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doja about her albums:

The way she’s always laughing…

The tooth gap was a reference to Madonna sweetie, and with the crying she was representing her meltdown over BTW being a better song than Express Yourself!!!!! Hope that makes it clear to you honey xo

overall radio 71+3 Lady Gaga - The Dead Dance 13.48 (+0.41)

Halsey's not allowed to release new music But this talentless crispy voiced hack is?

Success is a very complex thing and depending on what you consider successful we will all have different opinions. On its own, TDD is flopping despite what some might wish. No, it won’t rise with Halloween either. Compared to other artists, it’s doing more than fine. Doja flopped, Ed flopped, Cardi flopped, everyone is flopping like their life depends on it. TDD at least had some muscle compared to others If you take into account optics for Mayhem, TDD reactivated the era, gave us a new performance, and promoted the album, which did grow from 6M to a peak of 11M daily (currently 9M). All of this right before Grammy nominations are decided. Strategically it accomplished something great, and honestly? THIS is the real success right here, to get the album’s critical acclaim back and running. So yes, commercially this song flopped a bit, but it’s not without its accomplishments

The Lifetimes Tour says hello

hard to believe Bad Romance - her signature hit - is her 8th most streamed song daily these days... Behind Judas - which has become just as signature of a hit atp

i think Hold My Hand surpassed 1 billion streams worldwide across all platforms. HMH Youtube Music: 426M Spotify: 398M My guess for Apple Music & others combined: 200M

Both TDD and Abra are rising in daily youtube views 143 (+9) TDD - 673,848 392 (-4) Debra - 414,082 Debra was doing around 310,000 a few days ago for reference, and TDD is ahead of Poker Face again

Yall seeing TTD "flop", I'm seeing 5 songs in the top global charts, 3 of them being from Mayhem

Spotify monthly listeners: 1 The Weeknd 112,569,437 (+269,961) 2 Bruno Mars 110,858,063 (+184,569) 3 Justin Bieber 100,676,043 (-15,086) 4 Lady Gaga 100,450,212 (+174,086)

5 songs on global Stopify... Some fandoms and acts would commit literal terrorism for this.

The video came out the day of my Monster Ball show. Good times She looked so cool here

Unfortunately, it's not the official demo yet. But I've never heard these vocals so clear before. Mix made by a Britney Spears fan. Maybe using stems? Who knows.

I heard kill for love on the radio today in Seattle

Spotify All Time #32 - BOAF #33 - DWAS

Vanisha will be her next ARUTW

this site is filled with ‘evil twinks’ and this discussion is evidence enough, a well - known woman in the industry who has been mistreated on multiple occasions during the years is not allowed to MAKE NEW MUSIC, we’re not talking about publishing it and stuff like that, the label is taking the most important thing an artist has from her and y’all are laughing at her and shaming her for it, that’s crazy.

I don't know why I'm shocked that the response in here as fairly jokey and anti-Halsey. I don't really care for her music personally. But if you care about music at all, you should be bothered to hear that a label is actively preventing an artist from being an artist purely because of arbitrary commercial expectations. Halsey's album debuted with more than Ed Sheeran's last three albums, and yet he continues to get unrestricted access to label resources and can make albums whenever he wants. The fact that an artist as established as Halsey has to consistently appeal to the public to even be allowed to make music in the first place should be concerning for anyone, whether you enjoy her music or not.

Did it get a little boost from people mistaking it for the Jet2 holiday song?

I will never understand why she has a tooth gap at the end and crying

please let whatever happened to Halsey happen to Taylor Swift.

Scrolling pages after pages while Im here having a good laugh and just realize that Gaga has 5 songs over 1million 8 songs over 500k for her daily streams, which is equivalent to Billie's catalogue Dont get me started to compare to her peers (TS and Rih being exception) so yeah just dgaf what other fanbases throwing at you because they knew Gaga is up there along with those big new artists that have enormous streaming success

stream "d£aler" and Lola's new album

At what point can we start tracking Poker Face on the most streamed of all time Spotify chart? now? Poker Face #261 (later today it'll be 260) Bonuses: Die with a Smile #33 Shallow #44

How is The Weeknd still gaining?

In retrospect it’s her best video ever extremely underrated, so beautiful and artistic.

