Blake 7,385 Posted June 7, 2014 Share Posted June 7, 2014 Is there any videos showing her escaping into the trap door? Link to post Share on other sites More sharing options...
Paper Gangsta 6,693 Posted June 7, 2014 Share Posted June 7, 2014 She goes down for a drink in absolut bar Link to post Share on other sites More sharing options...
izzio 39 Posted June 7, 2014 Share Posted June 7, 2014 If I'm right, I remember at the New York show she and TI went down underneath there together. There must be a way to escape because I can't imagine TI just sat there the rest of the show. Link to post Share on other sites More sharing options...
jxckk 959 Posted June 7, 2014 Share Posted June 7, 2014 i'm pretty sure when i was watching one of the videos that under the ARTPOP zone stage can be accessed by a door built into the side of it. Her team who is needed to change her will be escorted by security to that part of the stage probably just as she is finishing Donatella (if you look during videos, that part of the stage nearest the seating part isn't crowded, its easy enough access for her team) The clothing will already be under the stage when the show starts so that they dont need to run around the whole arena with it. Link to post Share on other sites More sharing options...
Punky 15 Posted June 8, 2014 Share Posted June 8, 2014 There'll be someone underneath, I mean they'll get bored but that's what they're paid to do. They probably even have a screen so they can watch the show/she what's going on. This. It's not uncommon for members of the technical crew to spend some or all of a show "trapped" in an isolated part of the stage. I think it's doubtful she does the costume change by herself. But I'll have to go back and watch video of that part of the performance. btw 1,000th post i'm pretty sure when i was watching one of the videos that under the ARTPOP zone stage can be accessed by a door built into the side of it. Her team who is needed to change her will be escorted by security to that part of the stage probably just as she is finishing Donatella (if you look during videos, that part of the stage nearest the seating part isn't crowded, its easy enough access for her team) The clothing will already be under the stage when the show starts so that they dont need to run around the whole arena with it. Oh well there you go. Link to post Share on other sites More sharing options...
Blade 5,603 Posted June 8, 2014 Share Posted June 8, 2014 How does she get there though? :dead: Link to post Share on other sites More sharing options...
Saint Laurent 4,862 Posted June 8, 2014 Share Posted June 8, 2014 There is a whole other level underground, how do you think they prepare and ****, it's where all of the dressing rooms, storage **** etc is. Link to post Share on other sites More sharing options...
ReRe 1,957 Posted June 8, 2014 Share Posted June 8, 2014 When the artRave first started, I wondered the same. I think #1 is most probable. There is, or ARE, some assistants in the chamber under stage B the whole time. They help Gaga with the transition from Fashion!-Venus, and then again from Born This Way-Aura. Link to post Share on other sites More sharing options...
Feynman 1 Posted June 8, 2014 Share Posted June 8, 2014 There is a whole other level underground, how do you think they prepare and ****, it's where all of the dressing rooms, storage **** etc is. Is this true for every venue? And at festivals? Link to post Share on other sites More sharing options...
Saint Laurent 4,862 Posted June 8, 2014 Share Posted June 8, 2014 Is this true for every venue? And at festivals? Yes I believe so. If you think about it, most venues are just oval and their main body above ground only holds the seating stage and minimal space. There has to be underground space to house all of the **** that comes along with concerts. If you think about stadiums also and football games, when they come out onto the pitch, they come from underground up stairs usually. I imagine it's the same for all venues. Festivals no, there is only a backstage, which is why she won't be allowed the catwalks at festivals. Link to post Share on other sites More sharing options...
Pain of fame1 228 Posted June 8, 2014 Share Posted June 8, 2014 Theres probably 2 or 3 people inside that part of the stage. Yess Link to post Share on other sites More sharing options...
limcong96 77 Posted June 8, 2014 Share Posted June 8, 2014 Is there any videos showing her escaping into the trap door? https://www.youtube.com/watch?v=PdXpJNKU7fU at 2:20 Link to post Share on other sites More sharing options...
britneylopez99 0 Posted June 8, 2014 Share Posted June 8, 2014 Is this true for every venue? And at festivals? Yes I believe so. If you think about it, most venues are just oval and their main body above ground only holds the seating stage and minimal space. There has to be underground space to house all of the **** that comes along with concerts. If you think about stadiums also and football games, when they come out onto the pitch, they come from underground up stairs usually. I imagine it's the same for all venues. Festivals no, there is only a backstage, which is why she won't be allowed the catwalks at festivals. no this is untrue. not every venue is the same, do you honestly think that every venue would have a lift coming through the cement ground to slightly-off centre where the ARTPOP zone is?? also, most of the venus are arenas, which means that theres a layer of ice there too. theres NO way this is what happens Link to post Share on other sites More sharing options...
thefamefatale 264 Posted June 8, 2014 Share Posted June 8, 2014 There'll be someone underneath, I mean they'll get bored but that's what they're paid to do. They probably even have a screen so they can watch the show/she what's going on. LMFAO at your dp don't be a drag Link to post Share on other sites More sharing options...
LStephens11 15 Posted June 8, 2014 Share Posted June 8, 2014 the possibilities of ARTPOP ARTPOP could mean anything! AN-Y-THING! Also, who is Fredric? Link to post Share on other sites More sharing options...
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