Least Favorite Song: Collaboration

[Decodekid 29,505]

SFA kinda forgettable idk

 

[RochesterJoannster 3,823]

I like Rain On Me, but I must vote for something! I love all of these. 

[Ladle Ghoulash 38,034]

On 3/15/2026 at 8:06 PM, ReplayBoss said:

Where's DWUW and Killah? 

Why are we trying to rank two of her best songs as her worst collabs? 

[Ladle Ghoulash 38,034]

On 3/16/2026 at 12:54 AM, Decodekid said:

DWAS kinda forgettable idk

 

Brave.

[Ouranos 924]

I’ve listened to telephone twice in the last 5yrs and when I do it’s the version with Britney 

[BELLYACHE 1,576]

On 3/15/2026 at 6:24 AM, Ophelia said:

1. KILLAH - I love how they both pushed their boundaries and did something unexpected.

2. rain on me - a bubblegum bop

3. dwas - goregous, timeless

4. hey girl - love love LOVE the synth on it, honestly it might be a highlight of Joanne to me

5. telephone - the video is amongst her best, but the track itself is just okay. great production though!

6. shallow - Bradley Cooper has a spotify ban in my house <<<<<<<<< solo demo

7. sour candy - i'm not hating on it - if it plays, i'll bop a little. 

8. sine - both the vocals and production sound unnecessarily loud and grating, especially when compared to the rest of the album. the vocal effect they put on Elton is a jumpscare. D&B breakdown is cool but that's all.

Thank youuu, sine is the only correct answer it sounds dated and horrendous sorry, lyrics are great tho. Elton killed the song as much as the 2010 same old beat drop did. 

[NUTELLA 19,029]

On 3/15/2026 at 7:06 PM, ReplayBoss said:

Where's Killah?

Honestly, why are we (meaning us, LG, anyone) calling Killah a “collab” ?

It stands to reason that, if we do that, all of her songs should be considered collaborations, too.

 

Government Hooker (feat. Fernando Garibay & DJWS)

Poker Face (feat. RedOne)

G.U.Y. (feat. Zedd)

 

Setting aside the fact that he created BY FAR her most annoying bridge, what makes Gassyfeldstein’s contribution to Killah so singular/special to warrant a “featuring” credit in the song's title… but not those of her other producers on her other songs?

[Luv u Sum 2,421]

hey girl hate is so forced 

[ALGAYDO 34,187]

This made me realize that she needs to collab with more pop girlies. Where’s the Kesha collab? Where’s the Halsey collab?? Where’s the Billie collab??? 

[River 122,742]

I hope sewer candy will haunt ya'll in your f-cking dreams 

[River 122,742]

18 minutes ago, ALGAYDO said:

This made me realize that she needs to collab with more pop girlies. Where’s the Kesha collab? Where’s the Halsey collab?? Where’s the Billie collab??? 

hellisy? bitch can't even have collab with herself these days lol she's so unlucky she was a 1 minute star 

[gagzus 18,231]

I only listen to the Ally pop songs on ASIB (including BIC and LWIF) so I’m gonna go with Shallow. Plus as a karaoke host and drag queen straight people everywhere have RUINED the song for me when they start screaming off key “AMOFFADEEPEN WHATCHASEYEDYEVIN”

[gagzus 18,231]

4 hours ago, NUTELLA said:

Honestly, why are we (meaning us, LG, anyone) calling Killah a “collab” ?

It stands to reason that, if we do that, all of her songs should be considered collaborations, too.

 

Government Hooker (feat. Fernando Garibay & DJWS)

Poker Face (feat. RedOne)

G.U.Y. (feat. Zedd)

 

Setting aside the fact that he created BY FAR her most annoying bridge, what makes Gassyfeldstein’s contribution to Killah so singular/special to warrant a “featuring” credit in the song's title… but not those of her other producers on her other songs?

It’s personal preference but it’s probably because he’s a big and well established artist and DJ foremost and not necessarily a producer for other people if ygm. RedOne is a producer foremost, DJWS is a producer foremost, Zedd probably could’ve gotten a feat credit on GUY since he has one on Break Free but I think that’s because BF came out AFTER he blew up Clarity didnt peak til around the time AP was getting finished up. Where BF came out in 2014 after he blew up and was a producer on AP. Clarity came out in late 2012 but didnt blow up until almost the time Applause came out I think. It also depends on was it an actual collaborative effort or did Zedd make beats and send her them and then she just sent him ideas back and he ran with what she wanted. I mean we know almost all his work on the album was recycled beats nnnn

DJs and producers often get artist credit if they’re an active and signed artist. I’m sure Gaga got Zedd signed by having him open for her on tour too.

Edited 14 hours ago by gagzus

[Panchecco 17,793]

love the final song but I was expecting way more from Hey Girl, if they collaborated again now it would be such a gag

[gagzus 18,231]

2 minutes ago, Panchecco said:

love the final song but I was expecting way more from Hey Girl, if they collaborated again now it would be such a gag

The thing I find weird also is we saw them being close in Five Foot Two but they never publicly sort of promoted or interacted with each other at all. Like I get that ROM was a single but she didn’t even post the pictures they took during the docu filming. Even now Gaga doesn’t mention her or talk about the song at all.

Message wise I still think it would’ve been the PERFECT song to make with Katy Perry as a message to them being pitted against one another. Like when Whitney and Mariah collaborated in the 90s

Edited 14 hours ago by gagzus