VersaceKing 419 Posted June 28, 2016 Share Posted June 28, 2016 TITLE: Chaos Angel RELEASE DATE: October 7, 2016 TRACK LIST: Royal Revenge (4:53) Written by Lady Gaga, Mark Ronson | Produced by Mark Ronson and Lady Gaga Chaos Angel (3:44) Written by Lady Gaga, Mark Ronson | Produced by Mark Ronson and Lady Gaga Explicit Beauty (3:29) Written by Lady Gaga, RedOne | Produced by RedOne and Lady Gaga Vampire Blood (4:04) Written by Lady Gaga, Mark Ronson | Produced by Mark Ronson and Lady Gaga Urban Princess (4:11) Written by Lady Gaga, Diane Warren, Mark Ronson | Produced by Mark Ronson and Lady Gaga Room In My Heart (Feat. Elton John) (5:21) Written by Lady Gaga, Elton John, Bernie Taupin, Mark Ronson | Produced by Mark Ronson, Elton John, T Bone Burnett and Lady Gaga Fire (Feat. Sia) (3:13) Written by Lady Gaga, Mark Ronson, BloodPop, Sia Furler | Produced by Mark Ronson, BloodPop, Skrillex and Lady Gaga Dark Knight (4:17) Written by Lady Gaga, Nile Rodgers, Mark Ronson | Produced by Mark Ronson, Nile Rodgers and Lady Gaga Crown of Roses (5:03) Written by Lady Gaga, Diane Warren, Mark Ronson | Produced by Mark Ronson and Lady Gaga I Am (Who I Am) (3:21) Written by Lady Gaga, RedOne | Produced by RedOne and Lady Gaga On The Run (3:32) Written by Lady Gaga, Mark Ronson, BloodPop | Produced by Mark Ronson, BloodPop and Lady Gaga Freedom (4:49) Written by Lady Gaga, Mark Ronson, Kevin Parker | Produced by Mark Ronson and Lady Gaga Time of Yoü (3:54) Written by Lady Gaga, Diane Warren, Mark Ronson | Produced by Lady Gaga Genres of the songs Spoiler Royal Revenge Pop. Chaos Angel Alternative/Rock. Explicit Beauty Dance. Vampire Blood Dark-Pop/Rock. Urban Princess Pop. Room In My Heart (Feat. Elton John) Pop acoustic. Fire (Feat. Sia) Power-Pop, Dance. Dark Knight Dark-Pop/Rock. Crown of Roses Alternative/Pop acoustic. I Am (Who I Am) (3:21) Power-Pop, Dance. On The Run (3:32) Dark-Pop/Rock. Freedom (4:49) Dark-Pop/Rock. Time of Yoü (3:54) Rock. Link to post Share on other sites More sharing options...
Thank you Gaga 146 Posted July 4, 2016 Share Posted July 4, 2016 In this post, I will be talking about a lot of things. I will be talking about LG5, I will be talking about Lady Gaga, I will be talking about Stefani Germanotta/Kinney, and I will be talking about a lot of things. Please try not to get confused if my transitions from topic to topic are hard to follow. ------------------------------------------------------------------------------------------------------------------------------------------ So I know that she has this character called Lady Gaga. Lady Gaga is how the media interprets her. Gaga is a character she "plays" when she is not strong and the depression gets to her. She says it helps her get through the day. Stefani is actually her, Stefani is a rebel from Manhattan New York, she is a creative and an outgoing women. When on the topic of sadness and depression, Gaga states that her depression is getting better. She was taking pills for her depression but it didn`t help her too much.But one thing she says all the time how much she loves Tony (Bennett) and how she is all of a sudden happier with him. She said in an interview with Howard Stern that she has a ****ing joy with music again and how she just talks art and music and creative expression with Tony. She says that her depression is much better at the current stage it is, but she still has depression. It makes me happy to see her like that. I would like that final moment where she breaks free from all the lies and the depression through LG5. I want to her to be free from this "character." I don`t want her to have depression any more and I want her to be herself. I want her to still express herself creatively, but be herself and don`t give a damn. I want LG5 to be like all of her other albums mixed into one album idea. ARTPOP is an album made to free yourself. Made to make yourself lighter and make you burst with emotion. Born This Way is an album made for the LGBTQ+ community and for victims of bullies. The Fame and The Fame Monster are albums made for people to see the truth on fame and how its very isolating. All these albums are very successful and clearly very personal. From all the information gathered, LG5 is going into a type of futuristic theme. I think that instead of that, a different theme. The first couple of songs will be about all of her past struggles and then slowly the album songs transition into how she overcame them. She should put all of the things and people that are important to her in this album. She should also make a song on her perspective on Lady Gaga. This is a lot of information to handle but if you can understand me, you will be fascinated on my perspective. I believe in a glamorous life Link to post Share on other sites More sharing options...