SPOTIFY ACHIEVEMENTS TODAY (for 19.09.25) : Die With A Smile crosses 2.970b streams (2,970,862,391) +3,476,654 Shallow crosses 2.885b streams 2.885b streams (2,885148,870) +980,648 Poker Face crosses 1.857b streams (1,857,312,157) +1,306,155 ARUTW crosses 1.693b streams (1,693,638,179) +917,438 Bad Romance crosses 1.650b streams (1,650,127,763) +918,853 Just Dance crosses 1.512b streams (1,512,246,160) +1,204,317 Rain On Me crosses 1.187b streams (1,187,135,984) +270,535 Telephone crosses 961m streams (961,556,647) +615,302 Judas crosses 943m streams (943,165,591) +948,757 Paparazzi crosses 877m streams (877,252,792) +772,567 Born This Way crosses 755m streams (755,263,140) +344,633 Applause crosses 719m streams (719,247,401) +395,842 Bloody Mary crosses 712m streams (712,446,124) +491,472 LoveGame crosses 574m streams (574,205,034) +530,163 Abracadabra crosses 568m streams (568,520,737) +1,240,345 Hold My Hand crosses 398m streams (398,094,744) +185,691 HBDUWM crosses 104m streams (104,228,253) +263,462 The Dead Dance crosses 40m streams (40,713,047) +2,124,474 Blade of Grass crosses 26m streams (26,020,995) +47,511 The Dead Dance is now Gaga’s 94th (+1) most-streamed song, surpassing Cheek To Cheek. Kill For Love is now Gaga’s 199th (+5) most-streamed track, surpassing Oh When The Saints, You and I (Live Thanksgiving Special Version), Applause (Empire of the Sun Remix), Rain On Me (Purple Disco Machine Remix) and Fashion of His Love (Fernando Garibay Remix).

I loved "If I Can't Have Love, I Want Power" and a casual fan of some of her other work. But the entire Great Impersonator era was a chop. She built huge expectations with a title like that, and the weeks leading up to the release she was posting her recreations of iconic photos of musicians like Bowie, Fiona Apple, Cher, Britney, Dolly, etc . Then you listen to the album and it has no influence from those artists and 95% of the songs sound the same? I commend her for turning her pain and experience with chronic illness into art, but this just did not land with majority of listeners and it shows. "Lonely Is The Muse" is the best song from the album, was a single, and sounds nothing like the rest of the songs. In fact, it's vastly different.

If I Can't Have Love I Want Power is one of the best pop albums ever and deserves more praise than it got

DWAS was only a few months old, not years olds the stones being thrown aren't even reaching the lawn of the glass house babe

• Twenty One Pilots land the year’s biggest week for any rock album — and the largest in six years — as the duo’s new studio effort, Breach, bows at No. 1 on the Billboard 200 dated Sept. 27. The set launches with 200,000 equivalent album units earned in the United States, according to Luminate. That marks Twenty One Pilots’ best week ever Of Breach’s 200,000 first-week equivalent album units, album sales comprise 169,000 (it debuts at No. 1 on the Top Album Sales chart), SEA units comprise 31,000 (equaling 40.68 million on-demand official streams of the set’s songs — the act’s best streaming week yet; it also debuts at No. 8 on Top Streaming Albums) and TEA units comprise a negligible sum. Breach’s opening-week sales were bolstered by its availability across more than 15 vinyl variants, which sold a combined 72,000. That marks Twenty One Pilots’ best week ever on vinyl and the largest vinyl sales week for a rock album in the modern era (since Luminate began electronically tracking sales in 1991). Breach was also issued on three deluxe CD editions in lavish packaging containing collectible ephemera, a standard widely available CD and digital download, along with a widely available deluxe digital download edition with the bonus track “Drag Path,” alternative cover art and a PDF booklet. • Ed Sheeran scores his eighth top 10-charting album on the Billboard 200 as Play starts at No. 5 with 71,000 equivalent album units earned. Of that sum, album sales comprise 51,000 (it debuts at No. 2 on the Top Album Sales chart), SEA units comprise 19,000 (equaling 24.26 million on-demand official streams of the set’s songs; it debuts at No. 23 on Top Streaming Albums) and TEA units comprise 1,000.

