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Björk honored in Spinmag's Women’s History Month Tribute


alsemanche

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alsemanche

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"The brilliance of Björk can extend interminably outward, filling out the starry firmament from which she finds inspiration and unity. To call Björk unique is an infinite understatement. She’s more of a protean polymath exploring the outer rims of the psyche with an unflappable lust for life. Because, in her own words: “The unknown turns me on.”

As an impressionable teenager of the late ‘70s, Björk was bedazzled by the punk conquest. She drifted in and out of mainly arty, transient post-punk projects from the self-formed Exodus to Tappi Tikarrass to KUKL, the last of which morphed into her most well-known pre-solo band, The Sugarcubes, in 1986. That final installment of short-lived groups garnered enough attention to break out of domestic Icelandic success only, and for her to break out of Iceland itself.  

Unable to downshift her creative engine, she even dabbled in acting. She starred in Lars Von Trier’s Palme d’Or-winning Dancer in the Dark and the visual artist Matthew Barney’s experimental feature-length film Drawing Restraint 9. Unable to fully give up her most definitive creative impulse in a new realm, she scored both films’ soundtracks – a feat no one but wizened composers could imagine.

The artist never slowed, effortlessly shattering glass ceilings in music mediums no one knew existed. In 2011, she released an interactive multimedia experience entitled Biophilia which was centered around the celestial music only Björk could produce. Five novel instruments were created solely for the project (one of which was a modulated Tesla Coil) and, to keep in line with its love-of-life theme, the instruments played within rhythms and time signatures that were based on planetary motions quanta. A suite of apps – composed of ten intra-app modules ranging from games to abstract song animation to lyrics and essays – was created for audiovisual interaction with the music. To make it even more palpable, its own “musical compass” symbol was designed just for its release and was emblazoned on each Biophilia-related media. No wonder she has no imitators. They all pale in her shadow."

Full article: https://www.spin.com/2021/03/womens-history-month-tribute-bjork

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