Most Favorite Mayhem Ball Performance

[River 120,784]

I love first act obviously, GoE, Vanish, The Beast, Paparazzi is heavenly,  Shallow, the encore is amazing, the transition to Aura and some more omgggg it's  perfection

[TimotheeChalamet 6,361]

Killah 

[chathonnete 831]

I was at the last Paris show and I was amazed by how Killah was insane live, the bass were strong in the arena and made it so extreme + the Gaga skeleton face at the end omg

Born this way was also my favourite of the night 

[ChromaticaBoy 1,053]

I loved the opening and especially Abracadabra. I was genuinely brought to tears during Abra. Then Garden of Eden with that otherworldly intro. Then Shallow, Paparazzi and the piano section, in which we got DIDT and Hair. And then of course VIY. I ran up to my mum’s seat during it and we sang it together, such a special moment.

Edited November 27, 2025 by ChromaticaBoy

[littlepotter 75,419]

Nothing could have prepared me for the moment those Applause synths played. I'll never forget that moment + the euphoric remix at the end of it. Ugh I wish I could relive it

[King Targaryen 416]

Abracadabra, Paparazzi

[Head Empty 25,586]

I'd be surprised if Gaga EVER finds a way to top 'Of Velvet And Vice'.

Bloody Mary / Abra / Judas / Aura / Scheiße is unparalleled and THE highlight of her career as a live performer.

[Bronco 15,510]

That opening act is possibly the best act of any tour set she's done. 

But when that remixed LoveGame kicked in, I ascended. 

[HeAteMyh3art 2,271]

Happy Mistake!

Wait...

[Lucas 28,711]

I was thinking about it yesterday actually!

100% Disease and Poker Face, with a very honorable mention to Shallow

[showmeyourfeet 333]

incredibly inconsiderate to ask this from me cause it is impossible to have an answer

[andy232000 12,618]

Imma go ahead and promote my work:

 

 

 

[andy232000 12,618]

[andy232000 12,618]

Enjoy!

[iAmToton 66]

Yes, all those moments are stunning, but what truly stays with me is that deliberate act of breaking the fourth wall—stripping away every layer of baroque excess, every moving part of the grand machinery, until what’s left is just her, raw and unguarded, standing in front of us. That’s what How Bad Do You Want Me and The Bow Song capture so perfectly.

 

After the artistic delirium, the technical wizardry, the pyrotechnic fever dream, and the whole operatic duel between her artistic identities, suddenly she lets it all drop. And in that stillness, in that fragile, unprotected moment, there’s a direct line from her heart to the audience. It feels like a quiet reconciliation—with herself, with the chaos of the show, with everything she’s built and destroyed on stage.

 

It may not be the show’s loudest or most explosive moment, but it’s undoubtedly its most vulnerable, its most courageous—completely stripped of artifice, almost sacred in its simplicity.

And honestly, it’s the moment that left me smiling the widest, as if I had witnessed something meant only for the people in that room.