Thank you Gaga 146 Posted July 4, 2016 Share Posted July 4, 2016 On 6/28/2016 at 9:51 AM, VersaceKing said: TITLE: Chaos Angel RELEASE DATE: October 7, 2016 TRACK LIST: Royal Revenge (4:53) Written by Lady Gaga, Mark Ronson | Produced by Mark Ronson and Lady Gaga Chaos Angel (3:44) Written by Lady Gaga, Mark Ronson | Produced by Mark Ronson and Lady Gaga Explicit Beauty (3:29) Written by Lady Gaga, RedOne | Produced by RedOne and Lady Gaga Vampire Blood (4:04) Written by Lady Gaga, Mark Ronson | Produced by Mark Ronson and Lady Gaga Urban Princess (4:11) Written by Lady Gaga, Diane Warren, Mark Ronson | Produced by Mark Ronson and Lady Gaga Room In My Heart (Feat. Elton John) (5:21) Written by Lady Gaga, Elton John, Bernie Taupin, Mark Ronson | Produced by Mark Ronson, Elton John, T Bone Burnett and Lady Gaga Fire (Feat. Sia) (3:13) Written by Lady Gaga, Mark Ronson, BloodPop, Sia Furler | Produced by Mark Ronson, BloodPop, Skrillex and Lady Gaga Dark Knight (4:17) Written by Lady Gaga, Nile Rodgers, Mark Ronson | Produced by Mark Ronson, Nile Rodgers and Lady Gaga Crown of Roses (5:03) Written by Lady Gaga, Diane Warren, Mark Ronson | Produced by Mark Ronson and Lady Gaga I Am (Who I Am) (3:21) Written by Lady Gaga, RedOne | Produced by RedOne and Lady Gaga On The Run (3:32) Written by Lady Gaga, Mark Ronson, BloodPop | Produced by Mark Ronson, BloodPop and Lady Gaga Freedom (4:49) Written by Lady Gaga, Mark Ronson, Kevin Parker | Produced by Mark Ronson and Lady Gaga Time of Yoü (3:54) Written by Lady Gaga, Diane Warren, Mark Ronson | Produced by Lady Gaga Genres of the songs Hide contents Royal Revenge Pop. Chaos Angel Alternative/Rock. Explicit Beauty Dance. Vampire Blood Dark-Pop/Rock. Urban Princess Pop. Room In My Heart (Feat. Elton John) Pop acoustic. Fire (Feat. Sia) Power-Pop, Dance. Dark Knight Dark-Pop/Rock. Crown of Roses Alternative/Pop acoustic. I Am (Who I Am) (3:21) Power-Pop, Dance. On The Run (3:32) Dark-Pop/Rock. Freedom (4:49) Dark-Pop/Rock. Time of Yoü (3:54) Rock. I love your ideas! I believe in a glamorous life Link to post Share on other sites More sharing options...
AmericanGUY 4,609 Posted July 31, 2016 Share Posted July 31, 2016 ꧁ 𝕛'𝕧𝕖𝕦𝕩 𝕡𝕒𝕤 𝕞𝕠𝕦𝕣𝕚𝕣 𝕥𝕠𝕦𝕥𝕖 𝕤𝕖𝕦𝕝𝕖 ꧂ Link to post Share on other sites More sharing options...