My delulu fantasy is Netflix, as a cross promotion with Gaga for Wednesday, has produced a Gaga Halloween special which would be part of a push for her to potentially solidify herself as a “Halloween artist” with a couple songs that surge around the fall/spooky season. GAGAWEEN 2025 truthers RISE

I think we are a bit spoiled with the success of DWAS and to a lesser extend Abracadabra. Personally DWAS and Abra were instant bops to mee, while TDD took me a few listens, maybe it's the same for the GP on this song

I get her. It's a trip being both your biggest fan and toughest critic.

Last week, a team of record-label executives took a Zoom meeting with a little-known R&B artist releasing music under the name Xania Monet, whose album has been climbing fast up the charts, drawing interest and potential bidders from around the music business. But it quickly became clear that this was no ordinary rising star when she joined the call without video, explaining she wasn’t “camera ready” and declining to sing. That’s because the artist, a poet whose real name is Telisha Jones and who goes by Nikki, has used AI to craft her image and Suno to craft her music. Given her use of Suno, which was sued for copyright infringement by the major record companies last year, labels backed by the majors abstained from making offers, though one major label put a top offer on the table anyway. The bidding reached $3 million to sign her, sources say, and Hallwood Media, the entertainment company led by former Interscope executive Neil Jacobson, ultimately added her to its roster with a multimillion-dollar agreement. Xania is the brainchild of 31-year-old Jones, who owns a design studio and lives in OIive Branch, Miss. She comes from humble beginnings, says her manager Romel Murphy, a veteran music marketing executive who has worked with gospel acts like Cheneta Jones and K. Michelle as well as Memphis newcomer IME Casino and considers Jones family. “She’s been writing poetry for a long time,” Murphy tells Billboard, noting that 90% of her lyrics are her own true stories, and the other 10% are inspired by the stories of her friends and community. What’s making the songs catch is “not a hook and a bridge and a catchy chant — It’s just the lyrics, and they are pure.” While Jones grew up singing herself in church, she’s not the “vocal beast” that Xania is, Murphy says. Jones used a combination of Suno’s platform and live elements to create her album, and claims full ownership of the songwriting and production credits, he says, but she plans to work with additional human producers on her upcoming project. Murphy says he’s now fielding publishing deal offers, and is in the midst of planning Xania’s first live performance. Notably, Monet appeared on the Billboard charts for this first time this week (dated Sept. 20, 2025), debuting at No. 25 on the Emerging Artists tally and at No. 21 on Hot Gospel Songs with “Let Go, Let God.” Additionally, her song “How Was I Supposed to Know” hit No. 1 on R&B Digital Song Sales, No. 3 on R&B/Hip-Hop Digital Song Sales and No. 22 on Digital Song Sales. Her catalog has earned 9.8 million on-demand official U.S. streams, 5.4 million of those in the most recent tracking week (Sept. 5-11), according to Luminate.

Official Belgian charts update - chart dated 20/09/2025 Wallonia Ultratop 50: #27 (NEW) The Dead Dance Album 200: #41 (-2) The Fame WOC: 347: P: 8 #78 (-40) Mayhem WOC: 28 P: 1 Flanders Ultratop 50: #22 (+19) The Dead Dance *NEW PEAK* WOC: 2 Album 200: #31 (-11) The Fame WOC: 375 P: 4 #52 (-7) Mayhem WOC: 28 P: 1

To be honest, TDD is a great great song. I don't get why it does not connect.

I agree with this! I really feel like her mind was the most 'open' back then to all her creative thoughts. She made the most unique connections and interesting ideas during that time. Love her stuff now! But it just hasn't itched that same satisfying part of the brain since BTW. That part that goes 'oh that's an interesting metaphor but I get it'. Like thinking of fully embracing your darkest parts and choosing to celebrate life anyway, and calling it 'marrying the night'. Or writing your own 'live life as if every day was your last' anthem and calling that totally free moment before death, and that feel of ultimate freedom 'the edge of glory'. She was really in genius mode back then!

That’s a great way to look at it. I think we all need to step back and appreciate the life, be more positive, be helpful and be nice in this life. We all learn from each other and today this is my lesson from this website.

US Radio: 74(+4) Lady Gaga - The Dead Dance - 13.08 (+0.32)

I doubt they knew

Honestly, she should be legally barred from making music. MAKE MUSIC GREAT AGAIN

I dont think the mayhem comparisons are fair at all.