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https://x.com/popbase/status/1891925977678176279?s=46&t=8xG2essOmVduRzpcQORRNA

Hold My Other Hand

Gaga has scored 7 Grammy Nominations for this year: Album of The Year - MAYHEM Record of The Year - Abracadabra Song of The Year - Abracadabra Best Pop Vocal Album - MAYHEM Best Pop Solo Performance - Disease Best Dance Pop Recording - Abracadabra Best Traditional Pop Vocal Album - Harlequin Other Nominations for MAYHEM (Gaga not credited): Best Remixed Recording - Abracadabra (Gesaffelstein Remix) Producer of The Year - Cirkut

Does Gaga know

I’M GAGGINGGG OMGGGGG THIS IS CRAZY ⭐️ THE SONG WENT FROM 6 MILLION STREAMS TO 8 MILLION IN ONE DAYYY it’s SO VIRAL THIS HAS NEVER HAPPENED BEFOREEE ‼️ “Abracadabra” rises to #1 on U.S. Spotify with 2,133,314 streams. Lady Gaga also occupies the top two spots on the Global Spotify chart.“ https://x.com/ladygaganownet/status/1888223024006021238?s=46 ⭐️ Daily Streams: - Stream!

No

This was so short notice, I am so greatful, and i want to shout out to a special person for hooking me up at the absolute last minute, at 3:15 this afternoon, and emailing me and offering me a way in. THANK YOU SO MUCH to that person if you ever see this, you know who you are. I took LOADS OF NOTES: When we entered, it was around 8:40, I just had enough time to get seated and get waters (it was extremely HOT inside and they had free water cups for everyone) An announcer came on and said multiple takes may occur -- they didn't, it was all ONE take, no technical difficulties that I could sense. I'd say the show itself was around an hour and a half, maybe 1 hour and 20 minutes or so, but without clocks there was no way to tell. The stage curtain was a Japanese style painting, with waterfalls, green hills, red sky with clouds. I tried to sketch it but it came out badly. I managed to smuggle inside a 30 page yellow notebook between my pants and my jacket, with a small pen, and I scribbled every single page over the course of the next 90 minutes. The venue went completely black, and huge pumping synth blared out in no particular pattern, into what became the sounds of DISEASE. The entire castle is slowly lit up, reminiscent of the Born This Way castle from 2011. As more light brought different parts into view, it became a giant broken down church, with a huge organ like structure emerging from the "bedrock" castle walls, surrounded by broken columns, arches, stone, rubble and rocks. Three separate pianos, were built into the center of the church, under massive silver organ pipes. With one turn of a chair, Gaga could play any of the 3 pianos she wanted on that level. There were 3 separate levels, it reminded me of a Christmas village church, with the light streaming out from at least 6 glass windows on the bottom level of the stage, similar to the light emerging from behind the porcelain here: The different musicians were staged on different "piles" or sections of rubble. Tosh's drum kit seemed to rise directly from the broken pillars and rocks, and Ricky Tillo was at one point playing on top of one of the 3 pianos in the center. The castle / church seems to be one giant instrument. One light burst from the side of the stage as bright as daylight, to bathe Gaga's piano in one beam of copper and gold light, as if a single window in a church was beaming down on her as she sang. The arrangement for Disease was completely different, the notes in different places, like a live acoustic reimagining of the song. The church lighting intensified for ABRACADABRA, which was sung sitting at piano, and with accompaniment on guitars from Tim, Ricky, and a black man I'm not sure who yet, who performed from the highest level of the stage. The vocals of Abra were different from what any of us have memorize. I cannot describe it but it felt remixed into something more repetitive. Abra had the sound of a funeral dirge, with a new remix intro I've never heard before. Strobes and beams of light shot out in red from the stage towards the audience and at one point gaga gave an unexpected shriek for emphasis before the launch into "Feel The Beat Under Your Feet The Floor's On Fire...." At one point, she sang almost exactly in the style of Sarah Brightman in The Phantom of The Opera, "SING FOR ME" with great emphasis, the light cut, and green smokey haze filled the stage and was illuminated by green lights. Strobes of green light cut through the fog , and synth built up slowly to give us GARDEN OF EDEN, which was blasted with heavy rock sounds. Gaga was on lead guitar, and her outfit was giving strong Stevie Nicks: This is not the most accurate picture, but you get the idea --- all black For the guitar, both Ricky Tillo and Tim Stewart played right along side her, all three guitars going strong at once. The lights were all very much in the style as one would see in a church, accentuating the pianos. There was no direct spotlight on Gaga. She would disappear behind the rocky outcrops and around and in and out of the columns / rubble and up and down the different levels of the structure. The dress was all black and long and flowing, like Stevie Nicks, and with the front open for her legs in all tight sheer all black pantyhose and high black heels. The back of the dress was down to the floor. and her blonde wig hung halfway down to the small of her back. She wore a veil of black tulle or mesh over her face, I was too far back in mezzanine to tell you exactly what. She walked all the way to the top of the stage, up the very highest point, where the organ pipes were illuminated with bright green. Heavy metal instrumentals soared, and she let out a squeak in the middle of Garden of Eden which made me giggle. Garden of Eden had a sort