GagaTheExplorer 3,053 Posted August 2, 2016 Share Posted August 2, 2016 TITLE: Butterfly Effect RELEASE DATE: November 11, 2016 TRACK LIST: Track 1. (4:33) Written by Stefani Germanotta Nadir Al-Khayat and Mark Ronson | Produced by Mark Ronson RedOne and Lady Gaga Track 2. (3:25) Written by Stefani Germanotta, Nadir Al-Khayat and Mark Ronson | Produced by RedOne, Mark Ronson and Lady Gaga Track 3. (3:46) Written by Stefani Germanotta, Mark Ronson and Kevin Parker | Produced by Mark Ronson, Kevin Parker and Lady Gaga Track 4. (3:59) Written by Stefani Germanotta and Paul Blair | Produced by DJ White Shadow and Lady Gaga Track 5. (5:23) Written by Stefani Germanotta, Diane Warren and Mark Ronson | Produced by Mark Ronson and Lady Gaga Track 6. (4:41) Written by Stefani Germanotta, Elton John, Mark Ronson | Produced by Mark Ronson, Elton John and Lady Gaga Track 7. (3:28) Written by Stefani Germanotta, Mark Ronson and Thomas Wesley Pentz | Produced by Mark Ronson, Diplo and Lady Gaga Track 8. (4:17) Written by Stefani Germanotta, Nile Rodgers and Diane Warren | Produced by Mark Ronson, Nile Rodgers and Lady Gaga Track 9. (4:27) Written by Stefani Germanotta and Nadir Al-Khayat | Produced by RedOne and Lady Gaga Track 10. (3:19) Written by Stefani Germanotta | Produced by RedOne and Lady Gaga Track 11. (3:44) Written by Stefani Germanotta | Produced by Mark Ronson, BloodPop and Lady Gaga Track 12. (4:49) Written by Stefani Germanotta, Mark Ronson, Kevin Parker | Produced by Mark Ronson and Lady Gaga Track 13. (3:58) Written by Stefani Germanotta, Mark Ronson and BloodPop | Produced by Mark Ronson, BloodPop and Lady Gaga Link to post Share on other sites More sharing options...
Alligator Blood 1,444 Posted August 2, 2016 Share Posted August 2, 2016 the lead single will sound like this Link to post Share on other sites More sharing options...
Paulchieffo 1,007 Posted August 8, 2016 Share Posted August 8, 2016 It looks like Gaga will debut her new single on GMA. Sh's apparently in LA shooting AHS for 2 weeks which should have her back by Friday the 19th. Notice that the Friday 19th performer slot is the only one thats empty. She could debut the single with a performance and the spend that week promoting it and rehearsing for her VMA performance. Link to post Share on other sites More sharing options...
Bok 267 Posted August 19, 2016 Share Posted August 19, 2016 On 7/16/2015 at 6:06 PM, FATCAT said: My idea is based on a lesbian-gay love triangle based on Russian culture. Russian Brunette - A song about losing it all with a hot blonde russian. Russian Roulette anyone? Siberia - Being in a cold, deserted love. Banya - a s-x-crazed lesbian bath-house, similar to Sexxx Dreams Princess Диана - Princess Die like song, maybe based on Anastatia? Vody (Vodka-Body) - Vodka and s-x, the perfect body, sharp edges like a crystal? I'll have what they're having. Link to post Share on other sites More sharing options...
Debithius 5,835 Posted August 21, 2016 Share Posted August 21, 2016 On 2016-06-28 at 4:51 PM, VersaceKing said: Room In My Heart (Feat. Elton John) (5:21) Written by Lady Gaga, Elton John, Bernie Taupin, Mark Ronson | Produced by Mark Ronson, Elton John, T Bone Burnett and Lady Gaga Reveal hidden contents Royal Revenge Pop. Chaos Angel Alternative/Rock. Explicit Beauty Dance. Vampire Blood Dark-Pop/Rock. Urban Princess Pop. Room In My Heart (Feat. Elton John) Pop acoustic. Fire (Feat. Sia) Power-Pop, Dance. Dark Knight Dark-Pop/Rock. Crown of Roses Alternative/Pop acoustic. I Am (Who I Am) (3:21) Power-Pop, Dance. On The Run (3:32) Dark-Pop/Rock. Freedom (4:49) Dark-Pop/Rock. Time of Yoü (3:54) Rock. I would say scratch this one tbh. Other than that the concept looks very promising :P Link to post Share on other sites More sharing options...
