Madonna and Charli xcx appear to be teasing a collaboration

[GregJA 5,560]

There was a little clip of a song when they both were at a club. I'd love a collab (preferably a new song not a remix)

[Lord Mayhem 3,578]

Madonna trying to make hyperpop music...

[HeARTPOP 49]

1 hour ago, Leoooo said:

Totally agree with this - I also feel like Gaga really 'thinks' about how she should sound alongside whichever feature she has (to her own detriment sometimes) In Hey Girl for example she knows Florence has this distinct, powerful tone, and tried to compliment it with this softer more airy delivery that to me sounded a bit disingenuous. Sometimes her features bring out something great in her and sometimes she dims herself down for them to shine, she definitely would do that for Madonna and (in total respect to Madonna, love her) I dont think even Gaga wants to know what she would sound like doing that  

I think Gaga learned her lesson from The Greatest thing. Cause let's be honest Cher and Gaga did not sound good together. 

[gagzus 24,611]

3 hours ago, Leoooo said:

Totally agree with this - I also feel like Gaga really 'thinks' about how she should sound alongside whichever feature she has (to her own detriment sometimes) In Hey Girl for example she knows Florence has this distinct, powerful tone, and tried to compliment it with this softer more airy delivery that to me sounded a bit disingenuous. Sometimes her features bring out something great in her and sometimes she dims herself down for them to shine, she definitely would do that for Madonna and (in total respect to Madonna, love her) I dont think even Gaga wants to know what she would sound like doing that  

I feel the exact opposite i think Gaga sounded like herself and Florence was just stoic, her voice barely moves in the song and sounds so shaky compared to Gaga’s.

I think though Gaga’s learned her lesson thanks to Tony about being herself when she collaborates. I’m sure she also said before how she used to change herself for collaborations — even the first time she worked with Tony you can tell she was changing her style, body language and even tone from the Lady & The Legend documentary.

You can see how she grew into herself in collaborations like Die With a Smile, Runway and her later Jazz work with Tony and then her solo Jazz album. 

[Duella Dvil 11,855]

3 hours ago, Lord Mayhem said:

Madonna trying to make hyperpop music...

Girl? MUSIC (ALBUM) and AMERICAN LIFE (again, album) AND Rebel Heart ALL have Hyperpop influences or PAVED the genre? Like?!?!?!? Do you KNOW MADONNA?!?!?

[gagzus 24,611]

1 hour ago, Duella Dvil said:

Girl? MUSIC (ALBUM) and AMERICAN LIFE (again, album) AND Rebel Heart ALL have Hyperpop influences or PAVED the genre? Like?!?!?!? Do you KNOW MADONNA?!?!?

Hate to be that person but they absolutely are not lol. Bitch I’m Madonna has one segment that is HYPERPOP influenced purely because Sophie peoduced that part and even then it wasn’t real HYPERPOP.

As a person who loves HYPERPOP, Pc Music, Bubblegum Bass… Actual HYPERPOP is inspired by 90s/early 2000s eurodance and techno like Cascada, Aqua and Scooter. It’s music that was originally created by working class British millennials like Sophie. AG Cook, Hannah Diamond etc and inspired by our (their) youth where you would drink in a park playing sped-up DJ remixes of pop songs. Madonna wasn’t remotely an inspiration for HYPERPOP nor has she ever made it.

It’s origins are in UK Garage, “Donk” music, Happy Hardcore and eurodance.

THESE kind of songs are the literal origins of HYPERPOP, the first literally being the exact song AG cites as his biggest original inspo.

 

Edited 21 hours ago by gagzus

[Duella Dvil 11,855]

1 hour ago, gagzus said:

Hate to be that person but they absolutely are not lol. Bitch I’m Madonna has one segment that is HYPERPOP influenced purely because Sophie peoduced that part and even then it wasn’t real HYPERPOP.

As a person who loves HYPERPOP, Pc Music, Bubblegum Bass… Actual HYPERPOP is inspired by 90s/early 2000s eurodance and techno like Cascada, Aqua and Scooter. It’s music that was originally created by working class British millennials like Sophie. AG Cook, Hannah Diamond etc and inspired by our (their) youth where you would drink in a park playing sped-up DJ remixes of pop songs. Madonna wasn’t remotely an inspiration for HYPERPOP nor has she ever made it.

It’s origins are in UK Garage, “Donk” music, Happy Hardcore and eurodance.

THESE kind of songs are the literal origins of HYPERPOP, the first literally being the exact song AG cites as his biggest original inspo.

 

YOU ATE THAT HONESTLY 

THANKS FOR SHOWING ME THE RECEIPTS

Literally gathered me

[Bronco 27,271]

1 hour ago, gagzus said:

Hate to be that person but they absolutely are not lol. Bitch I’m Madonna has one segment that is HYPERPOP influenced purely because Sophie peoduced that part and even then it wasn’t real HYPERPOP.

As a person who loves HYPERPOP, Pc Music, Bubblegum Bass… Actual HYPERPOP is inspired by 90s/early 2000s eurodance and techno like Cascada, Aqua and Scooter. It’s music that was originally created by working class British millennials like Sophie. AG Cook, Hannah Diamond etc and inspired by our (their) youth where you would drink in a park playing sped-up DJ remixes of pop songs. Madonna wasn’t remotely an inspiration for HYPERPOP nor has she ever made it.