of extended outro, with Gaga, Ricky, and Tim absolutely JAMMING into a big finish. PERFECT CELEBRITY was next, and the light shone from the stained glass windows under the pianos, in the colors of blue and silver. One strong spotlight cast light on only on her, and the lights from underneath were beaming through the stained glass. From high above the stage, the most incredible phenomenon of laser pointed light, neon, extremely focused pinpoints of light shone STRAIGHT DOWN onto the tops of the 3 pianos, illuminating *only* the tops of the instruments in an extremely bright neon laser focused bright blue light, exactly like the laser cat toys, as if millions of laser cat toys were pointing down and lighting up ONLY the instruments in silhouette. It repeated itself on the rocks, illuminating the rocks in their exact shapes and quivering in the haze of the smoke. Also high above the stage were giant loops and dangles of heavy cords, which were shone with flickering lights of blue and green. like an industrial post apocalypse church scene, with an angel singing below. Tim and Ricky led the guitars for a completely different arrangement of Vanish Into You -- as Gaga writhed on the floor of the stage, reaching out as though beseeching Ricky Tillo and Ricky Tillo alone. She crawled down every step like she had forgotten how to use her legs and dragged herself down the stage for the most dramatic effect. I don't think I can remember her doing such a writhing crawl ever before. She sang upwards directly from her back on the floor. Then got up after the writhing and you could see all the long blonde hair tumble down, just like Stevie Nicks, her vocals actually undulated at one point EXACTLY as Stevie Nicks' does, a powerful animal belt that comes from the depths of Stevie's soul, particularly during Edge of Seventeen -- this exact sound came from Gaga's lips tonight and the Stevie fan inside me thrilled to the core. The lights were giving white and silver and grey and they changed intensity. the piano was STRONG and LOUD and it was powerful and in some places those strikes on the keys were louder than her voice and absolutely definitive -- it was bold and strong and all you could hear. The arrangement again was completely different under her words, it was like the feel of Vanish but all new sounds and the song took new directions out from under what I've remembered all these months. Gaga gave a kind of in place curtsy when she finished Vanish. The crowd went nuts. She walked down to the lowest level and seemed to alternate singing directly to either Tim Stewart or Ricky Tillo, it was as though she completely ignored the crowd, which was understandable, she was in the ZONE. There was an interlude of extremely eerie synth tones, similar to the Travis Scott interludes at the ill fated Astroworld, intense otherworldly pulses that lifted the soul up and then plunged down into alien like depths of oddities and finally horror synths, like our old friends the Horror Synths of Bad Romance. At the culmination of the Horror Synths, a brand new KILLAH arrangement burst onto the stage, clomping and lurching forward into our ears in different ways than any of us have memorized. Lights streamed out in green and the fans clapped to each beat. Killah is now a dark stomp, a dark industrial stomp like Teeth on steroids, back and forth, with each clomp the lights stream green from the stage and every window. Gaga gave a walk like the dead dance, like a horror lurch from a grave, into the camera. The piano streamed out impact synth with each stroke. Her singing was jerky and disjointed. At the point where she sings. "Make the ceiling shake for me" the mezzanine shook as fans jumped. Tim Stewart played so hard he was kneeling on the ground. The pinpoint perfect laser neon lights shone down again, this time in green and white, laser focused on random rocks, instruments, and objects on the stage. The sound was so bold as to be defiant and cocky, full of swagger. Gaga absolutely screamed " YOU KNOW YOURE GONNA DIE TONIGHT" and I swear on GOD the next synth was straight off Nine Inch Nails' "Closer" (I wanna fck you like an animal) and then it darted away from the NIN sound but everyone KNEW the reference. it was GIVING this Blue light bathed us all and the stage and ZOMBIEBOY began, but completely different from what you would traditionally associate with Zombieboy. Gaga was on the top of the 3 level stage, like a lion on Pride Rock, and the lights illuminating these giant pipes of the organ and piano she was at (another piano at the very top) I could just make out a mesh like veil / mask on her face that looked like a white skull from Dia De Los Muertos, but i was very far away in Mezzanine so hopefully other little monsters can clarify. This version was heavy on VOCODER, which is HUGE for me as i was a huge proponent of altered Gaga acapella remixes back in the day, such as the Dan Easton Bad Romance Vocoder version, which i featured on a Necromancy Remix project over a decade ago in 2012. It was giving THIS: Red fog gushed out into the audience and the lights were all red strobes. A long note of synth gave way to LOVEDRUG. "RIver in my eyes": totally new arrangement. Gaga was playing guitar with Ricky Tillo. At some point she took off her veil and the crowd went nuts. Light streamed out from under neath the stage in the broken church windows. Again it was giving a Christmas village church miniature with a candle inside, illuminating the stained glass windows from within and outwards. There were 6 musicians on stage: Brockett Parsons -- off far to the left with 3 keyboards in front of him instead of the circle piano Tim Stewart -- higher on the 2nd level but moving all over Ricky Tillo -- also