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The fanbase is all talk and no show They think Killah is too weird, so they for sure aren't ready for Gaga to really go full throttle with other genres besides pop. Which, btw, she'll never do. Gaga has always been, and will always be, pop + something else. She's been influenced by many different artists and genres, but at the end of the day, all her music is pop.

I took a page out of Gaga's book and looked for evidence. Here are all the filming/release dates of AM live films: So yeah I have to agree with @TheFrenchGuy, seeing this + the name, I'm guessing we'll get it right as the tour ends.

Isn’t filming tomorrow 😭 What if she’s filming something else today

They don't call me the Audio Queen for nothing

Now before y’all start asking where I found this from it was posted on a discord server that I’m in and apparently it’s from Pop Justice so if y’all wanna do extra research, you’re more than welcome to do so But… ARE YOU JOKING RN

At this point we have to accept Riri has a breeding kink and we're not getting another album before the menopause

I didnt win but my friend did and she is taking me I was so shocked😭💕💕

I quite like the idea of MAYHEM: Requiem being the name of a double album. I even made a concept:

In MAYHEM, she said she'd dance until she was dead... In REQUIEM, there's no time for dancing cause she died (and crystalized)

The most realistic scenario is a release at the end of the tour in April. Anyone guessing otherwise is delusionnal. Gaga's quality standard is too high now for it to be edited in a month. The Harlequin special was recorded in september and likely to be released at Christmas of 2024, that's 3 months. Plus there's the fact that the show is called Requiem and it doesn't make sense to release it before the era is over. Save yourselves the disappointment and be patient

I breathe a sigh of relief every time one of my GGD sistren knows literally anything about music. Needless to say I’m holding my breath a lot.

Die With a Sour Candy confirmed

Mayhem is her best album to date.

TFM has the advantage of being short so everything appears bigger in its hands.

The Dead Dance has crossed 150 million streams on Spotify.

I can’t wait to see how this Wiltern out

https://www.wiltern.com/shows https://www.ticketmaster.com/lady-gaga-los-angeles-california-01-14-2026/event/09006429B91CA0D7?_gl=1*1dseeq6*_ga*OTQzNzE5ODEwLjE3NjgyMzg1MTc.*_ga_C1T806G4DF*czE3NjgyMzg1MjkkbzEkZzEkdDE3NjgyMzg1MzMkajU2JGwwJGgw*_ga_H1KKSGW33X*czE3NjgyMzg1MjkkbzEkZzEkdDE3NjgyMzg1MzIkajU3JGwwJGgw

This is EXACTLY why I subscribed to this website in 2012/13

Spotify: In 13 days Abracadabra will hit 700m In 16 days Shallow will hit 3billion In 3 days Hold my Hand will surpass Stupid Love

Yeah, but that's like Katy Perry winning a live singing contest against Fergie. The bar is low.

No Time For Dancing new single????

British singer Celeste says she wrote most of Justin Bieber's song 'Don't Wanna' from his latest album "SWAG "but has not been credited https://www.instagram.com/stories/celeste/

stream Hot & Sexy

So happy for everyone going tonight! I hope she lipsyncs

Not Shadow of the Moon-gate again

To the two people reselling their tickets on StubHub for $2K: eat my entire ass.

I have such a love and appreciation from this album and genuinely think it clears all her other albums. It feels entirely Gaga and everything she was and has been. The vocal training from being a jazz vocalist, the pop melodies and songwriting, the influences from all the artists she grew up with, the music she listens to now, it’s theatrical, it feels dance and disco as well. It’s everything to me. I also wanna point out that as much as we don’t love it, it’s so c*nt to me for her to make a song like HBDUWM to show she can make modern pop music like all the girlies after her. And then making Abracadabra as well to show her fans she’s “still got it” like she did back in the day to make hard dance music with amazing melodies, a memorable video, choreography etc also this TikTok proves that DWAS absolutely fits into the album track list perfectly sonically

I think this is probably popular but: The speech she gives before/during singing hair and the way she piles hair on her head and says she feels beautiful and its her right to do so (I think she said that or something along those lines) is something that has always stuck with me and honestly solidified her as my favorite artist. I was a little monster since The Fame and was always enamored by her theatrics and performance, I still am. But watching that special, and especially that song, really made me feel "seen" or understood by her. It was one of the first times I watched an artist who made me not feel alone

Were the unpopular opinions threads a mistake?