Prototypeno1 5 Posted August 29, 2016 Share Posted August 29, 2016 Hi everyone! I apologize if this isn't the right place to post this, if not feel free to let me know. I had a concept idea for the first performance of Perfect Illusion (the first performance being the first time any of us would have heard it) and I got pretty excited/in depth about it so I thought I'd share it! It should take place at an award show with Gaga being escorted there along with her bodyguards in a hearse. "U killed the bitch" spray painted along the side, bright neon pink and in a messy fashion. Once arriving outside of the venue, the car pulls up amidst all of the chaos so to be photographed perfectly, with the people inside stepping out in the order of bodyguard, Gaga, bodyguard. The first bodyguard opens Gaga's door only wide enough so that she gets to be revealed to the public piece by piece, instead of all at once. She steps out one foot at a time, revealing her white, open-toed, Pleaser X-treme heels with that same pink spray paint splattered in a drip-effect on the heel. She wears a nude catsuit with balloon-like structures underneath meant for emphasis of the body, made by the Haus but inspired by a bodysuit that was crafted by LucyandBart, with Gagas being altered so that the fabric comes up over the head, being tied at the back so as not to reveal any of herself. Her bleach blonde, perfectly straighted waist length wig, falls perfectly down the back of the catsuit. She wears the I-Pod glasses from The Fame era which show only a white background (on both screens) and a pink capital letter P on one screen and a pink capital letter I on the other, with a bodyguard at her right side and a bodyguard at her left side, their arms linked with hers, they make their way down the carpet. Come performance time the stage is a semi-circle with a thick black curtain. A (random) award is presented and the curtain comes down. Behind the curtain, things are moved around and brought on so that a grand piano sits on the far right of the stage. Gaga walks on and stands with her back to the curtain, about 7 ft away from the piano. With no introduction, a countdown starts from the number 19, spoken by a fimilar voice. The audience quickly recognizes the voice to be Gaga and the cheers, screams and applause erupt all at once, but die down just in time for "Five, Four, Thr-Thr-Three, Two.....I won" and the same fimilar voice tells the audience "Finally, it happened to me." (all being a nod to the Monster Ball Intro) ending with a crowd-startling bang, the curtain lifts. She's revealed to everyone watching. She wears a nude coloured bra, matching panties and her white heelless shoes. She has the words "Perfect Illusion" scribelled messily all over her body in black ink. The countdown starts again. With her back still facing the audience, she raises both of her arms out by her sides at shoulder length, turns her left side to the audience and pauses. By now everyone can see that she sports a waist-length, straightened, bleach blonde wig with thick, full bangs and the sunglasses from The Fame album cover. With her arms still out, she turns her body again and shes now face-on with the audience. The screen behind her quickly flashes on, showing the words "SHES BACK." in the same white-background-pink-lettering as on the red carpet, and then, one letter at a time, "O.R. I.S. S.H-" cut off, a black and white video begins to play. It appears to be older, unreleased footage of Gaga, although pre-Gaga, in the studio. We see and hear her banging one of her older songs out on the studio piano, her long brunette hair swaying with her. It cuts again and we're greeted with another Black and White video, this time we see Rob Fusari, on a stage in what seems to be a typical, New York club. He speaks into the mic tells everyone in the club "You better get ready" and it quickly cuts again. A beat plays. We now see a picture of Fusari and Gaga, still owning her long brunette hair and trash-glam look. The picture slowly zooms out to reveal Lüc Carl and Lady Starlight on left of Fusari, then Gaga and Mark Ronson on the right of him. The picture on the screen flashes over and over along with a clip of the words "WE MADE A PERFECT ILLUSION" in time with the beat. The audience break out in cheers and applause again. Gaga turns her body and makes her way for the piano. The beat stops once she sits. She