moving from the bottom to middle levels from what i could see Tosh The Drummer, fixed on his rubble pile with drums -- a black man I don't know who he is yet -- stayed on the highest level and middle levels. i think he was filling in for bassist Johnny Good. -- Gaga, all over At one point another beam of light as bright as a Klieg light like a true beam of daylight, shone on Gaga's 3 pianos , leading into HOW BAD DO YOU WANT ME --- performed in a TOTALLY NEW WAY to what we know. this was like a Prayer. this was like an orchestral step into the deepest most reverent Taylor-ish ballad from the soul. It was done as you would sing a hymn. With all the passion you would see for a religious song. The chords were slow and deep and reverent. You are in the presence of woman, and woman is God, and this song is God, and I am being taken to a celestial plane. As the glitter of the dust that I am, and that you are and that we all will become, the glitter of dust is shining in this beam of white hot light on Gaga, as she prays on stage. Tiny shimmers of synth shine and glisten brightly under "You panic in your sleep (Panic in your sleep) And you feel like such a creep (Feel like such a creep)" like the same Christine McVie synth in "Everywhere" by Fleetwood Mac. Light again emerged streaming from the windows broken under her feet in this broken down church. HBDYWM feels like it's being sung from her soul and each person in the crowd is singing it back and Gaga stretches the big "TELL MEEEEEEEEEEEEeeeeeeeeeEEEEEeeeeeEEEEEE......!!!!"" so far, so much longer than I've ever heard her sing it. There is only her voice and throbbing exploding synth under it as the song climaxes. It ends too soon and cuts fast into "DON'T CALL TONIGHT", with a definite vocoder inside there, stomping new arrangement. Gaga is wearing an all black cowl over her head and at some point covers her entire face with the cowl during this song. She picks Tosh to serenade to, and reaches out her arms again seemingly beseeching him to listen to her and pay attention to her. Brand new intro for SHADOW OF A MAN -- lasers pinpoint into shapes accross the rubble. One beam of light hits Gaga only as she sings. Shadow of a Man has a markedly slower pace and slower synth and guitar than before. There was a crowd call and response and new bold rectangles of neon light pulse down from the cieling in perfect lasers, framing shapes and the floor and becoming neon pillars of light. The lasers beam up the sides of the silver organ pipes in bright blue. Again Gaga channels Stevie Nicks with her perfect guttural growl-cry "shadow, shadow of a MAN" with an extended outro. Gaga sits at the piano and starts into an acoustic version of THE BEAST, again with a different arrangement and notes in different places than what we know. She gets up and sings and walks the length of the bottom stage, stepping through layers and layers of rolling churning dry ice flowing and smoking down from her steps and the stage. long extended piano interlude inside this song. Gaga's vocals bite and have an edge to them "YOU CAN'T HIDE WHO YOU ARE, OH YEAH..."followed by a soft light piano outro. The church windows are partially illuminated as the music turns almost sinister. Bronzey orange light bathes the piano from a point off stage, and soft piano leads into a new arrangement of BLADE OF GRASS. It's sung almost like a prayer would be, deep powerful synth, "wrap that blade of grass" strobes with red and green lights all around. the energy is again funeral dirge, deadly serious, deeply beautiful and passionate and acoustic. Blue lights bathe the whole audience, high synth and Moog synth style synthesizer sounds stream out, more illumination from the church windows. the slow synth builds into a completely different reimagining of DIE WITH A SMILE. Now here's where it gets tricky --- I could not tell for the life of me if it was Bruno Mars voice or a vocoder Gaga's voice during the first part of the song, but towards the 2nd half it was absolutely Gaga singing. The lights were all blue like the DWAS colorscheme and the neon pinpoint lasers shone all over in perfect blue over various random things on stage. Futuristic alien vibes and sounds and pulsations came out over the air. Tim and Ricky stood still as monks, facing the crowd completely motionless. Blue strobe lights and warm blue colored smoke blew off the stage, and there was an odd lurching stomp to Die With A Smile that it normally doesnt have at all. Gaga changed the lyrics to "DIE DIE DIE WITH A SMILE" multiple times. The vocoder was very strong here very Dan Easton Bad Romance. Completely remixed, vocoder version of Die With A Smile -- a funeral march version 80s version with alien synth. It ends so softly and completely different from the "real" version of the song. Gaga is in full black -- she stands in the center of the middle stage, and her musicians gather around her one by one, to do a big final bow of six. They all get a standing ovation for about 3 minutes. "CAN'T STOP THE HIGH" is piped in as the getting up and getting ready to leave song, she doesn't sing it. She speaks for a moment , a very brief address to the crowd, but they are screaming so loudly they literally drowned her out. I scribbled: "Little Monsters formed an operahouse, they demolished it, and they made music together, and then they put it all back -- together. " She sang over some pieces of Cant Stop The High, and walked off stage. House lights slowly came on section by section, and we all left. I was so happy to see so many of my friends, it was like a family reunion. I am so glad I came, and I cannot WAIT FOR YOU ALL TO HEAR IT. I love you all love, your media queen -- Chica ps: I WANT THESE POSTERS OH MY GOD.