I feel like I should be bouncing off the walls right now, but instead I'm in total shock. This type of stuff never happens to me. I feel like it was meant to be because I usually work on Wednesdays and I just happened to be off tomorrow. I can't wait

girl just take it in the @$$

I thought this was a classy requiem

People who got codes better come ready with detailed 50 pages summaries with drawings and moodboards on Thursday morning

If you delve in a bit deeper, you can tell each song still holds some of the original industrial coating.

Anyone going please report it back here -asap- for all of us craving for some insights!!!!

Painful Impossible Security screenings will catch One will be thrown out roughly on their ass with no refund Go pros aren't small enough to fit Also wrong bc gaga doesn't want it recorded ----- also ----- this will air for us the way Harlequin eventually did, 1 year and 3 months later.

Here we go! Poster has just been released, how are y’all liking it? https://x.com/ghostfacetalks_/status/2011461191571329515?s=46 EDIT: IG link removed

YUP

There.

Blade of Grass hits 30 million Spotify streams today, the last of the standard tracks to reach that milestone

I think objectively it has to be Mayhem. Like both have issues with track list sequencing imo, partly because of the variety of genres across the tracks. Both have really high highs with no real lows tbh as well. But Mayhem's midpoints edge out TFM's midpoints.

Can’t wait to see what she cooked for us ! I have no doubt it’s gonna be amaziiiing ! She’s going to bring the haus DOWN BOOTS MAWMAAAAA PERIOD The anticipation is killing me,I’ve been frantically looking at this thread since yesterday

This album (aside from Paparazzi) feels genuinely underrated in the fanbase. Everyone in the GP will talk about it over and over again, but in the fanbase it feels like people want to pay this album dust. It gets so ignored compared to other works of hers I feel (again, besides Paparazzi lol).

They saw the unpopular opinions threads

Does anyone actually want new music from her anymore though? You know it'll just disappoint when/if it happens Both Katy Perry & Rihanna are now nostalgic legacy artists imo

she'll do everything to prevent herself from making music.

