in 10 years it'll be voted the most iconic song of 2024

She did NOT just said this when she just released a song with the woman who won most iconic performance at the VMAs, Katy cant catch a break

I'm His, He's Mine • September 13, 2024 Unfiltered streams: Day 1: 1,010,247 Day 2: 728,260 Day 3: 589 266 Day 4: 605,133 It failed to chart on any Spotify Chart Norway NA Global NA US NA Brazil NA

My first thread First Doja Cat then Olivia Rodrigo and Madison Beer then Addison Rae now Doechii Our mother collecting new pop girlie daughters like infinity stones

Nobody Streams

IM HIS, HES MINE partial debut - 38k LIFETIMES partial debut - 183k WOMANS WORLD partial debut - 196k

I always wanted her to work with Burton. It just makes sense.

#1 Global secured! 11,154,767 filtered streams

I had a very small amount of free time and I spent it running rampant with a boxcutter, a friend, and pure joy. You can watch the video here: https://x.com/ChicaSkas/status/1834253893020111325?t=RDltpBasl91eXBTcCCac6Q&s=19 I picked up some extras for myself and @Jase

Gaga has now cleared 90 million monthly listeners and is top 5 in the world on Spotify! DWAS really is that song. Let LG7 keep the momentum going! (Taylor is only one ahead at #4, Sabrina is #7)

So where are all these fans that made her win that Iconic Performance VMA over Gaga, Taylor and Beyoncé??

Her team:

Its a truck with a massive screens on the sides and in the back with speakers driving around Indonesia, playing Die With A Smile on repeat.

Katy blocked her on Whatsapp after this, a source just told Variety...

Wait, is this a new peak for DWAS?!

Radio (new peak): 22 (+1) Lady Gaga & Bruno Mars - Die With A Smile 30.24 (+0.27)

This era feels like it's been going on forever and the album isn't even out yet

Because....nobody knew

Remember all the hype they created for this era only for it to add 3 more bombs to her discography ⚰️

But on top of working with luke she's pandering to queer folks yet erasing us from her MV when she needs to go pander to more conservative zones... While serving some "lesbian fantasy for straight dudes" at these VMAS... After making it big with a song about kissing a girl... When she was initially "launched" by a tune made of gay clichés. Like homosexuality was her edginess machine or something... She really exploited us homos of all genders in every ****ing way. 😆 I understand Gaga struggling to find empathy for her. 😂 😂

Spotify WW 18/10 #1 - Dance In The Shadows 10.7M (NEW) #2 - DWAS 9.5M (-1)

O M G AAAAAAAAAAAAAAAAAA Apple Music Global #1. (=) Die With A Smile *13 days #1* #11. (new) Dancing in the Flames OUT: I'm His, He's Mine (VMAs promoted) OUT: Lifetimes (VMAs promoted)

Björk don't make that face

it's a pop culture forum, big names always have their numbers posted and discussed here

Sadly, he seems to be one of those artists who have absolutely nothing to say.

Die With A Smile on Spotify: 1st week: 45,785,103 2nd week: 67,780,893 (Up 48%) 3rd week: 74,333,333 (Up 10%) 4th week: 77,259,054 (Up 4%) Total: 265,158,383 unfiltered streams

https://x.com/NationOfMarina/status/1834997465574953181 Excited if she's going in a more poppy, upbeat direction!

Almost at 92M monthly listeners, Taylor is just 1.6M away

and certain "VMA Vanguard Award Winner" is nowhere to be found

i think the rolling effect will start soon for Gaga's monthly listeners, usually rolling effect can give negative updates, but I am hoping it's still positive but lesser numbers compared to her usual 800k-1M the past few days. The fact that she hit 90M+ with only 1 new song out is incredible and one for the books. This is Gaga shouting to everyone that she made it up to the streaming era.

Cause she doesnt support R Kelly

"Die With A Smile" achieves 20 days at #1 on the daily chart. 3 CONSECUTIVE WEEKS AT #1 on the Weekly Spotify Global Chart. And who would've thought? A NEW PEAK IN WEEKLY FILTERED STREAMS: 74.98M The 4th week being its best week... so far?? Oh wow. Lady Gaga & Bruno Mars the hit makers that you are.

YouTube first 24 hours Smash with a Smile - 5.4M Views 530K likes ——— FreeFallRina Autoplay Basement——— Woman’s World - 3.5M views 271K likes Dancing In The Flames - 2.5M views 279K likes katy has a new roommate

If she maintains 90M until LG7 lead omg... she's gonna hit 100M... The Cure, if only you could see your impact today you did that, queen.

Spotify Monthly Listeners #5 Lady Gaga - 91,413,179 (+878,887) Is she about to snatch Taylor's wig?