After Katy Perrys space launch today, Wendy made a reply to the tweet with the following: and now kesha has just posted a new photo with a wendy’s cup too her twitter account: this is all so MESSSYYY

Her best photoshoot in years my god

What if she actually means that nobody is ready as in they still have work to do and didn't get it done

all the people who had meltdowns over snl tribute looking like even bigger losers right now LMAO

https://x.com/gaganotify/status/1924974523473940746

https://x.com/firstwefeast/status/1889026554736373890?s=46 WE WON SO HARD I've been dying for her to be on this for years and it's finally happening I can cry omg! I've never been more excited to see someone crying over hot sauce lmao Update: ITS CONFIRMED YALL https://x.com/ladygaganownet/status/1889073733593113081

full performance Vanish ANTIDOTE version

Oh my goddddd…let me just start with that. I have loved Gaga since I was 7 years old when I first heard Just Dance and Poker Face, and I have lurked GagaDaily for over a decade. This was genuinely a once in a lifetime experience that I never thought would happen, and I still can’t believe it actually happened. Now that that’s out of the way, detailssss. My bestie and I woke up at 3 AM EST to fly out to LA from Atlanta, and we got to WERK as soon as we got there. We did interviews for Mastercard and fittings first. All of our costumes were pieces from the original video (wth I know), and they had Gaga’s huge white cape hanging over a rack in the fitting room for us to gag over. I talked to this really sweet girl for about 15 minutes while I was waiting who has been on Gaga’s stylist team for a short period, and she kept giving me hints that I was going to be so excited for the shoot tomorrow. We then go and rehearse for like 4 hours with Parris Goebel…literally terrifying, but she is so genuine and excited about her craft and was so excited about working with us. Such star power energy but very humble and grounded. Loved her! Next day, we have to be on set early and get another round of interviews done and then glammed. The artists and stylists were all so talented, funny, kind, and just a joy to be around. My hair and makeup were so sick. They gave me an amped-up version of Honey Balenciaga’s hair from the video (gag I know). At this point, everyone was antsy wondering if Gaga was coming to set at all because we had seen tweets that she was still in NYC, but when I went over to put my costume on, I saw her 10 inch pleasers on the table hehe. When I say this woman has tiny feet…oh my god they had to be like a 5 1/2 or 6. Her red bedazzled cane from the video was also on the table, so I was like “yeah she’s gotta be coming today.” Now, it’s time to go on set and film. We’re literally thrown to the wolves and have to do solos in front of Parris right off the bat. I have never really danced professionally, and I was the third person in line to go. Let’s just say I was terrified, but when that camera locked on me, Gaga literally possessed me or something. I served face like y’all wouldn’t believe haha. It was electrifying. We shoot for a few more hours and get the chorus filmed, and then it’s like 6 PM at this point. Parris walks out in front of us and says, “You guys look great, but I feel like something is missing…” and we’re all like, “Yeah SOMEONE is missing!” Parris is like “What do you guys think is missing then?” My bestie back behind me yells, “MOTHERRRRR!!!” And here comes Gaga out from behind the curtain in this skin-tight red latex dress with horns on the nipples, a huge velvet hat and her cane, and she goes, “Oh, hi” in her little babygirl voice…like girl don’t play with me right now haha. I was just in shock, like the woman I have admired since childhood is right in front of me, and I’m on set of her music video and IN IT with her. I thought I would be sobbing, but my jaw was just on the floor… like I couldn’t process anything. She then starts telling us how she can’t believe how incredible we look and how we literally look just like the music video when we’re dancing. She said she was so inspired by us and was so excited we were all getting to do this. Then, up she goes on her platform off to the side to START FILMING WITH US… girl I was about to puke. I’m in my leaned back position for the 1000th time that day trying to get into character to start the takes for the opening scene, and I’ve got my emotions together for now. Then, when Gaga started the take, she said something so monumental that it genuinely shook me to my core. She starts off the video saying, “The category is fans or die. Little Monsters, my stage is yours.” Y’all when those words left her mouth I just started sobbing. Like how much more full-circle of a moment in life can you have? I grew up in a really small, rural town with no one to turn to about my sexuality growing up, but I always had Gaga and her message. This was like the most surreal moment, and little 7 to 14 year old Caleb felt so seen and nurtured in that moment. My idol just handed her stage over to me and the incredibly talented friends I had made. I couldn’t hold the tears back, so if I look crazy in that opening scene (I mean I already have the huge spiky hair anyway lmao), don’t judge haha. We did like 6 takes with her doing that, and I was just crying and bent over between every take while still trying to get a look at her every chance I could. She kept looking over at me smiling bc she knew I was so emotional, and between one of the takes, she looked at me and said “You guys are killing it.” Then, they had all the dancers move off to the side of the stage, and Gaga performed the song all the way through in one take. My best friend from home and I were in the front and sobbing so hard because we just couldn’t believe we were experiencing this in person. They had to get us a box of tissues because we were literally a mess y’all lol. My poor makeup lmao. Gaga is so sweet and calm when you’re talking to her, but when that camera gets on her, she literally turns into someone else. Like GAGA takes over her. It was the most insane thing I have ever seen. We wrap up on set with her, and she gives us another group pep talk telling us she loves us and is so proud of us and how she didn’t want to be the center of attention in this video because it’s OUR video. That’s why she’s not in the center of the floor dancing with us and instead to the side of us. She such an angel, seriously. Then off she goes to get ready for Club Mayhem. We rush to get ready and changed for Club Mayhem, and when we get there, the people from Mastercard ask us if we want to do a flash mob to Abra when Gaga comes out. Obviously, we say yes lol. Gaga comes out and gives her speech with Parris, and then the Mastercard people clear a spot on the dance floor. It’s dance or die time b*tch. We work the cameras for the first 2 verses and choruses, and then I turn around and Gaga has her phone right in my face filming me…I’m literally like what is life right now haha. She is right there with us dancing and says, “I love you guys. Put your hands up!” (of course lmao). We dance with her for a little bit longer, and then she’s on her way. Such a surreal experience. Also, I had written a letter to give to her and didn’t have the chance to, but I found one of the guys on her stylist team at the bar and asked him if he could give her my letter. He was very genuine and said he would definitely get it to her somehow. He was so kind about how amazing we looked in the video and how we should be so proud of ourselves. Everyone on her team was just so genuine and so happy to be there with us. It was amazing. I also have made some amazing friends because the dancers were obviously true monsters, and we were all so proud of each other and so happy to be there. We all still have a group chat together and talk basically everyday. We’re going to try and meet up at the MAYHEM BALL in New York if we get tickets <3. It was such a mind-boggling experience, and I will never forget it. Literally no other artists do things like this for their fans. Gaga is one of a kind.

