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I’ve seen it on X now and a few other places, but as predicted, Abracadabra reached #56 on the 2025 Billboard Hot 100 Year-End chart! That’s quite good considering it never entered the top 10 on the weekly chart and was more of a top 40 staple in the US! ROM, for comparison, was #48 on the 2020 chart, and that was a #1 song. https://x.com/MrPopOfficial/status/1998470689397878919 Edit: it also got #33 on the Global 200, which reflects how much the US has horrible taste in music compared to the world.

The Five Ft Two

Are you a couple or something or roommates 👀

LovedRug

Someday, we'll look back at this era with joy. Who knew a Joker side single would become the biggest song in the world OF ALL TIME? I for one didn't think so. This era is epic. It's organic. The level of success Gaga reached is absolutely shocking, if you really think about it.

Born to Die is #108 this week, 21 doesn't chart

Me seeing Marry the Night in reference to charts

Arguing against the wall and you still lost. Smdh.

Well, obviously, Bruno Mars and Lady Gaga would create Maga.

There seems to be a lot of angry, dissapointed fans complaining online about the crowd control at the Brisbane show last night. Some are saying they even missed the first few songs, because they were stuck outside the gates for hours. What happened Suncorp?

Oh yeah Rolling Stone who gave TLOAS 100 or whatever. Theyre not biased whatsoever!

Done and done. Care for a sniff? ☝️

Totally shaped today's music scene. The most influential artist of her generation.

A promo single did that.

They said "back up & turn around"

yall are too bored…

Im looking from the brighter side

Cause I KNOW they’ve got some pretty big C*CK… I mean… SPIDERS here in Australia!

I had 'VIP' early entry GA tickets, the suncorp staff were really nice and provided us water etc. during the day while waiting in line. We got moved to another barrier and that's when it became a mess, we waited for an hour to be let inside the stadium and the Livenation rep told us we weren't allowed to use our phones. I assume this is because Gaga was doing a soundcheck which had been delayed due to technical issues. We waited for over an hour before we were let onto the floor, not long after the psycho got removed by security. (No idea how he got passed security in the first place). I had friends who were waiting outside in a massive queue to get inside and they had to rush to their seats as the show had started. It was just poorly organised, 'VIP' early entry was really not worth it. We got treated like cattle and people were suffering from heart stroke. Gaga was fabulous but the poor organisation did spoil the experience.

Do you mean both choruses? Because they sound very different to me. The main similarity I noticed is the So Happy I Could Die chorus and the Pocketful of Sunshine verses.

I mean, yeah lol. I don’t even fw her like that, but a lot of those accusations felt like a colossal stretch

omg they played abracadabra over Taylor's snip about TLOASG

Mayhem being paid dust

Gaga and Bruno should really do a joined Album like he did with "SilkSonic". If both love working with another, bet their label would die to release this kind of Album. And Gaga and Bruno are so creative, they would create bangers for the ages, critical acclaim, Grammys, Oh I see it right before my eyes...

What a profound disappointment she turned out to be.

This isn't new, Gwen has been on her Christian era for a long time. She's worked with Hallow last year for advent too.

She's sick of performing the imposter song from Mayhem

We knew it was him! He was wearing a wig and a fake moustache, he looked very suspicious and we alerted security. So glad we can enjoy tonight without him spoiling it.

