Who is Lina Morgana?

[Blake Suarez 44]

god

[ChicaSkas 22,809]

I wish Gaga and Fusari could make peace of some kind so that things like the early histories (non-lecherous) about the music, and the others they worked with, like Lina, could be discussed without an aura of rumours all around it.

 

[Yuuri 21,636]

The one thing I never understood was the possible link to Lina and the guy that (wanted?) to sue Gaga and expose her to the world thus ruining her career.

[River 112,562]

The Chosen One, the first scarify of the career.

[Sunny 12,735]

If you want, you can read on her death here

http://ashcourtz.blogspot.rs/2010/10/lina-morgana-rip.html

It has news sources also 

[Goosey 3,017]

25 minutes ago, Nino said:

The people who actually believe it are the conspiracy theorists who believe anything said to them with an authoritative tone.

I found this while Googling just now  these Gaga conspiracies...

 

Did Lady Gaga Kill Lou Reed?

It was the fall of 2012 and, more than anything, Lady Gaga wanted Lou Reed’s blessing. The musician was working on a follow-up to her critically acclaimed, Born This Way. For this project, Gaga wanted a new direction. She had already proven that she could be outlandish and political, but the novelty of her performances was beginning to wear thin. Some reviewers even accused her of being overly theatrical, while lacking deeper substance.

As one of the most uncompromising musical geniuses of his generation, Lou Reed had inspired Gaga with a greater ambition [...] many of the tracks on ARTPOP correlate directly with the greatest hits of The Velvet Underground. Gaga’s Dope, for instance, was meant to be the new millennium’s version of Reed’s Heroin. Walk on the Wild Side was re-envisioned as G.U.Y. Yet where the Velvet’s song was a gender-bending exploration of the cultural fringe, Gaga’s piece uses wordplay to mock the same concept: “I wanna be the girl under you (oh yeah) I wanna be your G.U.Y. (yeah).” The slow and sensual Femme Fatale, about socialite and fashion icon Edie Sedgwick, became the fast-paced and lyrically vapid Donatella, about the Versace designer and cosmetic surgery addict.

Early tracks were cut and sent to Reed in November of 2012. According to current and former members of Gaga’s inner circle, she was expecting support from the aging rocker. Instead, he responded with a month of deafening silence. When Reed finally chose to communicate, it was directly with Troy Carter. His message was succinct: “I have no interest in any further involvement.”

Reed’s displeasure with ARTPOP was initially kept secret from Lady Gaga. Producers feared that it might derail her creative process. At this point, Interscope Records had already invested tens of millions of dollars into the endeavor and executives there were profoundly worried that the erratic singer might not deliver.

A Private Obsession

One former friend says that Lady Gaga became fixated on Reed’s insult, repeating the word “nauseating” to herself again and again. Reed’s public declarations that Kanye West was the true musical revolutionary of his generation further undermined Gaga’s psyche. According to one former studio employee, this is when the pop singer’s behavior turned vengeful. It was alarming enough that music executives at Universal became concerned.

http://harddawn.com/did-lady-gaga-kill-lou-reed/

 

 

 

 

[Nino 12]

2 minutes ago, Goosey said:

I found this while Googling just now  these Gaga conspiracies...

 

Did Lady Gaga Kill Lou Reed?

It was the fall of 2012 and, more than anything, Lady Gaga wanted Lou Reed’s blessing. The musician was working on a follow-up to her critically acclaimed, Born This Way. For this project, Gaga wanted a new direction. She had already proven that she could be outlandish and political, but the novelty of her performances was beginning to wear thin. Some reviewers even accused her of being overly theatrical, while lacking deeper substance.

As one of the most uncompromising musical geniuses of his generation, Lou Reed had inspired Gaga with a greater ambition [...] many of the tracks on ARTPOP correlate directly with the greatest hits of The Velvet Underground. Gaga’s Dope, for instance, was meant to be the new millennium’s version of Reed’s Heroin. Walk on the Wild Side was re-envisioned as G.U.Y. Yet where the Velvet’s song was a gender-bending exploration of the cultural fringe, Gaga’s piece uses wordplay to mock the same concept: “I wanna be the girl under you (oh yeah) I wanna be your G.U.Y. (yeah).” The slow and sensual Femme Fatale, about socialite and fashion icon Edie Sedgwick, became the fast-paced and lyrically vapid Donatella, about the Versace designer and cosmetic surgery addict.

