Jump to content
Mayhem Requiem
question

Gaga's Early Music, Still A Fan?


imogen2133
 Share

Gaga's Early Music, Still A Fan?  

61 members have voted

  1. 1. If Gaga continued to make the music she made before she made it big with The Fame such as the music she made for Red And Blue and around that time (No Floods, )

    • Yes
      45
    • No
      16


Featured Posts

alexcal24

Sorry, no, No. There is a reason those songs are either unreleased and/or ignored by Gags herself. She should keep on doing what she wants, whether it's pop, dance, rock, americana country or jazz, she should keep on forging her own path like always. Revisiting is for Taylor and her endless rerecords lol

  • Like 1
  • LMAO 1
Link to post
Share on other sites

Controversiaga
50 minutes ago, Kayi said:

And Don't call tonight, Lovedrug are Asib and Chromatica coded 

Imo VIY is more giving ARTPOP or Bad Romance vibes but I'd be curious to know why you think it sounds like early Gaga :glamourpuss:

Sonically, instrumentally, and lyrically they give early Gaga.

fancy pants, sexy ugly, paparazzi, beautiful dirty rich, SUMMERBOY , etc .  Those mayhem tracks have that same funkyness that many of her fusari tracks have. 

ARTPOP and bad romance are electronic / synth based songs, and the only songs on mayhem that fit that description imo are disease and abracadabra. 

Edited by Controversiaga
Pronounced like “Balenciaga” . Emphasis on the “Ga”
  • YAAAS 1
Link to post
Share on other sites

bxr
1 hour ago, Kayi said:

And Don't call tonight, Lovedrug are Asib and Chromatica coded 

Imo VIY is more giving ARTPOP or Bad Romance vibes but I'd be curious to know why you think it sounds like early Gaga :glamourpuss:

I’ve never thought about these dynamics before … DCT and LoveDrug as ASIB / Chromatica-coded, and VIY giving ARTPOP / Bad Romance vibes … (but/and, more broadly, I love this entire discourse and conversation, because it is so alive, but/and also that Gaga’s existing catalogue allows for this discourse at all—while she is still actively developing and delivering said evolving anthology—is not to be taken for granted) … I’m curious as to where you see the echoed codes, or synchronous vibes … ?

On the blink, DCT and LoveDrug carry the sort of bittersweet fidelity-to-a-fault pendulum graduating descent into a sort of atrophied relationship (deep relationship, with soulmate (ASIB) and/or shades of self (Chromatica) maybe) with the linger of chasing a silver-lined silhouette … but it feels more narrative, than sonic necessarily, the journey or scene feels aligned between these codes in the catalog (if that makes any sense … just riffing here)

VIY echoes the narrative or episodic vibe association … to where (and, admittedly, oversimplifying here) on blink association, VIY felt sister from another mister ARTPOP on the narrative POV (maybe the lyrical / conceptual interplay between “we could belong together,” “if art and pop can belong together like this so can my fans and i,” and literally vanishing into the crowd at Mayhem Ball during the song) … Bad Romance, the vanishing into your partner’s entirety, including the ugly, the disease (Germ-world problems), etc. maybe …

But, just musing on the blink, not sure if this made any sense

Edited by bxr
  • Like 1
Link to post
Share on other sites

Molly02

Red & Blue was my secret fave Gaga thing for a long time tbh, nowadays tho Harlequin is my not so secret fave

  • Like 1
  • YAAAS 2
Link to post
Share on other sites

Mars

Weirdly her pre fame stuff never did it for me. I kind of enjoyed watching her live performances in bars on youtube but it was more about her than the music.

Link to post
Share on other sites

Oriane

I started listening to her in 2010. Funnily, I actually got into her early music + acoustic performances way before her Gaga studio albums. I would listen to these songs on repeat, meanwhile I didn't know songs like Monster, Money Honey etc. The only reason why I listen less to these songs nowadays is because streaming services have made it so much easier to just listen and add songs to an online library instead of having to download everything, but obviously they only have official releases.

The only GGD member who can read / Credits to Celloo Deng for the profile pic!
  • Like 1
Link to post
Share on other sites

bxr

In immediate retrospect, Electric Kiss feels kind of early and eternal … to be pre-Fame (3rd place recipient at … NYU’s Ultraviolet Live talent show in ‘05 (?) … which, it‘s kind of funny coincidence that she debuted the purple and black SOAM coat N7 at Madison Square Garden, since NYU’s school mascot is the Violets) the song still plays somewhere between aught-pop culture prophecy, pop artist origin story, and creative manifesto … but this early song in particular feels a bit ”seed of a future spiritual hologram,” but/and the DNA feels interwoven throughout her career / catalogue since 

 

Spoiler

 

 

[Verse 1]
We are a generation twisted by a myth
Confused and ludicrous
Holding on to love
Consumed by all the pleasures in our midst
A life without the lips we've kissed, and losing all control

[Pre-Chorus]
We're gonna start a resistance
So we want independence
We're gonna give the world some of this

[Chorus]
Electric kiss
I'm gonna change the world with my lips
One voice forever
We'll live together in peace, love, solitude, and happiness
Electric kiss

[Verse 2]
Fame is our felony
We're so in love with it
Some superstars and masochists who don't know where to go
But the poets and the fathers of our time

Put down their weapons in their arms, and know what they must do

[Pre-Chorus]
We're gonna start a resistance
So we want independence
We're gonna give the world some of this