It currently sits as her first Universally Acclaimed album, and is her highest rated album ever - beating Chromatica at 79! NOTE: The score has no settled and either has the chance to lower or rise - but this is a great sign still! https://www.metacritic.com/music/mayhem/lady-gaga/critic-reviews EDIT: It’s now at 84! Still a slay

update: No major announcements made. She said releasing new music in 2026 is possible and it depends on how her writing is going. Gave no comment on possibly collab w/ Abel but said she loves him. Promoted more content from Harlequin coming to fans (likely the special we already know about). Confirmed tour ends in April. "Lady Gaga revealed to Zane Lowe that she’s been in the studio making new music. Stay tuned for the full interview tomorrow at 9am PT on Apple Music!" via Gagadaily on Twitter https://x.com/gagadaily/status/2001502204130115710 Quotes from Gaga in clip: “I was in the studio yesterday, I’ve been making a lot of music” “It’s kind of the best making music when you get to see your fans every night. You’re energetically just right where you need to be.” “I’m really, really happy.” ** (sorry link won't embed)

Hey, Monsters Much of the forum staff will be attending the same Mayhem Ball date this September and after a bit of discussion we thought "why not do something for the community?" So, here's the idea. We wanted to give GGD members a chance to get a letter to Gaga we would then try to meet up with Bobby or even Gaga personally and hand over all the letters, bound together in a book Disclaimer: This project is entirely dependent on Bobby and Gaga's schedule the day of. There have been concert dates in the past when she's been able to make time to see GGD staff after the show and other dates where she's been entirely unavailable. We will do our absolute best to get your letters to her but please don't be too upset if things end up not working out A few notes: - Mods will be reading your letters. Anything you share is 100% confidential and judgement free. Our eyes and Bobby/Gaga's eyes will be the only ones seeing what you've written. - We don't have a hard deadline for this, probably sometime in June is when we'll send them off to be printed so we can ensure we have book in hand well before September, so you have a while to work on your letter. - Please be polite don't just write "where's Act II" four hundred times and call it a letter we want to create something that shows just how special Gaga and her work is to so many of us, to the point we spend our days together on GagaDaily. We want her to be able to open it and read any random note when she's feeling isolated from the people whose lives she's touched. - You can submit your letters via my inbox here on GGD. If you are unable to send a message to me, please tag me in this thread so I can troubleshoot and send you a message. If you have questions or suggestions, feel free to leave them! This is a community project after all

RECORD BREAKING HISTORY YASSS “Lady Gaga and Bruno Mars' "Die With A Smile" officially breaks the record as the longest running #1 hit in daily global Spotify chart history. It surpasses Tones and I's "Dance Monkey".” https://x.com/chartdata/status/1888934147076378821?s=46 121 non-consecutive days as the most steamed song on the planet Stream to celebrate!

