Searchlight Pictures Look Forward To Work With Taylor Swift For Her Directorial Debut

[RAMROD 110,445]

This weekend belonged to Taylor Swiftand the history books. The release of her latest album “The Life of a Showgirl” dominated the cultural conversation, the charts (as early tallies revealed) and movie theaters around the world.

It was all the more impressive given that her movie theater event, “Taylor Swift: The Official Release Party of a Showgirl,” blew past two of the biggest box office draws in Hollywood: Leonardo DiCaprio and Dwayne Johnson.

Swift’s 89-minute theatrical experiment outgrossed DiCaprio’s Oscar hopeful, “One Battle After Another,” and Johnson’s own awards play “The Smashing Machine,” earning $34 million domestically. In contrast, “One Battle” fetched $11 million and “Smashing Machine” a paltry $6 million. As we noted in our Sunday box office dispatch, Swift’s release raked in  those numbers with about two weeks’ notice for consumers and a promotional campaign driven primarily by her social media accounts.

Which brings us to an important reminder: She owes us her directorial debut.

Swift announced she’d be writing and directing her first feature film in 2022, in partnership with Searchlight Pictures (Disney’s prestige film label behind “Black Swan” and “The Favourite”). Plot details were scant, but in interviews over the past three years she’s alluded her script will have elements of drama and comedy.

Searchlight heralded the project with a full press release, with company principals calling Swift a “once in a generation artist and storyteller.” At the time, the hope was to fast-track the project – soon dashed when Swift’s record-breaking Eras Tour was announced and later extended. Earlier this year, the InSneider reported that Swift had tapped screenwriter Alice Birch (“Die, My Love,” “Lady Macbeth”) to take a pass on a script draft. Sources denied anyone but Swift would handle the screenplay.

Searchlight is still in a holding pattern, one source familiar with the project said, waiting for Swift to call with any updates. A rep for Swift had no immediate comment on the matter, nor did a Searchlight Pictures spokesperson. Still, there’s an inkling of hope that Swift will turn her attention to her movie in the coming months.

A proper Swift-made film would be a huge boon to Disney’s theatrical business. Swift’s 2023 concert film based on The Eras Tour grossed a staggering $260 million in theaters, the result of a direct partnership with theater chains like AMC. Disney then came and scooped up worldwide streaming rights for Disney+ for a reported $75 million.

https://variety.com/2025/film/news/taylor-swift-movie-delay-explained-1236541793/

Edited 1 hour ago by RAMROD

[elsamars 3,140]

3 minutes ago, RAMROD said:

 

Which brings us to an important reminder: She owes us her directorial debut.

 

No, Taylor please don’t feel like that. You don’t owe us anything sweetheart.

Edited 1 hour ago by elsamars

[Nagini 3,170]

I hope she does it. It's probably going to be even more cringe than that music video she tried to submit to the Oscars and was completely shut out of. To that think that Wattpadd Tumblr music video won a Grammy... These past few years feel like her own brand of COVID, but at least the fever is breaking a bit now.