Charts Discussion

[Andreu 37,216]

8 minutes ago, joannethenight said:

#94

-17

Lady Gaga, Ariana Grande - Rain On Me (Official Music Video)

894,882

Out of the top 100 just in time for our new video to shine

[Nemanja 592]

i'm surprised its chart so high

[CataleyaDeters 91]

8 hours ago, Seryabkina said:

I don’t mind you not liking her since I don’t give a damn about her music either but you can’t expect anyone to take your opinion serious when you call someone’s music “white” or any other colors  

All I am saying is that she is a white musicans makes music mostly targeted at white people (all people can enjoy her music but I am not seeing my poc friends saying yaaassss taylor swift yaaasss) ....And saying skin tone or color dosen´t influence your music taste or how you make music just isn´t right... For example Hip-Hop, RnB, Jazz, Blues etc are dominatly influenced and created by non white people ....Often Black people, culture... Therefore Black musicans tend to do these types of music cause they grew up listening to it and influenced by it .... That is basically my argument ... I just said it to end the endless discussion over Taylor Swift ....And to  try to explain why she and adele won album of the Year twice and others not (Not saying their respected album weren´t great!) Structurell Racism is a huge thing in the entertainment and record industry.....Now I will stop saying anything .. Also in my country there are basially clubs who dived there dancefloor in Black music, Latin music, Country, Rock, Trance dance and so on .....Not saying that it is good or anything but thats just kinda a thing here (Germany) ...Have a nice day people

[Leoj305 2,526]

911 is smart because it comes with chromatica 2. That’s two songs increasing streams potentially, which would elevate the album over 5 M(optimistic) streams WW on Spotify daily. 

[Freddy 4,421]

If we get one week on the hot 100 , 100m on Spotify in the long run and some viral videos i'll be happy  

[n1kos 4,581]

 

[Runway 27,876]

14 minutes ago, n1kos said:

 

the stability

[Gaby15 8,356]

Spotify - 2020/09/06:

monthly listeners: 45,914,475 last week: -314,944 (prev. week: -893,058)

in the world: #17 last Su: #17 (prev. Su: #16)

followers: 13,408,427 last week: +109,371 (prev. week: +104,312)

[Gaby15 8,356]

Spotify midday - 2020/09/06

                             Totals                   last week (Mo-Su)           prev. week

Shallow        1,244,156,973         +7,045,376       100,07%   (104,81%)

ARUTW          480,466,868        +3,195,205        101,21%    (107,20%)

MR                  468,229,233        +1,640,369        101,01%    (103,27%)

BR                  444,530,868         +2,657,409        103,74%    (101,86%)

PF                   436,303,990         +2,338,180        100,74%    (100,69%)

Two weeks ago, thanks to the new ASIB broadcasts, streams ARUTW, Shallow and MR rose and the streams remained the same last week. BR benefited from the VMA performance.

[ConnorFilm 6,752]

Where the hell is the ROM chart position this week? 

[Gaby15 8,356]

Chromatica - Spotify midday - 2020/09/06

                                      Totals:     14th week gap (Mo-Su)     13th week gap

Chromatica I                16,826,177          +478,321         (+327,763)       145,94%

Alice                             31,688,680       +1,054,715        (+830,700)       126,97%

Stupid Love               179,884,326     +3,050,596     (+2,620,858)       116,40%

Rain On Me                337,108,629    +14,772,954    (+12,752,313)       115,85%

Free Woman                31,366,924      +1,086,856        (+832,650)       130,53%

Fun Tonight                 22,969,498         +723,699        (+533,953)       135,54%

Chromatica II                21,307,914          +741,564          (+427,192)       173,59%

911                                34,676,986      +1,654,768          (+888,138)      186,32%

Plastic Doll                   21,613,643         +735,667         (+488,924)      150,47%

Sour Candy                126,371,828      +4,438,012       (+4,172,603)     106,36%

Enigma                          22,778,101          +741,659         (+543,923)      136,35%

Replay                          23,932,799         +876,342          (+688,616)      127,26%

Chromatica III                      30,417                  +705                 (+493)      143,00%

Sine From Above       23,436,957            +713,161          (+562,735)      126,73%

1000 Doves                 18,561,349            +587,708         (+455,883)      128,92%

Babylon                      22,324,636           +766,987          (+605,147)       126,74%

Totals:                       934,878,864      +32,423,714     (+26,731,891)       121,29%

Album tracks:                                        +10,162,152          +7,186,117          141,41%

All tracks rose significantly, but the best was 911 and Chromatica II, the least Sour Candy (however, it had risen 10% the previous week). Interestingly ROM and SL increase little in proportions despite she performed them, the album tracks have grown a lot.

