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Better Song: 911 vs Artpop


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BrandyFinest
8 hours ago, sarahb said:

You ever tried to listen to ARTPOP with a non-fan? It's just weird :flop:

their loss

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Anderson123
1 hour ago, Ziggy said:

Madeon led production lol, but also i think the chorus is meant to be pretty flat bc the antipsychotics stabilize you. so the idea is the verses she's getting manic manic manic then pops her 911 and levels out but also is flattened.

Madeon said he didn't want to take too much credit because it was mostly finished by Gaga and Bloodpop and he said he did like 10% of it.

I like 911 but the chorus gets repetitive after a while. ARTPOP is just magical and she was very passionate about this project.

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sarahb
29 minutes ago, BrandyFinest said:

their loss

I mean I personally find the song weird and I'm not a huge fan of it tbh. So listening to it with a non-fan is unbearably awkward lol. 

Edited by sarahb
Do you feel him sir?
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SidewalkUnicorn

911 at TCB, straight banger. 911 on the album…is good, but nothing to write home about.

ARTPOP I think is underrated af. So floaty and trippy.

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bxr
6 hours ago, Omegahedron said:

ARTPOP I think I have always found ethereal and enigmatic. Is it hollow and cynical? Or is it actually quite a clever mirror to the listener about subjective interpretation of art and pop? When does one become the other? What is the artistic process? It's frustratingly slippery to get hold of it's true meaning but you can tell there is something there just out of reach of your finger tips.

I always loved the line "my heart can beat with bricks and strings".

Both are good. ARTPOP is better.

Really enjoy this interpretation. My blink reaction was how inherently distinct the identities of the songs are in context of their albums, and more broadly Gaga’s artistic trajectory or narrative identity evolution … “ARTPOP” is the title track of her arguably most ambitious concept album to date — and yet the track itself is the pensive somewhat sirenian eye of its own source reference’s maelstrom tempest … like the Venusian diametric to the Martian dominance (I suppose more sonically speaking, the heavy aggro maximalist ARTPOP in comparative contrast to the more intuitive, contemplative, pneumatic “ARTPOP” sonic aesthetic) … “ARTPOP” just feels like it’s on a different level of significance maybe … also, the lyricism alone, deceptively prescient masterclass in pop socratic, or thesis/antithesis/synthesis, it’s in constant dialogue with itself, the audience, the artist, and their cultural environment … but the universality is delivered in a comparative whisper, and even still, the whisper delivers its own manifesto with the will of pure authority: “my hybrid can withstand,” is not a question or a stutter.

Edited by bxr
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