starts to play and sing."See the lonely girl Out on the weekend Tryin to make it pay She cant relate to joy, ohh She tries to speak it Cant begin to say The girl fooled you again Oh oh she loved you all up But she's so down today See the lonely girl In Hollywoo-hood on the weekend Try to make it pay..." She freezes. A masked person dressed in all black, walks on stage, something in hand, with a cloth draped over it. They walk up behind Gaga, place the cloth on her lap, and from behind her they slowly take off the blonde wig. She hands them the item from her lap and a long brunette wig is draped over her head and secured. The masked figure disappears back into the darkness as Gaga takes centre stage. Holding the mic up to her mouth, she adjusts her now brunette bangs and takes a deep breath and sings a line."I have been I will be your perfect....illusion" and with that all of her dancers (adorn in white leotards and white masks) come on stage and stand firmly behind her. A strong electro-pop beat (the kind that music has been missing for the last three years) takes over the speakers. Shes free. "LETS GO!" I'm sorry that it's so lengthy and story-like! I may have went a little over the top but I had fun with the idea Link to post Share on other sites More sharing options...
JoanneGermanoug 33 Posted September 18, 2016 Share Posted September 18, 2016 It called Rock Bitch and will be concept of being rock music star and having many fans in world Music talks on being a very big star in world and how fans saving her through love happy Music personal and with very much electronic guitarring doing very heavy but with love and very much soul touch I am on the right track baby Link to post Share on other sites More sharing options...
venusxillusion 184 Posted September 18, 2016 Share Posted September 18, 2016 On August 29, 2016 at 0:23 PM, Prototypeno1 said: Hi everyone! I apologize if this isn't the right place to post this, if not feel free to let me know. I had a concept idea for the first performance of Perfect Illusion (the first performance being the first time any of us would have heard it) and I got pretty excited/in depth about it so I thought I'd share it! It should take place at an award show with Gaga being escorted there along with her bodyguards in a hearse. "U killed the bitch" spray painted along the side, bright neon pink and in a messy fashion. Once arriving outside of the venue, the car pulls up amidst all of the chaos so to be photographed perfectly, with the people inside stepping out in the order of bodyguard, Gaga, bodyguard. The first bodyguard opens Gaga's door only wide enough so that she gets to be revealed to the public piece by piece, instead of all at once. She steps out one foot at a time, revealing her white, open-toed, Pleaser X-treme heels with that same pink spray paint splattered in a drip-effect on the heel. She wears a nude catsuit with balloon-like structures underneath meant for emphasis of the body, made by the Haus but inspired by a bodysuit that was crafted by LucyandBart, with Gagas being altered so that the fabric comes up over the head, being tied at the back so as not to reveal any of herself. Her bleach blonde, perfectly straighted waist length wig, falls perfectly down the back of the catsuit. She wears the I-Pod glasses from The Fame era which show only a white background (on both screens) and a pink capital letter P on one screen and a pink capital letter I on the other, with a bodyguard at her right side and a bodyguard at her left side, their arms linked with hers, they make their way down the carpet. Come performance time the stage is a semi-circle with a thick black curtain. A (random) award is presented and the curtain comes down. Behind the curtain, things are moved around and brought on so that a grand piano sits on the far right of the stage. Gaga walks on and stands with her back to the curtain, about 7 ft away from the piano. With no introduction, a countdown starts from the number 19, spoken by a fimilar voice. The audience quickly recognizes the voice to be Gaga and the cheers, screams and applause erupt all at once, but die down just in time for "Five, Four, Thr-Thr-Three, Two.....I won" and the same fimilar voice tells the audience "Finally, it happened to me." (all being a nod to the Monster Ball Intro) ending with a crowd-startling bang, the curtain lifts. She's revealed to everyone