IIn the middle of August, with precious little warning, two of the biggest artists in the world decided to take hold of the pop-music narrative. On the night of Aug. 15, Lady Gaga and Bruno Mars unleashed their collaborative ballad “Die With a Smile,” complete with a Dolly Parton-inspired music video released the same evening, as well as a surprise duet performance at Mars’ show in Los Angeles, blanketing the Friday release day with a full-court press in the first few hours of the song’s release. As the week went on, a digital campaign began to factor in as well, and the work paid off: “Die With a Smile” debuted at No. 3 on the Hot 100 and No. 2 on both the Global 200 and the Global Excl. U.S. charts in its first week. But since then, the song has only grown, particularly around the world — this week, “Die With a Smile,” which is credited to Gaga’s label Interscope but is receiving a helping hand from Mars’ label Atlantic, spends its second week as the biggest song in the world, topping both of Billboard’s global charts midway through September. And that worldwide success helps earn Interscope Geffen A&M senior vp/head of pop/rock marketing Adrian Amodeo the title of Billboard’s Executive of the week. Here, Amodeo, discusses the initial rollout of the song, how Interscope and Atlantic worked together and how the Interscope global strategy — which has also seen huge success with Billie Eilish and Karol G, as well as with BTS’ Jimin — has helped the company reach new heights around the world. “We don’t want to just put out records in other territories,” Amodeo says. “We want to build real campaigns that are extensions of our domestic campaigns and also build into local cultures and communities on the ground and online.” This week, Lady Gaga and Bruno Mars’ “Die With A Smile” is No. 1 on both of Billboard’s global songs charts for the second straight week. What key decisions did you make to help make that happen? First off, it was an enormous team effort across two amazing artist teams. We have two of the most important pop stars on the planet who wrote and recorded an absolutely incredible song and were involved in every detail of the rollout. We knew it was going to be a special moment once the song came out, but also knew we had to build a campaign that honored two superstars and their incredible artistry. We wanted to show the power of these two stars together and show that Gaga and Bruno are at the top of the game, with a ballad, in the midst of what has been an incredible summer of pop music. When we first heard the song, Kirsten Stubbs, our co-head of digital marketing, flagged that Bruno happened to be opening the Intuit Dome in Los Angeles around the time the song was coming out, so we immediately put the wheels in motion to make a performance be a key moment in our campaign. The genuine connection the world saw between the two of them, and the content we were able to capture and spread, really set the tone for the entire campaign. It was lightning in a bottle with the release of the song, the video and the performance that night. But we knew we had to keep building a runway for the song and eventize the release around the globe, so we treated it like an album rollout, not just as a single. The song debuted at No. 2 on both charts, before ascending to the top spot a week later. What went into such a huge global impact right out of the gate? Our international team has been so integral — every territory made it a priority to make this the biggest song in the world. Before the song came out we were fortunate to have all of the label heads from around the globe into our studio where we unveiled our plan for the track. We were able to play the music and explain our global vision, but more importantly we had Gaga and her team in the room to be part of those conversations with us. It really energized everyone to be part of a process like that. The subsequent local campaigns and partner support our teams have put together have been really amazing. I’m proud of what the team pulled off for the fans around the world, too. The out-of-home campaigns became important fan experiences, anchored by an eight city storefront experience that paid homage to the song, the artwork and the video. Combined with all the billboards around the globe, it just felt huge — and, more importantly, we got it to travel online. A great job by Kevin Rankin and Jessica Staats for driving that with all the teams around the globe. The themes of the song have also helped build an incredible TikTok world for the song, which has been fun to watch and really helped take it to another level globally. Our ability to conceive of and execute such a complex global campaign is really a core strength of Interscope and Universal Music Group. This music video also had a big impact, with its throwback theme and Dolly Parton-esque vibe. How important has it been to the song’s success, and what do you see as the role of the traditional music video these days? The music video has been so important, if not the most important part of this campaign. It was co-directed by Bruno, which continues to exemplify his artistry and shows the trust that Gaga put in him as a partner in this whole process. Again, that genuine connection can’t be overstated. Beyond being an incredible video, it also inspired every inch of our creative. The single art, the outfits they wore on stage at the Intuit Dome, the global out-of-home; everything has intentionally been cohesive and respectful to the aesthetic world built by Gaga and Bruno. The music video also kicked off a powerful viral moment with the fans recreating Gaga’s dance and inspired fans to recreate the looks online, at shows, and at the clubs — our influencer marketing team was quick to identify this and amplify it globally. It has been so amazing to see and we fully expect Gaga-Bruno to be one of the most seen Halloween costumes this year. We’re already getting ahead of that. Gaga and Bruno are two of the biggest superstars on the planet, and are signed to different labels. How did this song come together, and how did the marketing plan work across two companies? The making of the song is Gaga and Bruno’s story to tell, but it’s very well documented that they have wanted to work together for a long time. [Interscope Capitol Labels Group chairman/CEO] John Janick’s relationship with Bruno goes back for many years and the trust that Bruno and Gaga put in John can’t be overstated. [Atlantic Music Group chair/CEO] Julie Greenwald was an absolute force as well. Her energy and passion for the song helped drive both teams to be great. With so many relationships and teams in place we were truly able to hit the ground running. We spent about six weeks planning the song together and the relationship was great with all of our departments working hand in hand, on Zooms, calls, texts, DMs, voice notes and faxes. We’re still going. https://web.archive.org/web/20240913163952/https://www.billboard.com/pro/lady-Gaga-and-bruno-mars-die-with-a-smile-global-smash-how/

Monica Bellucci is still that bish

I swear, you guys worry far too much about other artists. Let's enjoy and focus on the immense success our little song is having because, I'm telling you, this is incredible, reaching the top five with just one song...

Not sure if this is already posted but yaaaas, Joker 2 pre-order is currently being promoted on iTunes USA. Interscope promoted the pre-save link on their socials last sept. 4. We need this all out promo til LG7.

Being so relevant all these years later is what it means to be a generational artist. Ughh I can't wait till the lead for LG7 drops and we keep rising higher

DWAS #4 (+2) AM🇺🇸 passing back PPP and Espresso. Weeknd still underperforming at #15

Now do that with LG7. Do that challenge.

Respectfully: 🤡

They must have thought the VMAs would be some sort of reset for the era or something. That's why they came out swinging for Dr Luke thinking he was in the clear But the flop continues

Official Singles Chart - Iceland 2. (+1) Die With A Smile *New Peak* Chart Run: 35-5-3-2