Out Of Control is the second best song from The Fame Monster era

[Hewkah 48]

It's absolutely amazing. Shoulda replaced "Teeth" on TFM

[TheSlash 14,539]

Agreed. Such a shame this never got released and mastered. Truly a masterpiece among the unreleased songs  

[Cookie Tookie 10,546]

Literally every song on TFM is better than this

[RudraCNG 14,412]

15 minutes ago, Where is LG7 said:

not a fan of teeth but it's really a good song...

Oh boy you've left me teehtless, so teethless 

[MadreMonster 2,584]

Had TFM been an LP vs an EP, I think it would have easily been on the album. I’d like to hear the full version someday 

[Shaney 5,515]

Those dissing OOC have questionable taste. It’s a Gaga classic like NOTBR.

[Creyk 17,388]

It's really great but at the time Gaga didn't want to put out a lot of love songs so maybe that is why it was scrapped.

[BlondeQueenOfGGD 25,454]

Imo it sounds too 2000s.. it wouldn’t age well

[Blastertoyo 22,728]

It’s better than Teeth only.

 

Also, Reloaded >

[GagaEnigma 1,474]

18 hours ago, Chromatography said:

it’s so basic sounding. tfm was interesting because every song sounds unique. this would not fit

 

also, those who don’t like teeth lack taste

I second this

Teeth instrumental is amazing, how can anybody say that this is better than Teeth  

Little managers at it again 

[Roxanne 591]

19 hours ago, Biggest Bitch said:

Interscope is full of idiots

thats why I hate this label 

[Rio 5,088]

19 hours ago, BeIIadonna said:

It's maybe better than Teeth but... no

Teeth is so underrated, the fu-

Way better than Speechless and So Happy I Could Die.

[Rio 5,088]

The Teeth slander in this thread is horrific 😷 Such a bop that

[JustJames 869]

The point isn’t whether it’s better than Teeth / any song on TFM; IMO, the weakest is Telephone, whose inclusion is why I’ll always agree that songs like OOC (1 of many unreleased works from this time better than most Pop hits) should’ve made the cut. Teeth is NOT a song with commercial appeal, but it gave a variety in sound and pushed Gaga’s artistry (as Speechless did as the 1 ballad). Since TFM evolved beyond an expansion of TF / small artistic collection and into her 2nd AOTY-nominated studio album, I disagree with the decision to exclude tracks like OOC, which would’ve added depth, explored new genres, and produced a 4th commercial smash.

TFM could’ve had ~15 tracks once it became a standalone release; an edited, refined track list was a smart move at that stage of her career, but showing off a range of styles / sounds at her peak would’ve also been smart. OOC, Animal (or Reloaded), and No Way would’ve put TFM at 11 tracks, each a potential 4th hit that wouldn’t compromise the artistic integrity of the project IMO.