Album cover worthy

"It’s hardly a surprise given the widespread fan speculation, but two sources close to the situation confirm to Variety that Lady Gaga will release a song titled “Dead Dance” that will appear in the forthcoming season 2 of the Tim Burton-helmed Netflix series “Wednesday.” The song are video are expected to be released next month to coincide with her appearance in the show as Rosaline Rotwood, a “legendary Nevermore teacher who crosses paths with Wednesday." — Variety

If this shake up led to Richy's dismissal, then it's all good. LMs have been complaining about her being surrounded by the wrong people/yes-men for 12 years now... ARTPOP, Joanne, Chromatica. Judging by MAYHEM: music, videos & promotion, something IS being done RIGHT this time around, she's in a good place and it shows. So if we can, let's support it, if not, it's none of our business anyway. We're here to support and enjoy her art.

https://www.ladygaga.com/us-en Go to her website and you'll see a timer that briefly flashes that counts down to 6 days from now. EDIT - I tried to grab a screenshot of her website. This is what it quickly flashes. EDIT 2 - It looks like they're changing the website to reflect her different eras! This one appears to be The Fame. Hold down the left click and move your mouse around. The background reveals "LG1."

This is like choosing to not attend a party you weren't invited to.

“Other media outlets” and it’s other twitter rumour accounts

She knows what she's doing

She loves filming stuff hope she loves releasing stuff now

Well, she did release a female empowerment song with an alleged sexual abuser. It was bound to catch controversy

playing the victim card and blaming everyone else but Katy's decision to work with a rapist and they didn't even mention the real reason for the criticism Many pop stans were ready for her return until they learned about Luke's involvement in the album.

Not me though third Joker movie is coming in 2030

AAHHHH HOLY SHITIDKJDJFJFF Her most praised album ever by Pitchfork whew https://pitchfork.com/reviews/albums/lady-gaga-mayhem/

True albums are designed to be a musical journey, and are meant to be listened to from beginning to end. You don't start a movie 20 minutes in. So ye for the first experience I'll start with Disease then Abracadabra just like Gaga intended. And I bet the songs will take on a whole different scope in context with the rest of the album.

lemme know when she surpasses gaga’s talent

Omg, I heard those exact same words whispered to me when I was looking for Mayhem Ball tickets

She left the shoes on stage and said she was never doing a show like this again!