Luminate’s equivalent album unit totals include SEA and TEA for an album’s songs registered before an album’s release, but during the tracking period of Jan. 3, 2025, through Jan. 1, 2026. TOP 10 ALBUMS OF 2025 IN U.S., BY TOTAL EQUIVALENT ALBUM UNITS 1. Taylor Swift, The Life of a Showgirl (5.607 million) 2. Morgan Wallen, I’m the Problem (5.125 million) 3. SZA, SOS (2.599 million) 4. Soundtrack, KPop Demon Hunters (2.422 million) 5. Bad Bunny, DeBÍ TiRAR MáS FOToS (2.393 million) 6. Kendrick Lamar, GNX (2.216 million) 7. Sabrina Carpenter, Short n’ Sweet (2.046 million) 8. Morgan Wallen, One Thing at a Time (1.949 million) 9. PARTYNEXTDOOR & Drake, $ome $exy $ongs 4 U (1.766 million) 10. Tate McRae, So Close To What (1.630 million) TOP 10-SELLING ALBUMS OF 2025 IN U.S. (PHYSICAL & DIGITAL SALES COMBINED) 1. Taylor Swift, The Life of a Showgirl (3.985 million) 2. Stray Kids, KARMA (585,000) 3. The Weeknd, Hurry Up Tomorrow (543,000) 4. Stray Kids, DO IT (460,000) 5. Sabrina Carpenter, Man’s Best Friend (431,000) 6. Sabrina Carpenter, Short n’ Sweet (413,000) 7. Kendrick Lamar, GNX (399,000) 8. Soundtrack, KPop Demon Hunters (366,000) 9. Morgan Wallen, I’m the Problem (329,000) 10. Lady Gaga, MAYHEM (292,000) TOP 10-SELLING VINYL ALBUMS OF 2025 IN U.S. 1. Taylor Swift, The Life of a Showgirl (1.601 million) 2. Sabrina Carpenter, The Life of a Showgirl (292,000) 3. Kendrick Lamar, GNX (279,000) 4. Sabrina Carpenter, Short n’ Sweet (262,000) 5. Billie Eilish, HIT ME HARD AND SOFT (192,000) 6. Fleetwood Mac, Rumours (190,000) 7. Michael Jackson, Thriller (182,000) 8. The Weeknd, Hurry Up Tomorrow (178,000) 9. Taylor Swift, Lover (Live From Paris) (166,000) 10. Tyler, The Creator, IGOR (166,000) TOP 10-SELLING CD ALBUMS OF 2025 IN U.S. 1. Taylor Swift, The Life of a Showgirl (1,957,000) 2. Stray Kids, KARMA (524,000) 3. Stray Kids, DO IT (456,000) 4. ENHYPEN, DESIRE : UNLEASH (261,000) 5. ATEEZ, GOLDEN HOUR : Part.3 (223,000) 6. STRAY KIDS, HOP (223,000) 7. KATSEYE, BEAUTIFUL CHAOS (186,000) 8. The Weeknd, Hurry Up Tomorrow (176,000) 9. JACKBOYS & Travis Scott, JACKBOYS 2 (170,000) 10. TOMORROW X TOGETHER, The Star Chapter: TOGETHER (168,000) TOP 10 MOST STREAMED SONGS OF 2025 IN U.S., ON-DEMAND AUDIO 1. Alex Warren, “Ordinary” (746.2 million) 2. Kendrick Lamar & SZA, “luther” (714.4 million) 3. HUNTR/X: EJAE, Audrey Nuna & REI AMI, “Golden” (656.1 million) 4. Lady Gaga & Bruno Mars, “Die With a Smile” (611.8 million) 5. Morgan Wallen, “I’m the Problem” (578.4 million) 6. Teddy Swims, “Lose Control” (558.1 million) 7. Shaboozey, “A Bar Song (Tipsy)” (527.2 million) 8. Kendrick Lamar, “Not Like Us” (524.0 million) 9. The Marías, “No One Noticed” (516.8 million) 10. Billie Eilish, “BIRDS OF A FEATHER” (511.8 million) TOP 10-SELLING DIGITAL SONGS OF 2025 IN U.S. 1. Alex Warren, “Ordinary” (238,000) 2. Chappell Roan, “Pink Pony Club” (173,000) 3. HUNTR/X: EJAE, Audrey Nuna & REI AMI, “Golden” (147,000) 4. Shaboozey, “A Bar Song (Tipsy)” (126,000) 5. Taylor Swift, “The Fate of Ophelia” (126,000) 6. Lady Gaga & Bruno Mars, “Die With a Smile” (126,000) 7. Brandon Lake, “Hard Fought Hallelujah” (125,000) 8. Benson Boone, “Beautiful Things” (124,000) 9. ROSÉ & Bruno Mars, “APT” (118,000) 10. Kendrick Lamar, “Not Like Us” (118,000) TOP 10 RADIO SONGS OF 2024 IN U.S. (BASED ON AUDIENCE IMPRESSIONS) 1. Lady Gaga & Bruno Mars, “Die With a Smile” (3.054 billion) 2. Alex Warren, “Ordinary” (2.769 billion) 3. Shaboozey, “A Bar Song (Tipsy)” (2.709 billion) 4. Kendrick Lamar & SZA, “luther” (2.538 billion) 5. Sabrina Carpenter, “Espresso” (2.313 billion) 6. Myles Smith, “Stargazing” (2.297 billion) 7. Leon Thomas, “Mutt” (2.162 billion) 8. Billie Eilish, “BIRDS OF A FEATHER” (2.148 billion) 9. Teddy Swims, “Lose Control” (2.101 billion) 10. Benson Boone, “Beautiful Things” (2.031 billion) https://www.billboard.com/pro/luminate-2025-year-end-music-report-taylor-swift-showgirl/