watching. She wears a nude coloured bra, matching panties and her white heelless shoes. She has the words "Perfect Illusion" scribelled messily all over her body in black ink. The countdown starts again. With her back still facing the audience, she raises both of her arms out by her sides at shoulder length, turns her left side to the audience and pauses. By now everyone can see that she sports a waist-length, straightened, bleach blonde wig with thick, full bangs and the sunglasses from The Fame album cover. With her arms still out, she turns her body again and shes now face-on with the audience. The screen behind her quickly flashes on, showing the words "SHES BACK." in the same white-background-pink-lettering as on the red carpet, and then, one letter at a time, "O.R. I.S. S.H-" cut off, a black and white video begins to play. It appears to be older, unreleased footage of Gaga, although pre-Gaga, in the studio. We see and hear her banging one of her older songs out on the studio piano, her long brunette hair swaying with her. It cuts again and we're greeted with another Black and White video, this time we see Rob Fusari, on a stage in what seems to be a typical, New York club. He speaks into the mic tells everyone in the club "You better get ready" and it quickly cuts again. A beat plays. We now see a picture of Fusari and Gaga, still owning her long brunette hair and trash-glam look. The picture slowly zooms out to reveal Lüc Carl and Lady Starlight on left of Fusari, then Gaga and Mark Ronson on the right of him. The picture on the screen flashes over and over along with a clip of the words "WE MADE A PERFECT ILLUSION" in time with the beat. The audience break out in cheers and applause again. Gaga turns her body and makes her way for the piano. The beat stops once she sits. She starts to play and sing."See the lonely girl Out on the weekend Tryin to make it pay She cant relate to joy, ohh She tries to speak it Cant begin to say The girl fooled you again Oh oh she loved you all up But she's so down today See the lonely girl In Hollywoo-hood on the weekend Try to make it pay..." She freezes. A masked person dressed in all black, walks on stage, something in hand, with a cloth draped over it. They walk up behind Gaga, place the cloth on her lap, and from behind her they slowly take off the blonde wig. She hands them the item from her lap and a long brunette wig is draped over her head and secured. The masked figure disappears back into the darkness as Gaga takes centre stage. Holding the mic up to her mouth, she adjusts her now brunette bangs and takes a deep breath and sings a line."I have been I will be your perfect....illusion" and with that all of her dancers (adorn in white leotards and white masks) come on stage and stand firmly behind her. A strong electro-pop beat (the kind that music has been missing for the last three years) takes over the speakers. Shes free. "LETS GO!" I'm sorry that it's so lengthy and story-like! I may have went a little over the top but I had fun with the idea 1 minute ago, JoanneGermanoug said: It called Rock Bitch and will be concept of being rock music star and having many fans in world Music talks on being a very big star in world and how fans saving her through love happy Music personal and with very much electronic guitarring doing very heavy but with love and very much soul touch These are both INCREDIBLE!! Yassss Gaga would be so proud!!!! I love seeing my fellow monsters creativity Link to post Share on other sites More sharing options...
hoeslay 4,173 Posted September 24, 2016 Share Posted September 24, 2016 On 1/14/2016 at 1:53 AM, hoeslay said: LADY GAGA / / SHE WALKS IN SILENCE (2016) DISC 1: She Walks In Silence 1. RETROGRADE (Intro) 2. Vendetta (feat. Beyoncé) 3. New Age 4. Bite the Bullet 5. Can You Hear the Children Cry? 6. ART LIVES (Interlude) 7. Faces 8. F*ck (feat. Madonna) 9. Verses 10. Post-Mortem 11. SUBCULTURE (Interlude) 12. Only Time Can Tell (feat. Adele) 13. Diamonds in the Rough 14. When It Rains 15. Visionary (feat. Drake and The Weeknd) 16. She Walks In Silence 17. EPILOGUE (Outro) DISC 2: Deluxe Edition Bonus Tracks/B-Sides 1. Sire 2. Temple 3. New Age (Acoustic) 4. Only Time Can Tell (Demo/Solo Version) Ok so I think my art came close to what we got for the CD label. Including the text with handwriting on the egde Link to post Share on other sites More sharing options...