Compiling a list of notable moments and tour changes for Mayhem Ball show by show. To contribute please reply and if possible add link with proof if available. I will no longer include the Aura outro line for each show, unless it's something other than "bring me the girl." July 16, 2025 - Las Vegas N1 (Full Show: 1 - Floor Angle | 2 - Upper Level Angle) -Light-up wristband design and strap (later changed starting in San Francisco) -Act I Outfit Sash: Red -Aura outro: *painful screaming/moaning* -Encore Outfit & Outro Song: ARTPOP July 18, 2025 - Las Vegas N2 -Act I Outfit Sash: Black -Aura outro line: "Bring me the girl" -New face mask added for "Shallow" -Technical audio difficulties halfway through "Die With A Smile" causing Gaga to start the song over -Encore Outfit & Outro Song: Sexxx Dreams July 19, 2025 - Las Vegas N3 -Act I Outfit Sash: Dark Blue -Aura outro line: "Bring me the girl" -During "Vanish Into You" a cameraman almost fell, followed by Gaga slipping and falling, potentially due to water in that area -Encore Outfit & Outro Song: G.U.Y. July 22, 2025 - San Francisco N1 -Light-up wristband design and strap has changed -Act I Outfit Sash: Black with Gold trim -Aura outro line: "Bring me the diamond" -Encore Outfit & Outro Song: Crazy Train by Ozzy Osbourne (in memoriam) July 24, 2025 - San Francisco N2 -Act I Outfit Sash: White with silver gems -Aura outro line: "Bring me the girl" -During "LoveDrug" Gaga bowed down to a fan wearing her "Venus" artRAVE outfit -Encore Outfit & Outro Song: Donatella July 26, 2025 - San Francisco N3 -In attendance: Nancy Pelosi -Act I Outfit Sash: Black and Purple -Aura outro line: "Judas!" -Encore Outfit & Outro Song: MANiCURE July 28, 2025 - Los Angeles N1 -In attendance: Olivia Rodrigo, Conan Gray, Chappell Roan, Addison Rae, Laufey, Madison Hu, Audrey Hobert -Act I Outfit Sash: Light Blue, Pink and White [Trans flag colors] -Aura outro line: "Bring me the girl" -Encore Outfit & Outro Song: Swine July 29, 2025 - Los Angeles N2 -In attendance: Halsey, Avan Jogia; Gerard Way; Dove Cameron, Damiano David; Matty Healy -Act I Outfit Sash: Pink -Encore Outfit & Outro Song: Mary Jane Holland August 1, 2025 - Los Angeles N3 -In attendance: Demi Lovato -Act I Outfit Sash: Blue with Silver trim (bedazzled) -Encore Outfit & Outro Song: Venus August 2, 2025 - Los Angeles N4 -In attendance: Gesaffelstein; Frankie Grande -Act I Outfit Sash: Purple with Gold trim -Aura outro line: "Bring me the girl" -During "Paparazzi" parts of the cape got stuck under the catwalk preventing Gaga to reach her usual ending spot for the song -Encore Outfit & Outro Song: Gypsy August 6, 2025 - Seattle N1 -Act I Outfit Sash: Rainbow -Encore Outfit & Outro Song: Fashion! August 7, 2025 - Seattle N2 -Act I Outfit Sash: Bronze -Gaga was not ready when "How Bad Do U Want Me" started and asked to restart the song -Gaga wore a jacket during the encore that was given to her earlier that night while performing "Vanish Into You" -Encore Outfit & Outro Song: Jewels n' Drugs August 9, 2025 - Seattle N3 -Gaga was noticeably more vocally "performative" than usual throughout this show (runs, high notes, etc.) -Act I Outfit Sash: Dark Blue with Electric Green trim [Seattle Seahawks colors] -During "Bad Romance" Gaga mistakenly began to sing the French part but quickly corrected herself -Encore Outfit & Outro Song: Dope August 22, 2025 - New York N1 -In attendance: Adam Lambert -Act I wig has changed and is now longer -Act I Outfit Sash: Black Leather (not bedazzled) -The roses on Gaga's outfit for Act III are now red instead of black -During "Just Dance" Gaga's hair was not tied up and was down instead -An acoustic version of "Hair" was performed on the piano during Act IV -Encore Outfit: Denim “Born This Way” jacket from album photoshoot -Surprise Outro Song: Heavy Metal Lover August 23, 2025 - New York N2 -Act I Outfit Sash: Checkered Black & Yellow with White trim [New York Taxi colors] -An acoustic version of "Marry The Night" was performed on the piano during Act IV -Encore Outfit: Versace jacket from Born This Way Ball -Surprise Outro Song: Government Hooker August 26, 2025 - New York N3 -Act I Outfit Sash: Green [Statue Of Liberty color palette] -An acoustic version of "The Edge Of Glory" was performed on the piano during Act IV -Surprise Outro Song: Electric Chapel August 27, 2025 - New York N4 -In attendance: Jenna Ortega -Act I Outfit Sash: Black Leather with Studs -An acoustic version of "Yoü and I" was performed on the piano during Act IV -Surprise Outro Song: Highway Unicorn (Road to Love) August 31, 2025 - Miami N1 -Act I Outfit Sash: Orange with Aqua trim -Surprise Acoustic/Piano Performance: "Hair" -Surprise Outro Song & Encore Outfit: Americano September 1, 2025 - Miami N2 -Act I Outfit Sash: Blue and White with Blue trim -Surprise Acoustic/Piano Performance: "Rain On Me" and "Hair" -Surprise Outro Song & Encore Outfit: The Edge of Glory September 3, 2025 - Miami N3 (Postponed) -Show postponed to March 13, 2026 due to vocal strain. Fans were already outside the venue when the announcement was made. September 6, 2025 - New York N5 -Gaga filmed her VMA performances at this show. "Abracadabra" and "The Dead Dance" were performed twice each before the show started. -Gaga's make-up for this show was noticeably different -Act I Outfit Sash: Light Purple and Dark Purple -Surprise Acoustic/Piano Performance: "Haiir" -Surprise Outro Song & Encore Outfit: Bad Kids September 7, 2025 - New York N6 -The show started and ended much later (roughly 9:45-12:15am) due to Gaga being at the VMA's earlier in the night -During "Voices Of Mayhem" live updates from the VMA's were shown on screen -Act I Outfit Sash: Blue and White with Blue trim -During "Perfect