Calvin Harris & Rihanna – This Is What You Came For

[ViGaga 777]

i love this!

[Mister Gaga 22,946]

keep it. It's really basic, i can't believe you guys are comparing it to WFL  

[SOON 4,159]

Its normal 

Nothing special about it 

I am disappointed 

[Fiona Apple 13,006]

I am sure it will really grow on me

[ForgotMyLunch 328]

It's meh. The chorus needed more energy. The "you" gets annoying as well. Still enjoy it somewhat, would probably sound better if music was like 2012 right now.

 

[Klou 2,414]

I love that he's going the house route! My favorite genre. It's great!

[Klou 2,414]

2 hours ago, VIVIVI said:

This is not Deep House lmao, this is edm so generic electronic music, comercial etc. But it's catchy, not better than WFL tbh.

Yes, it's not deep house, but pure house.

[Karl 3,427]

3 hours ago, Joshie said:

3 hours ago, Joshie said:

This is not deep house. Wish people would stop throwing deep house around lol. 

Deep house does not chart commercially.

This is not deep house. Wish people would stop throwing deep house around lol. 

Deep house does not chart commercially.

Ok then the mainstream version of deep house, Disclosure, Lost Frequencies, Duke Dumont, Gorgon City etc. What I mean is that this isn't a fresh sound in particular. Still catchy though

[Klou 2,414]

3 hours ago, Joshie said:

This is not deep house. Wish people would stop throwing deep house around lol. 

Deep house does not chart commercially.

How Deep Is Your Love and Gecko (Overdrive) are both Deep House. One was a huge commercial hit and the other was a #1 in the UK.

[Karl 3,427]

Just now, Klou said:

How Deep Is Your Love and Gecko (Overdrive) are both Deep House. One was a huge commercial hit and the other was a #1 in the UK.

This is what I meant, this sound was massive a few years back In the UK

[LePetitGAGABLover 21,234]

I am CRINGING at those who say this is good. Its so repetitive and sounds like a demo. 

 

[StrawberryBlond 14,904]

Yet another boring, repetative, generic beat with someone who's desperate for a hit. I wouldn't expect any less from Calvin. Dance music's supposed to be exciting - I can't get into this "chill out" dance (chill out should be a byword for boring in music) with no bass drops and you can't dance to it. Even David Guetta's experimenting more now! All the advances in EDM recently and this is what he goes with? He's so redundant. And why does he keep working with Rihanna? That girl has more than enough hits, some undeserved! She has Calvin to thank from stopping her Talk That Talk album from being a complete flop (We Found Love and Where Have You Been were her only hits and they were solely written and produced by him) and she's still trailing after him, looking for success because she knows it's starting to fade out now and its been a while since she had a #1 in the UK. But, oh, well, at least it technically won't be hers because he's the main artist and she's a feature. But still, it annoys me how people who have no trouble getting hits end up collabing with generic producers to guarantee a successful hit. What about giving the opportunity to someone who actually needs and deserves it?

As I keep on saying, why did the most successful DJ from my country have to be this guy? His music is loved by the worst kind of people in Scotland - neds. 2011-2012 was a terrible time when it was them dictating who was #1.

[Higher 2,406]

55 minutes ago, StrawberryBlond said:

Yet another boring, repetative, generic beat with someone who's desperate for a hit. I wouldn't expect any less from Calvin. Dance music's supposed to be exciting - I can't get into this "chill out" dance (chill out should be a byword for boring in music) with no bass drops and you can't dance to it. Even David Guetta's experimenting more now! All the advances in EDM recently and this is what he goes with? He's so redundant. And why does he keep working with Rihanna? That girl has more than enough hits, some undeserved! She has Calvin to thank from stopping her Talk That Talk album from being a complete flop (We Found Love and Where Have You Been were her only hits and they were solely written and produced by him) and she's still trailing after him, looking for success because she knows it's starting to fade out now and its been a while since she had a #1 in the UK. But, oh, well, at least it technically won't be hers because he's the main artist and she's a feature. But still, it annoys me how people who have no trouble getting hits end up collabing with generic producers to guarantee a successful hit. What about giving the opportunity to someone who actually needs and deserves it?

As I keep on saying, why did the most successful DJ from my country have to be this guy? His music is loved by the worst kind of people in Scotland - neds. 2011-2012 was a terrible time when it was them dictating who was #1.

Calvin asked Rihanna to jump on the song even though she refused all of his songs that were produced for ANTi. Get your facts straight. How is she fading when Work was #1 for 9 weeks with only 1 live performance, Needed Me is climbing up the US ITunes Charts with no promo and ANTi went number 1 even though she gave a million copies for free. Seethe hater SEETHE

[SamJ 8,008]

This is really really good!

[StrawberryBlond 14,904]

3 minutes ago, Higher said:

Calvin asked Rihanna to jump on the song even though she refused all of his songs that were produced for ANTi. Get your facts straight. How is she fading when Work was #1 for 9 weeks with only 1 live performance and Needed Me is climbing up the US ITunes Charts with no promo. Seethe hater SEETHE

Maybe she didn't want it on her own album, you know, because it was supposed to be so "anti" commercial, but she was more than happy to work with him on a hit featuring her on his own album, to guarantee she could still have a hit attached to her name even if everything from Anti flopped, which it was doing until Work came along. And I'm talking in the grand scheme of things. Work really hasn't sold that much - it was purely streaming that kept it where it was. If you look at the sales, songs that never went #1 got more than that. And in much of the world, it didn't go to the top, including the UK, which used to always be a major market for her. And yes, she is fading. She can't seem to get more than one hit per album anymore. KIB and NM have both failed because they weren't as commercial and didn't have a rap feature. She only has success when she does what's expected of her and she's not doing that now. Rihanna's slowly fading now, it's clear. She's going to fade even more if she takes more time making this next album too. It's just the music industry is desperate to keep her successful with help from the likes of Calvin. But her luck is almost out. She'll be done by the time she's 30 seeing as her success is completely based around her youth, looks and relevancy to young people.