Early tracks were cut and sent to Reed in November of 2012. According to current and former members of Gaga’s inner circle, she was expecting support from the aging rocker. Instead, he responded with a month of deafening silence. When Reed finally chose to communicate, it was directly with Troy Carter. His message was succinct: “I have no interest in any further involvement.”

Reed’s displeasure with ARTPOP was initially kept secret from Lady Gaga. Producers feared that it might derail her creative process. At this point, Interscope Records had already invested tens of millions of dollars into the endeavor and executives there were profoundly worried that the erratic singer might not deliver.

A Private Obsession

One former friend says that Lady Gaga became fixated on Reed’s insult, repeating the word “nauseating” to herself again and again. Reed’s public declarations that Kanye West was the true musical revolutionary of his generation further undermined Gaga’s psyche. According to one former studio employee, this is when the pop singer’s behavior turned vengeful. It was alarming enough that music executives at Universal became concerned.

http://harddawn.com/did-lady-gaga-kill-lou-reed/

 

 

 

 

This is one of the best ones I've ever read  

[ChicaSkas 22,809]

1 minute ago, Blake Suarez said:

god

Do try to post something with a little more meaning... 

[llbcherry 591]

The Lou Reed thing

Going to Google Gaga stories now.

OT: the murder rumor is so silly. No way Gaga had anything to do with her death. I don't even need to say it. We already know, like, really, guys.

It was very sad. She was a lovely young woman.

[Letmelivemylife 8,715]

50 minutes ago, ReidOne said:

In all seriousness, I wonder if Lina was sexually assaulted by Rob? Like Gaga possibly may have been... And this caused her to kill herself? 

Not trying to fan gossip flames, but this is just the first I've thought of this 

I hope not and if she was, too bad she couldn't be saved. Sexual assault is something I wouldn't wish on my worst enemy. A piece of me died the night that mine happened (which is what led to my abortion). I've since sought counseling but let me tell you, I wanted to die so many times. The guilt is just unimaginable 

[ARTPOP39 66]

someone should go to a gaga meet and greet and ask her about lina and lou and secretly record the convo and her reaction, it will tell us the truth

[DoremonLove 8,147]

On Monday, September 19, 2016 at 12:02 PM, Goosey said:

I found this while Googling just now  these Gaga conspiracies...

 

Did Lady Gaga Kill Lou Reed?

It was the fall of 2012 and, more than anything, Lady Gaga wanted Lou Reed’s blessing. The musician was working on a follow-up to her critically acclaimed, Born This Way. For this project, Gaga wanted a new direction. She had already proven that she could be outlandish and political, but the novelty of her performances was beginning to wear thin. Some reviewers even accused her of being overly theatrical, while lacking deeper substance.

As one of the most uncompromising musical geniuses of his generation, Lou Reed had inspired Gaga with a greater ambition [...] many of the tracks on ARTPOP correlate directly with the greatest hits of The Velvet Underground. Gaga’s Dope, for instance, was meant to be the new millennium’s version of Reed’s Heroin. Walk on the Wild Side was re-envisioned as G.U.Y. Yet where the Velvet’s song was a gender-bending exploration of the cultural fringe, Gaga’s piece uses wordplay to mock the same concept: “I wanna be the girl under you (oh yeah) I wanna be your G.U.Y. (yeah).” The slow and sensual Femme Fatale, about socialite and fashion icon Edie Sedgwick, became the fast-paced and lyrically vapid Donatella, about the Versace designer and cosmetic surgery addict.

Early tracks were cut and sent to Reed in November of 2012. According to current and former members of Gaga’s inner circle, she was expecting support from the aging rocker. Instead, he responded with a month of deafening silence. When Reed finally chose to communicate, it was directly with Troy Carter. His message was succinct: “I have no interest in any further involvement.”

Reed’s displeasure with ARTPOP was initially kept secret from Lady Gaga. Producers feared that it might derail her creative process. At this point, Interscope Records had already invested tens of millions of dollars into the endeavor and executives there were profoundly worried that the erratic singer might not deliver.

A Private Obsession

One former friend says that Lady Gaga became fixated on Reed’s insult, repeating the word “nauseating” to herself again and again. Reed’s public declarations that Kanye West was the true musical revolutionary of his generation further undermined Gaga’s psyche. According to one former studio employee, this is when the pop singer’s behavior turned vengeful. It was alarming enough that music executives at Universal became concerned.

http://harddawn.com/did-lady-gaga-kill-lou-reed/

 

 

 

 

What is this mess

"Despite all this, the pop star’s taste for blood has only grown."