YAhsuaaoHalley 0 Posted October 24, 2016 Share Posted October 24, 2016 THE first thing, I apologize for the text, it is very difficult to find English speakers at the time when I came, and little what I know is not very helpful in improving the automatic translation of my device. Ready? I am from your future, and I can tell you to do not have to worry about much with the LG5 sound. This will be a major commercial failure as well as ARTPOP, and many fans will be sadly away, U know, After Bowie's death, Gaga refused to work her songs with RedOne because she was feeling not quite sincere. Then she starts working with Mark Ronson and Blood Diamonds, but the project will also be rejected cause personal and family problems. Ronson work, it still retains many of its original ideas, which, after overcoming new challenges, are recycled with new manufacturers in the actual album. MEAT. LG5 (whose name I will not reveal, it has a strong political content, and I'm not giving details that allowed this to change dramatically when I came) is actually a very interesting album for the time being released. This is not an album for radio, but has an amazing offer. The impact of the 1970s pop, largely affecting the sound of ABBA, will steer the entire album, but it is sometimes difficult to distinguish the impact, among many others. It is an album with punk vein, and it is not in doubt: the rapid pace of almost incessant and rebellion to take care of almost all traces. Perhaps the unexpected influence of shoegaze, and probably it was the most important factor for the album a commercial disaster. Other minor influence in some songs, but it is the dominant tone on the album. PrOducErs none of all public known pop, but some of them are relatively well known, each in the scene of British rap and German electronic music. The most famous in the whole album are Kevin Parker, in a song called Illusion. Critics shared about the album: some are brilliant step for difficult times, while others think it is a joke very bad taste. The GP, as I said, wont be very satisfied with the material, but it will be very successful in metro parties and alternatives, especially in those countries where the revolution begins. On the cover and in the name, believe it or not, by far are the most controversial thing, at this her career, leaving the meat dress miles away. IT has 20 songs, of which 9 are single, but none reach the highest positions in worldcharts. I have a little time, but I can point a few good points to point out for you. Illusion, the Parker's song, rage rave lysergic singing loud about the political situation in the United States. There is a song called Trump and is one of the danceable disc moments with ironic lyrics and good funk chorus. The other is called The Uterus and it's a feminist noise shoegaze pop with a very loud and distorted chorus. Angels down a moving ballad music and where the most vehement advocates of the whole album, and probably more organic, despite the distorted bridge. It has also made a music for Joanne, the so-called girl, it's all built on a heavy electric guitar bases in loop ad infinitum (the breath and the touch of the German guy is everywhere here), and it's very sad, too. My favorite is the one with Japanese name, which I can not write, and it's the most pop momentum album evoked with some moments of extinct vaporwave. Gemiinii and Emptiness are the most fanatical ragey of the album, and in both gaga is doing a cry rap. Burning W-O-Man is another one that came out of Ronson material and until today the letter wasn't deciphered totally, but it is not difficult to see the pain in her voice behind all the explosive sharp synths, with a refrain, brilliant pop. Prayer has a country vibe in its soft moments, and when she cries, "I am the fire, man, The fire I am" is sooo powerful and glorious. 'Bloodstroke' is my favorite, and has a feather groove between angry drums and singing extends sadly. There's a new version of ****/Scheisse in this record, and it's much more electronic, messy, angry and disorganized. Also Bowie Rebel Rebel cover many distorted guitars and reverb in her voice, and a cover of Joy Division Shadowplay. Latest songs in the album tell the story of recent years metaphorical and beautiful: Witching howls, borders, **** Radio ****, and Funk Refugees. S I T down, people. But I come to tell you to calm down 'cause the pop will back (not what you're used to, but no doubt pop, and the Pop with quality, oh!) after the main break of the career path (even higher than the almost Five years between ARTPOP and LG5) to serve as a volunteer in the most affected countries through a very serious global crisis of terrorism and a series of coups that begin almost the third world war. I'm done. That's All. S., Peace. Link to post Share on other sites More sharing options...
