Did Gaga already hint genre bending back in May, no?

[Starmie25 13,574]

Reminder the GAGA: CHROMATICA BALL premiere had many interviews where she spoke about the direction of LG7 and both "genre bending" and "pushing sound", were all there guys.  And this was back in May FYI. 

Dark/electronic pop will obviously be incorporated (Disease, Abracadabra, Notorious), but LG7 will delve into other territory too as we can see with the "zombie gay" snippet, Gaga mentioning "dreamy" section in Rolling Stone and now DWAS, which will be a nice ending to the album me thinks (hopefully)

If you really believe she scrapped most of LG7 to create more DWAS inspired tracks then you may be delusional. 

 

Buckle up!! We are so closeeeee.

 

 

Edited 21 hours ago by Starmie25

[Creyk 17,101]

Clock us king

[princedeeblebleble 581]

I don't think most people are mad about breaking genre as much as they are annoyed about the inconsistentcy about the nature of DWAS 

[Starmie25 13,574]

4 hours ago, princedeeblebleble said:

don't think most people are mad about breaking genre

[LadyLuca 2,454]

im so confused why ppl are upset about that... dont they know gaga. shes always done that. ARTPOP had the most genere mixes. Born this Way had many too. Like? I mean Chromatica was a mix of electronic house music with classical string interludes. Our singer is a pop Jazz rock singer.

Thats what Gaga does. LG7 will be just like that

[Roughhouse Dandy 8,607]

4 hours ago, princedeeblebleble said:

I don't think most people are mad about breaking genre as much as they are annoyed about the inconsistentcy about the nature of DWAS 

Why is it something to get annoyed over though?

Edited 16 hours ago by Roughhouse Dandy

[Kayi 1,109]

DWAS is a song that talk about love with an unpersonal point of view, sure, so that's why some ppl complain about it. But I do think it can works. Let me explain... 

I think that DWAS will be a song that she will describe as a love song that you can dedicate to all the ppl you like. It could be the last track on the album with the more positive tracks. 

Not convinced ? 

Let's figure LG7 as Dante's journey between Hell, Purgatory and Heaven. Positive tracks about love and peace. 

Some tracks are hellish, focus on pain (Zombified). 

Some other purgate, Gaga use these track to transit to more positive feelings. 

"Die with a smile" evokate the idea of a spiritual peace, it's like "TEOG", there's the idea of death (something dark). But love clears, as long as you're near to the loved one you can accept death. The lyrics are truly spiritual at some point. And Bruno and Gaga's vocals sounds like Angelical, religious to me. 

 

 

I made a thread some days ago about the possible themes of the album. 

Some of my theories has evolved but I think I found some big hints. 

 

 

Edited 15 hours ago by Kayi

[JustJames 716]

1 hour ago, Roughhouse Dandy said:

Why is it something to get annoyed over though?

Because - even though she’s a 38-year old woman named Stefani whose been performing, wearing bubble and meat dresses, and speaking in British accents under the name Lady Gaga - her “fans” simply cannot stand for the lack of authenticity shown here.

Dua Lipa owed no explanation when she added like 6 old collabs/singles onto Future Nostalgia or Miley when she put When I Was Young on ESV, yet somehow Gaga’s few sentences about DWAS here were - even if total BS - enough to kill all hype for the other 15 tracks - tracks she undoubtedly will have fed us BS narratives about in the process of LG7’s marketing campaign. 

Who cares if Bloodpop didn’t have to drag her out of a cave to turn 1000 Doves into a dance song? Who cares if she didn’t have to make a literal choice between her fans and her Dope pipe? Who cares if Telephone wasn’t born out of some fear of suffocation monster?

Yet somehow THIS is the ultimate betrayal because afterall, she can’t score a solo hit and doesn’t deserve to include a song she made and recorded because it was only successful due to Bruno.

[Roughhouse Dandy 8,607]

26 minutes ago, JustJames said:

Because - even though she’s a 38-year old woman named Stefani whose been performing, wearing bubble and meat dresses, and speaking in British accents under the name Lady Gaga - her “fans” simply cannot stand for the lack of authenticity shown here.

Dua Lipa owed no explanation when she added like 6 old collabs/singles onto Future Nostalgia or Miley when she put When I Was Young on ESV, yet somehow Gaga’s few sentences about DWAS here were - even if total BS - enough to kill all hype for the other 15 tracks - tracks she undoubtedly will have fed us BS narratives about in the process of LG7’s marketing campaign. 

Who cares if Bloodpop didn’t have to drag her out of a cave to turn 1000 Doves into a dance song? Who cares if she didn’t have to make a literal choice between her fans and her Dope pipe? Who cares if Telephone wasn’t born out of some fear of suffocation monster?

Yet somehow THIS is the ultimate betrayal because afterall, she can’t score a solo hit and doesn’t deserve to include a song she made and recorded because it was only successful due to Bruno.

Alriiiiight well you take care now 💜

[Murakami27 1,196]

40 minutes ago, JustJames said:

Because - even though she’s a 38-year old woman named Stefani whose been performing, wearing bubble and meat dresses, and speaking in British accents under the name Lady Gaga - her “fans” simply cannot stand for the lack of authenticity shown here.

Dua Lipa owed no explanation when she added like 6 old collabs/singles onto Future Nostalgia or Miley when she put When I Was Young on ESV, yet somehow Gaga’s few sentences about DWAS here were - even if total BS - enough to kill all hype for the other 15 tracks - tracks she undoubtedly will have fed us BS narratives about in the process of LG7’s marketing campaign. 

Who cares if Bloodpop didn’t have to drag her out of a cave to turn 1000 Doves into a dance song? Who cares if she didn’t have to make a literal choice between her fans and her Dope pipe? Who cares if Telephone wasn’t born out of some fear of suffocation monster?

Yet somehow THIS is the ultimate betrayal because afterall, she can’t score a solo hit and doesn’t deserve to include a song she made and recorded because it was only successful due to Bruno.

“Used To Be Young” was not some massive song released prior to Endless Summer Vacation dropping. The album had already been released for months. 
 

There’s a difference.