Celebrity" Gaga displayed and performed with her VMA Awards won earlier that night -Surprise Acoustic/Piano Performance: "The Edge of Glory" -Surprise Outro Song & Encore Outfit: The Dead Dance September 10, 2025 - Toronto N1 -Act I Outfit Sash: Grey -Surprise Acoustic/Piano Performance: "Marry The Night" -Gaga sang "Happy Birthday" to longtime dancer Ian after "How Bad Do U Want Me" -Surprise Outro Song & Encore Outfit: The Dead Dance September 11, 2025 - Toronto N2 -Act I Outfit Sash: Orange -"The Dead Dance" is added to the setlist after "Zombieboy" with a new outfit -Surprise Acoustic/Piano Performance: "Hair" -Surprise Outro Song & Encore Outfit: Black Jesus † Amen Fashion September 13, 2025 - Toronto N3 -Act I Outfit Sash: Green and Lime -Surprise Acoustic/Piano Performance: "The Edge of Glory" -Surprise Outro Song & Encore Outfit: Hair September 15, 2025 - Chicago N1 -Act I Outfit Sash: Purple and Rainbow -Surprise Acoustic/Piano Performance: "Hair" -Surprise Outro Song & Encore Outfit: Fashion of His Love September 17, 2025 - Chicago N2 -Act I Outfit Sash: Dark Blue and Shiny Orange -Surprise Acoustic/Piano Performance: "The Edge Of Glory" -Surprise Outro Song & Encore Outfit: Yoü and I September 18, 2025 - Chicago N3 -Act I Outfit Sash: Light Blue, Pink and White [Trans flag colors] -Surprise Acoustic/Piano Performance: "Yoü and I" -Surprise Outro Song & Encore Outfit: The Queen September 29, 2025 - London N1 -Gaga posted this backstage TikTok with Emma Myers and Evie Templeton from Wednesday -In attendance: Rina Sawayama -Act I Wig has changed -Act I Outfit Sash: Black with "The Dead Dance" graphics and text -Act III Outfit has changed -Emma Myers and Evie Templeton from Wednesday joined Gaga on stage for "The Dead Dance" and "LoveDrug" -Surprise Acoustic/Piano Performances: "Speechless" and "The Edge Of Glory" -Surprise Outro Song & Encore Outfit: Dance In The Dark September 30, 2025 - London N2 -Gaga is now replying to messages that appear on screen during "Voices Of Mayhem" -In attendance: Rachel Zegler -Act I Outfit Sash: Checkered Black and White -Surprise Acoustic/Piano Performances: "Dance In The Dark" and "The Edge Of Glory" -Starting tonight Gaga does a bonus "The Dead Dance" mini-performance: After "Vanish Into You" -Surprise Outro Song & Encore Outfit: Monster October 2, 2025 - London N3 -Act I Outfit Sash: Peach -Surprise bonus "The Dead Dance" mini-performance: After "Disease" -Surprise Acoustic/Piano Performances: "Speechless" and "Hair" -Surprise Outro Song & Encore Outfit: Telephone October 4, 2025 - London N4 -In attendance: Rebel Wilson, Jennifer Coolidge -Act I Outfit Sash: Striped Black and White -Surprise bonus "The Dead Dance" mini-performance: After "Alejandro" -Surprise Acoustic/Piano Performances: "Dance In The Dark" and "Speechless" -Surprise Outro Song & Encore Outfit: So Happy I Could Die October 7, 2025 - Manchester N1 -Act I Outfit Sash: Black with Studs -Surprise bonus "The Dead Dance" mini-performance: After "Shallow" -Surprise Acoustic/Piano Performances: "Dance In The Dark" and "Speechless" -Surprise Outro Song & Encore Outfit: Teeth October 8, 2025 - Manchester N2 -Act I Outfit Sash: Tartan Red with Green stripes -Surprise bonus "The Dead Dance" mini-performance: After "Born This Way" -Surprise Acoustic/Piano Performances: "Dance In The Dark" and "The Edge Of Glory" -Surprise Outro Song & Encore Outfit: Speechless October 12, 2025 - Stockholm N1 -During "Abracadabra" Gaga changes her lyrics to Swedish: “The category is: dansa eller dö” -Act I Outfit Sash: -Surprise Acoustic/Piano Performances: "Hair" and "Marry The Night" -Surprise bonus "The Dead Dance" mini-performance: After "Bad Romance" -Surprise Outro Song & Encore Outfit: Joanne October 13, 2025 - Stockholm N2 -Act I Outfit Sash: -Surprise bonus "The Dead Dance" mini-performance: During "Poker Face" -Surprise Acoustic/Piano Performances: "Joanne" and "Yoü and I" -Surprise Outro Song & Encore Outfit: A-Yo October 15, 2025 - Stockholm N3 -Act I Outfit Sash: -Surprise bonus "The Dead Dance" mini-performance: After "Summerboy" -Surprise Acoustic/Piano Performances: "Grigio Girls" and "Dance In The Dark" -Surprise Outro Song & Encore Outfit: John Wayne October 19, 2025 - Milan N1 -In Attendance: Donatella Versace, Marco Mengoni -Act I Outfit Sash: -Surprise Acoustic/Piano Performances: "Joanne" and "The Edge Of Glory" dedicated to Donatella Versace -Surprise bonus "The Dead Dance" mini-performance: After "How Bad Do U Want Me" -Surprise Outro Song & Encore Outfit: Dancin' In Circles October 20, 2025 - Milan N2 -Act I Outfit Sash: -Surprise bonus "The Dead Dance" mini-performance: After "Just Dance" -Surprise Acoustic/Piano Performances: "Dance In The Dark" and "Hair" -Surprise Outro Song & Encore Outfit: Come To Mama

“Saved” implies she was in trouble she’s been doing just fine

🪄 Gaga’s new smash hit song continued to gain more streams on Spotify than the day before ✨ - A very rare thing for songs released these days. The only other Gaga song to do this was Die With A Smile which grew into a massive hit! - Worldwide *Streams: ✨Feb 3rd - #8. (NEW) Abracadabra - 4,917,207 ✨Feb 4th - #5. (+3) Abracadabra - 5,951,162 —- (+1 MILLION streams) ✨Feb 5th - #5. (=) Abracadabra - 6,184,120 —— (+200,000 streams) 🆕✨Feb. 6th - 5. (=) Abracadabra 6,355,221 —— (+171k) - Abracadabra is gagging Disease and Die With A Smile on the charts and we’re grateful! Stream! *These are filtered streams, which only count for charts and exclude looping the song

MOTHER HAS ARRIVED.

Biggest show in history by a female artist! Literal MAYHEM on the beach.

Hosting AND performing??? Bobby needs his **** sucked for that.

"But you can still see the cracks in that motherf*cker's reflection"