[Chorus]
Electric kiss
I'm gonna change the world with my lips
One voice forever
We'll live together in peace, love, solitude, and happiness

[Instrumental Bridge]

[Chorus]
Electric kiss
I'm gonna change the world with my lips
One voice forever
We'll live together in peace, love, solitude, and happiness

Electric kiss

 

  • Like 1
Link to post
Share on other sites

Ouranos

I have two albums of unreleased & early songs on my phone some favs are

rockshow

dirty ice cream

Fever

red & blue

Fancy pants 

panty party

retro physical 

 

  • Like 1
  • YAAAS 1
Link to post
Share on other sites

RochesterJoannster
8 hours ago, Agunimon said:

Generally no, but even as recent as the Fame, I tend to avoid that as well. In fact, I'm pretty sure the last time I even listened to The Fame in full was 7 years ago. :enigma:

The Fame is her only album that I’ve almost never played as an album from start to finish. Not that it’s bad. But it never had the cover-to-cover repeat for me that started with The Fame Monster and I especially noticed it once Born This Way came out. 
 

Those albums had (and still have) a full replay value, while The Fame has always been the singles and then filler to me.

Link to post
Share on other sites

RAMROD

A stan I will, listening to them often though? Maybe not. For me music like that need certain time and mood and vibe to enjoy. Just like I did to Tori Amos, Bjork, and other alternative pop artists. Or like I did to LG6.5, I obsessed over it for 4 weeks then I rarely heard it currently, unless I suddenly got the mood for it.

(ノ◕ヮ◕)ノ✧*:・゚ because of you...., nothing really matters (*´艸`*) ♡♡♡
  • Like 1
Link to post
Share on other sites

imogen2133
18 hours ago, MACATL said:

Define “early.”  Fame/Fame Monster, BTW, yes.  Then meh overall until Mayhem (pop albums)   

I meant before The Fame came out like the Fusari/TLC days. Also hey ARTPOP is great too from her early years.(I will not tolerate ARTPOP slander)

Link to post
Share on other sites

imogen2133
Posted (edited)
11 hours ago, Ouranos said:

I have two albums of unreleased & early songs on my phone some favs are

rockshow

dirty ice cream

Fever

red & blue

Fancy pants 

panty party

retro physical 

 

I did that too with her unreleased songs and I made a separate album in my library on Itunes with audio versions of her performances to put them on my phone. Some of my favs are Rockshow, Dirty Ice Cream, Future Love, Heiress, Retro Physical, Cake Like Lady Gaga, We Are Plastic, Out Of Control, Stuck On ****ing You, Princess Die and Earthquake. 

Edited by imogen2133
  • YAAAS 1
Link to post
Share on other sites

imogen2133
9 hours ago, RAMROD said:

A stan I will, listening to them often though? Maybe not. For me music like that need certain time and mood and vibe to enjoy. Just like I did to Tori Amos, Bjork, and other alternative pop artists. Or like I did to LG6.5, I obsessed over it for 4 weeks then I rarely heard it currently, unless I suddenly got the mood for it.

I agree I do really like a lot of those early songs but I need to be in a certain mood to enjoy them but I also wish some of them made it to her studio albums like Vanity, Stache, Fashion and Out Of Control.

Link to post
Share on other sites

Kayioshka
On 3/21/2026 at 8:43 PM, bxr said:

I’ve never thought about these dynamics before … DCT and LoveDrug as ASIB / Chromatica-coded, and VIY giving ARTPOP / Bad Romance vibes … (but/and, more broadly, I love this entire discourse and conversation, because it is so alive, but/and also that Gaga’s existing catalogue allows for this discourse at all—while she is still actively developing and delivering said evolving anthology—is not to be taken for granted) … I’m curious as to where you see the echoed codes, or synchronous vibes … ?

On the blink, DCT and LoveDrug carry the sort of bittersweet fidelity-to-a-fault pendulum graduating descent into a sort of atrophied relationship (deep relationship, with soulmate (ASIB) and/or shades of self (Chromatica) maybe) with the linger of chasing a silver-lined silhouette … but it feels more narrative, than sonic necessarily, the journey or scene feels aligned between these codes in the catalog (if that makes any sense … just riffing here)

VIY echoes the narrative or episodic vibe association … to where (and, admittedly, oversimplifying here) on blink association, VIY felt sister from another mister ARTPOP on the narrative POV (maybe the lyrical / conceptual interplay between “we could belong together,” “if art and pop can belong together like this so can my fans and i,” and literally vanishing into the crowd at Mayhem Ball during the song) … Bad Romance, the vanishing into your partner’s entirety, including the ugly, the disease (Germ-world problems), etc. maybe …

But, just musing on the blink, not sure if this made any sense

DCT and Lovedrug are inspired 80s Rock and Pop music, which kinda reminds me of Asib ballads. But the lyrics are introspective like Chromatica's writing.

For VIY I hear a little of ARTPOP in the way the instrumental is built. Especially in the percussions. And I also hear in the singing some Bad Romance reminiscence in the "I vanish into you" and "Like a ghost, I, oh, oh-oh-oh-oh, vanish into you". It's giving her melodramatic/operatic tones of BR.

In my peace era.
  • Like 1
Link to post
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Restore formatting

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

 Share

×
×
  • Create New...