Taylor Swift’s Last Album Sparked Bizarre Accusations Of Nazism. It Was A Coordinated Attack Data analysis of social media posts painting the singer as a Trump supporter or white supremacist revealed a network of inauthentic accounts By Miles Klee Link: https://www.rollingstone.com/music/music-news/taylor-swifts-social-media-campaign-life-of-a-showgirl-1235480646/ Summary After Taylor Swift released The Life of a Showgirl in early October, social media filled with accusations that she was promoting MAGA politics, trad-wife ideology, or even Nazi symbolism. Many fans assumed these claims (which focused on things like the word “savage” or a lightning-bolt necklace) were simply overreactions from left-leaning commentators. However, new research from behavioural-intelligence firm GUDEA shows the backlash was not organic. Analysing 24,000 posts across 18,000 accounts, they found that a small cluster of inauthentic, coordinated accounts (only 3.77% of the total) drove 28% of all conversation about Swift during the two-week window after the album’s release. These accounts seeded conspiratorial content on fringe sites like 4chan before it spread to mainstream platforms where genuine users, by arguing against it, unintentionally amplified it. GUDEA identifyed two distinct spikes in misleading activity related to Swift. The first came on Oct. 6 and 7, with approximately 35 percent of the posts in GUDEA’s data set for that time frame generated by accounts behaving more like bots than human users. The second took place over Oct. 13 and 14, after Swift released a merch collection that included the lightning bolt necklace (commemorating the song “Opalite”), with about 40 percent of posts shared by inauthentic accounts and conspiracist content accounting for 73.9 percent of the total volume of conversation. GUDEA also found overlap between the accounts targeting Swift and those involved in a bot-driven smear campaign against Blake Lively, suggesting a broader, sophisticated network aimed at reputational harm. Keith Presley, GUDEA’s founder and CEO notes that some 50 percent of the web is now made up of bots. “This is something that we’ve seen escalate on our corporate side — this type of espionage, or working to damage someone’s reputation.” The article concludes that in today’s online ecosystem, inflammatory claims are designed to trigger engagement and that outrage, even in defence, only boosts their reach.

Billboard’s year-end music charts represent aggregated metrics for each artist, title, label and music contributor on the weekly charts from Oct. 26, 2024, through Oct. 18, 2025. Any activity registered before or after a title’s chart run isn’t considered in these rankings. Billboard’s 2025 Year-End Top Artists chart: 1. Morgan Wallen 2. Kendrick Lamar 3. Taylor Swift 4. Sabrina Carpenter 5. SZA 6. Drake 7. Bad Bunny 8. Billie Eilish 9. Tyler, The Creator 10. The Weeknd 2025 Year-End Billboard 200 Albums chart: 1. The Life of a Showgirl 2. I’m The Problem 3. SOS 4. GNX 5. Short n’ Sweet 6. THE TORTURED POETS DEPARTMENT 7. One Thing At A Time 8. DeBÍ TiRAR MáS FOToS 9. HIT ME HARD AND SOFT 10. The Rise and Fall of a Midwest Princess Billboard’s 2025 Year-End Global 200 chart: 1. APT. 2. Die With A Smile 3. BIRDS OF A FEATHER 4. Ordinary 5. Beautiful Things 6. Lose Control 7. That’s So True 8. luther 9. Espresso 10. Golden 2025 Year-End Hot 100 chart: 1. Lady Gaga & Bruno Mars - Die With A Smil 2. Kendrick Lamar & SZA - Luther 3. Shaboozey - A Bar Song (Tipsy) 4. Teddy Swims - Lose Control 5. Billie Eilish - Birds of a Feather 6. Benson Boone - Beautiful Things 7. Alex Warren - Ordinary 8. Post Malone feat. Morgan Wallen - I Had Some Help 9. Rosé & Bruno Mars - APT. 10. Chappell Roan - Pink Pony Club Top Dance Albums chart: 1. Charli XCX - BRAT 2. Lady Gaga - Mayhem 3. Lady Gaga - The Fame 4. ABBA - Gold: Greatest Hits 5. Gorillaz - Demon Days 6. Beyoncé - Renaissance 7. Lady Gaga - Born This Way 8. C418 - Minecraft: Volume Alpha 9. Drake - Honestly, Nevermind 10. Calvin Harrus - 96 Months

The charts are so sclerotic atp. So many of the top songs of this year didn’t even come out this year 😭

https://www.instagram.com/p/DSCr7WuDKUo/ god bless her free woman soul

I’m referring to the main hook (“I’ve got a pocket, got a pocketful of sunshine”), which I think sounds nearly identical to “Happy in the club with a bottle of red wine…” etc.

She does not need a smearing campaign. She deserves all the hate she gets. Awful human being like other billionaires.

MTN needs a Judas/BM tiktok moment

the fact that DWAS would've easily taken ROTY & SOTY at the 2026 grammys if it were released just a little bit later

Yolanda Saldivar was never a threat until what she did to Selena. You just can’t take a chance with psychotic individuals like this.

This part is especially disturbing

It is good success but she should have been bigger. Bigger than TS for example. I still can't take it that she is not the most succesful of her generation.

She is the 2025, she was the moment of the year. When i look back at 2025, all I will remember is Mayhem, Copacabana and Abracadabra period!!!! And thats why she deserves AOTY!