It’s origins are in UK Garage, “Donk” music, Happy Hardcore and eurodance.

THESE kind of songs are the literal origins of HYPERPOP, the first literally being the exact song AG cites as his biggest original inspo.

 

Man

Scooter are so ****ing good

[gagzus 24,611]

1 hour ago, Duella Dvil said:

YOU ATE THAT HONESTLY 

THANKS FOR SHOWING ME THE RECEIPTS

Literally gathered me

Sjdhdk I feel bad now sorry sister  I’m just passionate about this, because, this genre was predominantly listened to by the people who where the homophobes back in the day in the UK and it’s amazing to me that queer people reclaimed it like 20+ years later. 

Theres loads more influence on the genre now, for example Peaches became a massive influence on the genre because without Peaches early Ayesha Erotica, Slayyyter and Slutpop era Kim Petras (and Charli to a degree) wouldn’t exist. 

Edited 19 hours ago by gagzus

[gagzus 24,611]

1 hour ago, Bronco said:

Man

Scooter are so ****ing good

Brings back so many memories honestly, reminds me of the mid 2000s 

[Duella Dvil 11,855]

1 hour ago, gagzus said:

Sjdhdk I feel bad now sorry sister  I’m just passionate about this, because, this genre was predominantly listened to by the people who where the homophobes back in the day in the UK and it’s amazing to me that queer people reclaimed it like 20+ years later. 

Theres loads more influence on the genre now, for example Peaches became a massive influence on the genre because without Peaches early Ayesha Erotica, Slayyyter and Slutpop era Kim Petras (and Charli to a degree) wouldn’t exist. 

NO do NOT feel bad, you literally just dropped a textbook of knowledge on the proverbial desk and said get to work. You did the right thing

[Lord Mayhem 3,578]

7 hours ago, Duella Dvil said:

Girl? MUSIC (ALBUM) and AMERICAN LIFE (again, album) AND Rebel Heart ALL have Hyperpop influences or PAVED the genre? Like?!?!?!? Do you KNOW MADONNA?!?!?

[27monster27 16,016]

7 hours ago, gagzus said:

Hate to be that person but they absolutely are not lol. Bitch I’m Madonna has one segment that is HYPERPOP influenced purely because Sophie peoduced that part and even then it wasn’t real HYPERPOP.

As a person who loves HYPERPOP, Pc Music, Bubblegum Bass… Actual HYPERPOP is inspired by 90s/early 2000s eurodance and techno like Cascada, Aqua and Scooter. It’s music that was originally created by working class British millennials like Sophie. AG Cook, Hannah Diamond etc and inspired by our (their) youth where you would drink in a park playing sped-up DJ remixes of pop songs. Madonna wasn’t remotely an inspiration for HYPERPOP nor has she ever made it.

It’s origins are in UK Garage, “Donk” music, Happy Hardcore and eurodance.

THESE kind of songs are the literal origins of HYPERPOP, the first literally being the exact song AG cites as his biggest original inspo.

 

For me personally, I always thought that American Life was less early hyperpop and more Madonna trying to push the electroclash and folktronica genres to the extreme. Take that and mix it with Madonna and Mirwais intentionally not wanting to make a polished album, which lead to tracks intentionally not be properly mixed. While the album has the spirit of hyperpop in the sense of it being a rebellion against norms, it didn't have that sound itself. American Life actually had its roots (even though she didn't intend on making an album about this subject yet) in Madonnas 1999 Larry King interview where she stated that she was tired of the concept of right and wrong being forced onto pop culture so much. In fact, Hollywood ("Music stations always play the same song, I'm bored with the concept of right and wrong") was originally written for Music, but it didn't make the cut and went onto American Life instead, where with the meaning it fit better. (Especially in the context of her blacklist at the time.) I would still love to hear the Music demo of the song if it ever leaks though.

[Duella Dvil 11,855]

27 minutes ago, 27monster27 said:

For me personally, I always thought that American Life was less early hyperpop and more Madonna trying to push the electroclash and folktronica genres to the extreme. Take that and mix it with Madonna and Mirwais intentionally not wanting to make a polished album, which lead to tracks intentionally not be properly mixed. While the album has the spirit of hyperpop in the sense of it being a rebellion against norms, it didn't have that sound itself. American Life actually had its roots (even though she didn't intend on making an album about this subject yet) in Madonnas 1999 Larry King interview where she stated that she was tired of the concept of right and wrong being forced onto pop culture so much. In fact, Hollywood ("Music stations always play the same song, I'm bored with the concept of right and wrong") was originally written for Music, but it didn't make the cut and went onto American Life instead, where with the meaning it fit better. (Especially in the context of her blacklist at the time.) I would still love to hear the Music demo of the song if it ever leaks though.

Oh a Music era cut of Hollywood is a NEED

[MadArchitect 1,457]

23 hours ago, gagacabana said:

I just know this would be sooo delicious though... the layers of desire and resentment mixed with yearning   imagine the **** ***. Maybe it's for the best this collab is never happening because dykes all over the world just wouldn't survive it 

Gaga yearning for madonna to push her against the wall, kiss her and tell her how much of a piece of **** she is.