GhettoFabulous 18,501 Posted October 24, 2016 Share Posted October 24, 2016 3 minutes ago, YAhsuaaoHalley said: THE first thing, I apologize for the text, it is very difficult to find English speakers at the time when I came, and little what I know is not very helpful in improving the automatic translation of my device. Ready? I am from your future, and I can tell you to do not have to worry about much with the LG5 sound. This will be a major commercial failure as well as ARTPOP, and many fans will be sadly away, U know, After Bowie's death, Gaga refused to work her songs with RedOne because she was feeling not quite sincere. Then she starts working with Mark Ronson and Blood Diamonds, but the project will also be rejected cause personal and family problems. Ronson work, it still retains many of its original ideas, which, after overcoming new challenges, are recycled with new manufacturers in the actual album. MEAT. LG5 (whose name I will not reveal, it has a strong political content, and I'm not giving details that allowed this to change dramatically when I came) is actually a very interesting album for the time being released. This is not an album for radio, but has an amazing offer. The impact of the 1970s pop, largely affecting the sound of ABBA, will steer the entire album, but it is sometimes difficult to distinguish the impact, among many others. It is an album with punk vein, and it is not in doubt: the rapid pace of almost incessant and rebellion to take care of almost all traces. Perhaps the unexpected influence of shoegaze, and probably it was the most important factor for the album a commercial disaster. Other minor influence in some songs, but it is the dominant tone on the album. PrOducErs none of all public known pop, but some of them are relatively well known, each in the scene of British rap and German electronic music. The most famous in the whole album are Kevin Parker, in a song called Illusion. Critics shared about the album: some are brilliant step for difficult times, while others think it is a joke very bad taste. The GP, as I said, wont be very satisfied with the material, but it will be very successful in metro parties and alternatives, especially in those countries where the revolution begins. On the cover and in the name, believe it or not, by far are the most controversial thing, at this her career, leaving the meat dress miles away. IT has 20 songs, of which 9 are single, but none reach the highest positions in worldcharts. I have a little time, but I can point a few good points to point out for you. Illusion, the Parker's song, rage rave lysergic singing loud about the political situation in the United States. There is a song called Trump and is one of the danceable disc moments with ironic lyrics and good funk chorus. The other is called The Uterus and it's a feminist noise shoegaze pop with a very loud and distorted chorus. Angels down a moving ballad music and where the most vehement advocates of the whole album, and probably more organic, despite the distorted bridge. It has also made a music for Joanne, the so-called girl, it's all built on a heavy electric guitar bases in loop ad infinitum (the breath and the touch of the German guy is everywhere here), and it's very sad, too. My favorite is the one with Japanese name, which I can not write, and it's the most pop momentum album evoked with some moments of extinct vaporwave. Gemiinii and Emptiness are the most fanatical ragey of the album, and in both gaga is doing a cry rap. Burning W-O-Man is another one that came out of Ronson material and until today the letter wasn't deciphered totally, but it is not difficult to see the pain in her voice behind all the explosive sharp synths, with a refrain, brilliant pop. Prayer has a country vibe in its soft moments, and when she cries, "I am the fire, man, The fire I am" is sooo powerful and glorious. 'Bloodstroke' is my favorite, and has a feather groove between angry drums and singing extends sadly. There's a new version of ****/Scheisse in this record, and it's much more electronic, messy, angry and disorganized. Also Bowie Rebel Rebel cover many distorted guitars and reverb in her voice, and a cover of Joy Division Shadowplay. Latest songs in the album tell the story of recent years metaphorical and beautiful: Witching howls, borders, **** Radio ****, and Funk Refugees. S I T down, people. But I come to tell you to calm down 'cause the pop will back (not what you're used to, but no doubt pop, and the Pop with quality, oh!) after the main break of the career path (even higher than the almost Five years between ARTPOP and LG5) to serve as a volunteer in the most affected countries through a very serious global crisis of terrorism and a series of coups that begin almost the third world war. I'm done. That's All. S., Peace. ???? Link to post Share on other sites More sharing options...
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