BBCRadio1 and Popjustice talking about LG5?

[Werk 13,166]

22 hours ago, M Monstre said:

Oh my god, what if this is the LG5 promo??

What if she's just paying everyone to talk about it??

Honestly, here for it. 

Payola 

[Kermit the frog 1,921]

Pleass clarify in the first post that it's not about Gaga, lol. 

You guys are already hyped as if the song was coming out tomorrow WITHOUT EVEN THE SLIGHTEST CONFIRMATION WHATSOEVER. And tge then you complain because it doesn't live up to your impossible expectations. 

Boo-focking-hoo. 

[Trademark 678]

Well who knows?

They might be.

[Katie14 4,828]

16 hours ago, Kermit the frog said:

Pleass clarify in the first post that it's not about Gaga, lol. 

You guys are already hyped as if the song was coming out tomorrow WITHOUT EVEN THE SLIGHTEST CONFIRMATION WHATSOEVER. And tge then you complain because it doesn't live up to your impossible expectations. 

Boo-focking-hoo. 

Didn't Peter say the tweet about the mix wasn't about her? The rest Is about her in pretty sure. 

[Kermit the frog 1,921]

3 minutes ago, Katie14 said:

Didn't Peter say the tweet about the mix wasn't about her? The rest Is about her in pretty sure. 

are you sure?

[Whis 2,920]

GOD DAMN why did I miss this mess

[crisTEAne 21,059]

21 hours ago, Katie14 said:

@Popjustice I just finished reading your insanely long interview with Gaga:

http://ladygaga.wikia.com/wiki/Peter_Robinson

I read the NME interview when it was released but I didn't even know this existed. It was a very interesting read. Not to derail this thread, but everyone should read this if you havnt already. It provides a really unique insight into Gaga's though processes and perspective on herself, the world, and how she fits into it. 

i just read it again and selected some passages that are, or could be, still relevant regarding the wait for LG5: 

I wanted to channel a lime in music in the 90s—when [people like] Dianne Warren , the biggest songwriters of all time [were] making the biggest songs—I wrote a big song and I put it on a disco record. It’s catchy, it’s brilliant, if you don’t feel liberated by it that’s fine but I’m not going to run to or from anything or anyone. 

Anyway, my point is, I think it’s in the evolution of me as an artist that people will be able to believe in me more as a true artist. And it’s that evolution which will also secure my longevity (pauses).

But I want to say that the Government in America right now is truly, truly disenfranchising so many people. The economy is so terrible. In term of immigration law, gay rights, the whole madness that happened in Arizona this year. All these things happened while I was writing this album so they all became part of this music because I have suddenly become a woman of the world now, where I wasn’t when I wrote The Fame and The Fame Monster. Right now I have all these fans, I have a tremendous duty to write music that not only sounds great and has hit potential but also recognizes that everyone is listening.

I quite like the idea of seeding something political into a sugary sweet dance song.

Well, that’s the Holy Grail. I love pop music so much. So that’s the question—how revolutionary or avant-garde can I be while also having a massive hook and tugging on your heartstrings after hearing just the first four seconds? The Holy Grail of pop music is when you create a song that means something and is a hit at the same time. I love pop music. 

When I wrote The Fame I had to hit people over the head with a sledgehammer in order to get it played on the radio. With "Born This Way" the idea was to bring the sledgehammer out again. What will keep not only me excited artistically, but my fans excited too, is that I will always have to fight for my spot. Always. I’m always defending my championship. I can’t redefine pop music if I recreate something I’ve already done before.

And if I were to give you a bunch more "Bad Romance," perhaps you would have less and less to write about. Some artists concentrate on releasing a better version of what they’ve done before. That’s not what I want to do.

What’s Bruce Springsteen like to meet? 
Everything he represents, he actually is. We might be in a fancy hotel room now but if I took you to my apartment, it’s a walk-up in New York City and it stinks, and there’s mice in the kitchen. I put my money where my ****ing mouth is and I always will. And meeting Bruce, Elton, Sting, these are the people who’ve had a real effect on me. The people who were in real life truly as legendary as they are in their artistic life, or in the albums. You’ve no idea how ****ing heartbreaking it is to meet someone you’ve worshipped your entire life and have them be nothing like you imagined them to be. That can never happen to a little monster. That can never happen. 

Everyone speaks to me as if I’ve been releasing for twenty years. So the expectations for me as an artist are based on that. But I’ve only been alive for about twenty years! The reality is that I’ve only done one arena tour, a club tour and a theatre tour... The expectation for me when... Well, for example, they asked me to play stadiums on the next tour and I don’t want to.  I need to use my energy to be great at what I do—I can’t run from other artists, just like I can’t run to them. 

I found myself getting a bit bored with my own structuring on the Monster Ball.  There was and is a formula that I have been using that I’ve used on some songs on this album and not others.

And there will be some people who just loved me for all this (waves arms around to signify extraneous isn’t Gaga-outrageous stuff), and there will be some people who love me as an artist, but I can tell you that there will be 20,000 people in that audience who aren’t there for this. I sing my face off and leave my soul on the floor every ****ing night.

[Popjustice 134]

35 minutes ago, T E A said:

Everything he represents, he actually is.

That's what you want in a popstar isn't it? Yes. That'll do nicely.

[Popjustice 134]

Although it helps if that they represent and are is more than "LOL I did a selfie".

[crisTEAne 21,059]

1 minute ago, Popjustice said:

That's what you want in a popstar isn't it? Yes. That'll do nicely.

yep, and gagz embodies that ideal perfectly. 

[The Surrealist 27,470]

On 9.8.2016 at 6:07 PM, T E A said:

1. And if I were to give you a bunch more "Bad Romance," perhaps you would have less and less to write about. 

2. You’ve no idea how ****ing heartbreaking it is to meet someone you’ve worshipped your entire life and have them be nothing like you imagined them to be. That can never happen to a little monster. That can never happen. 

1. An interview from October, 2015 is very similar to that one.

“I have actually found a place to put so much pain and anguish that I have nowhere to put,” she said. “You can put it in your music but that’s not always what people want from me in my music. They want a sweet, delightful, ‘Just Dance’ kind of girl or they want ‘Bad Romance’ and that’s fine. I am happy to give people that, but maybe with my song ‘Dope’ or some of the things I did on ARTPOP, you saw a kind of dark side, wrapped up in colors,” she continued. “But maybe that was not always what people want to see. They want to see the perfection. Here [on AHS], it’s the imperfection that is the win. So it’s very liberating.”

2. We all know who she was talking about.

 

1:10-1:20

P.S. It's Madonna.