[Gaby15 8,356]

 

[Gaby15 8,356]

iTunes WW - Songs - Totals

17+1 Lady Gaga & Bradley Cooper - Shallow 713 1(x154) 8,651,798 +6,352 

18-1 Maroon 5 - Moves Like Jagger 768 1(x64) 8,649,075 +448

next victim will be Daft Punk - Get Lucky

Bonuses:

79 Lady Gaga - Always Remember Us This Way

569 Lady Gaga & Ariana Grande - Rain On Me

[JustJames 669]

On 9/7/2020 at 3:30 PM, The Clown said:

So, what do you guys think, is it fair to say that ASIB era was more successful overall than BTW era? The Fame/The Fame Monster obviously remains on top, but what is Gaga's 2nd most successful and iconic era?

 

No way; but, I think they’re fundamentally incomparable. ASIB was attached to an Oscar nominated film, giving it a level of promo that a pop album could never get. In terms of being iconic, everything was tied again to the film and Oscars, rather than the album or music. Finally, ASIB had 1 WW single with minimal performances. The *era* was iconic as it was amazing to watch Gaga be part of a successful film / make rounds as an Oscar nom’d actress. And, it enabled her to achieve a re-peak in fame via Shallow that’ll always be intertwined with her music. 

For the standards of a pop album, Born This Way established Gaga’s legendary status, as it was her 1st release following TF/M debut, and proved she was a global superstar capable of more than dance hooks. BTW combined music, fashion, and performance into an era that hit the GP in a way pop seldom ever does with a culturally significant message. The sales and debut positions from spring 2011 show how much hype there was, and with better planning, she’d have had 2 #1s, 2 top 10s; BTW (#1), Judas (#10; 3 days tracking), Hair (#12; promo single), EOG (#3; promo single) all peaked on debut.

Releasing Judas with a full week before EOG as the 3rd official single would’ve had: 1-3-(12)-1-6-39 at worst. Add in massive sales, myriad iconic performances of each single, and you have a year that’s incomparable musically to the promo of Shallow / ASIB.

[Fish 6,086]

1 minute ago, JustJames said:

No way; but, I think they’re fundamentally incomparable. ASIB was attached to an Oscar nominated film, giving it a level of promo that a pop album could never get. In terms of being iconic, everything was tied again to the film and Oscars, rather than the album or music. Finally, ASIB had 1 WW single with minimal performances. The *era* was iconic as it was amazing to watch Gaga be part of a successful film / make rounds as an Oscar nom’d actress. And, it enabled her to achieve a re-peak in fame via Shallow that’ll always be intertwined with her music. 

For the standards of a pop album, Born This Way established Gaga’s legendary status, as it was her 1st release following TF/M debut, and proved she was a global superstar capable of more than dance hooks. BTW combined music, fashion, and performance into an era that hit the GP in a way pop seldom ever does with a culturally significant message. The sales and debut positions from spring 2011 show how much hype there was, and with better planning, she’d have had 2 #1s, 2 top 10s; BTW (#1), Judas (#10; 3 days tracking), Hair (#12; promo single), EOG (#3; promo single) all peaked on debut.

Releasing Judas with a full week before EOG as the 3rd official single would’ve had: 1-3-(12)-1-6-39 at worst. Add in massive sales, myriad iconic performances of each single, and you have a year that’s incomparable musically to the promo of Shallow / ASIB.

thanks. I agree with you, and feel like like with the passing of time, people tend to underrate the success or cultural impact of an album/era. 

BTW for its message alone stomps on Shallow/ASIB imo...