KARMA 1,022 Posted May 24, 2020 Share Posted May 24, 2020 I personally like it, better than John Wayne and ayo, idk A-Yo is pure cringe, I dislike it hahahah Link to post Share on other sites More sharing options...
GerMonsterNotta 1,436 Posted May 24, 2020 Share Posted May 24, 2020 6 minutes ago, Maleficent said: Bc the woman who wrote this and the woman who wrote this wrote a song that goes "Hey Girl we can make it better" over and over again ...and also precisely this Link to post Share on other sites More sharing options...
Twitter 14 Posted May 24, 2020 Share Posted May 24, 2020 I like to know the answer to this too. Link to post Share on other sites More sharing options...
Schwerk 7,244 Posted May 24, 2020 Share Posted May 24, 2020 I personally expected something so different it was hard to enjoy this at first. I love Florence voice and writing and I feel both didn't really get to shine in this song. I love that it's meant to be empowering but I expected it to be a bit more explosive and joyous sounding, hard to explain. Also a big Elton John fan and often when I hear Hey Girl I just want to turn on Bennie and the Jets. I like the song and was surprised at how well they matched sound wise but I expected something more deep and joyous I guess. According to Gaga I'm a ****ing rad bitch Link to post Share on other sites More sharing options...
Ladle Ghoulash 23,880 Posted May 24, 2020 Share Posted May 24, 2020 11 minutes ago, Blastertoyo said: It’s slow, it was overhyped as a florence collab, it seemingly has no structure *no structure*, the song literally is a call and response verse, hook, instrumental interlude, verse, hook, bridge, hook, outro We have forgotten our public MANNERS Link to post Share on other sites More sharing options...
nathantj594 901 Posted May 24, 2020 Share Posted May 24, 2020 Boringggg! Stream “The new single” RAIN ON ME by Lady GaGa feat. Ariana Venti on Napster now! And Paula Abdul ain’t got [BLEEP] on me! Link to post Share on other sites More sharing options...
Hyperobject 66,771 Posted May 24, 2020 Share Posted May 24, 2020 I think it's about expectations vs reality thing People wanted something different from this duet I guess But for me this song is the highlight of the album and I absolutely adore production on this one, it sounds like timeless bop Link to post Share on other sites More sharing options...
Guest Posted May 24, 2020 Share Posted May 24, 2020 37 minutes ago, ice bear said: because we love gaga, we love florence, but hey girl was a waste of the united potential Taking the song into context of the Joanne narrative and chronological order of the album I think this is one of the best songs (shoutout to Sinner‘s Prayer). I wasn‘t a fan of it too but it surprisingly made me cry the most when I felt vulnerable and needed something uplifting to hear. I suddenly connected to everything going on in it. Like the „homecoming“ feel, the unagitated „it is okay“- message combined with the ambient production, everything put at the last quarter of the album makes this song age at this spot beautifully and pure which makes Joanne such a just very special record overall. Link to post Share on other sites More sharing options...
Suspiria 10,683 Posted May 24, 2020 Share Posted May 24, 2020 I don't think anyone was expecting a banger from this album, but it didn't have anything else going for it either. Lyrically it's super weak, almost childish. The production is probably the least well done on Joanne - that wandering synth just sounds kind of cheap when the rest of it is just so barebones. Vocally it's okay, not exactly a standout performance from either of them. Aside from this it's just the wasted potential. Two of the greatest vocalists of this generation, one of the greatest mainstream lyricists and one of the best hook writers we have right now. It really could have been so much more impressive. Link to post Share on other sites More sharing options...
HasBeyn 952 Posted May 24, 2020 Share Posted May 24, 2020 It's not good sadly Link to post Share on other sites More sharing options...
Pennywise 36,079 Posted May 24, 2020 Share Posted May 24, 2020 Because it sucks So long ggd, it was nice while it lasted. Link to post Share on other sites More sharing options...
AVeryGagaHolyDick 25,249 Posted May 24, 2020 Share Posted May 24, 2020 32 minutes ago, Blastertoyo said: It’s slow, it was overhyped as a florence collab, it seemingly has no structure No structure? I respect your opinion but to me it has a classic great pop structure Link to post Share on other sites More sharing options...
Hebi 13,928 Posted May 24, 2020 Share Posted May 24, 2020 'cause it's flat and too simple. We're not used to hear songs like that if they come from Gaga Link to post Share on other sites More sharing options...
AVeryGagaHolyDick 25,249 Posted May 24, 2020 Share Posted May 24, 2020 7 minutes ago, Suspiria said: I don't think anyone was expecting a banger from this album, but it didn't have anything else going for it either. Lyrically it's super weak, almost childish. The production is probably the least well done on Joanne - that wandering synth just sounds kind of cheap when the rest of it is just so barebones. Vocally it's okay, not exactly a standout performance from either of them. Aside from this it's just the wasted potential. Two of the greatest vocalists of this generation, one of the greatest mainstream lyricists and one of the best hook writers we have right now. It really could have been so much more impressive. I think the lyrics are great, and I think it's the best produced song for the album BY FAR (one of the best prods in Gaga's carreer) Link to post Share on other sites More sharing options...
shoful 13,304 Posted May 24, 2020 Share Posted May 24, 2020 Its just a bad song. But Come to Mama is even worse "My name is Dita, I'll be your Mistress tonight..." Link to post Share on other sites More sharing options...
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