With A Smile is coming to break and smash every possible spotify record left and right