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The Guardian : The 50 Best Albums of 2025


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Sepsami
7 minutes ago, Skyana Rava said:

naw she gonna be top 3

Rolling Stone gotta maintain its reputation with the swifties

I hate that this is what Taylor has become to the industry, her influence is  undeniable to the point that it's forcing them to be biased towards everything she does. I don't get it, but then again she is America's sweetheart and America has been way too influential to pop culture in general for decades. :triggered:

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REALITY
40 minutes ago, Skyana Rava said:

Where's 143?

At #143

𝔗𝔥𝔢 𝔪𝔲𝔰𝔦𝔠'𝔰 𝔤𝔬𝔫𝔫𝔞 𝔟𝔯𝔦𝔫𝔤 𝔪𝔢 𝔟𝔞𝔠𝔨 𝔣𝔯𝔬𝔪 𝔡𝔢𝔞𝔱𝔥
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42 minutes ago, Sepsami said:

I hate that this is what Taylor has become to the industry, her influence is  undeniable to the point that it's forcing them to be biased towards everything she does. I don't get it, but then again she is America's sweetheart and America has been way too influential to pop culture in general for decades. :triggered:

the new Beyonce

thank you Taylor Swift

I shine more in the dark.
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TheFrenchGuy
1 hour ago, notconfident said:

oh god

I have a pet peeve with journalists getting basic info like that wrong. Like really? It's your 5th best album of the year but you can't be bothered to look up the lyrics? 

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hamartia

I'm hoping that CMAT isn't on the list because Euro-Country is #1 :cheeky:

Also, I like Lily Allen a lot and WEG was undeniably explosive and exciting for ~the culture~, but to act like that album has any staying power whatsoever is... generous lol 

So was putting Addison before Sable, Fable my god :triggered:

"I lied. I lied!" (Germanotta, 2025)
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3. Blood Orange – Essex Honey

 

Dev Hynes’ fifth album as Blood Orange felt uniquely keyed into the fragmented, distracted headspace that comes after someone passes, in his case, his mother. Essex Honey’s restive nature was summed up in its painful opening lines, which you could read as the dying’s acceptance of death starkly contrasting the living’s ability to meet them on those terms: “In your grace, I looked for some meaning,” Hynes sings on Look at You. “But I found none, and I still search for a truth.” That search is wide-reaching: The Field refashions the Durutti Column’s Sing to Me as a racing hymnal made for the stereo of a Ford Escort. There are tough little Robert Rental-style post-punk gems in The Train (Kings Cross) and Countryside that bristle with frustration. Vivid Light is a plainly soulful duet with Zadie Smith; Life, featuring Tirzah’s unmistakable vocals, basks in languid, flute-dappled funk.

Edited by ManMan
I shine more in the dark.
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