AStarIsBorn21 3,714 Posted November 25, 2018 Share Posted November 25, 2018 I genuinely don’t understand the electronic/edgy interludes which seemed very strange to represent Joanne. Visually they were kinda reminiscent of the general aesthetic, like the car interlude and how she looks in the rhino interlude, but the instrumental are so electronic and strange (I love them though). I’m just not quite sure the reason behind the edge we got from these interludes. Link to post Share on other sites More sharing options...
Reid LePage 4,865 Posted November 25, 2018 Share Posted November 25, 2018 i'm quite curious about the gas mask interlude tbh Link to post Share on other sites More sharing options...
River 118,028 Posted November 25, 2018 Share Posted November 25, 2018 I think she couldn't resist after a long time of being a good American girl, so she just said f-ck it I'm going crazy at least for the interludes. So sploosh your juice all over me you Riverboy Link to post Share on other sites More sharing options...
elijahfan 26,487 Posted November 25, 2018 Share Posted November 25, 2018 Beyond being a show that supported the Joanne album, this was first and foremost a Lady Gaga show, and edgy electronic is her trademark. It didn't seem out of place when you think of the overall show, imo. Link to post Share on other sites More sharing options...
Stef 61,645 Posted November 25, 2018 Share Posted November 25, 2018 The Joanne tour in general was very ”un-reminiscent” of the album’s overall aesthetic. I think she wanted to put on a big show for the fans. Which isn’t bad. At times the JWT felt more like a celebration of Gaga’s career as opposed to the tour that was meant to represent the album. In saying that though, Gaga was/is definitely aware of what people expect when they come to a “Lady Gaga show”. The JWT was tamer than her previous outings, but maintained the edge of the outlandish pop star she is Signature loading… 👹🖤 Link to post Share on other sites More sharing options...
Kimmo 81,120 Posted November 25, 2018 Share Posted November 25, 2018 The JWT was just a big spectacle full of Bloody Mary themes Hottie Detector Link to post Share on other sites More sharing options...
Tom Nook 37,808 Posted November 25, 2018 Share Posted November 25, 2018 Idk, I don’t think there is much to get since the John Wayne mv, and Coachella that there is always gonna be some sort of electronic edge to an era especially if it’s considered to be a “toned down” one Uh Red Wine... Convict... Gah Gah... Link to post Share on other sites More sharing options...
Sneaky Oliver 22,236 Posted November 25, 2018 Share Posted November 25, 2018 Being able to put on a show both in dive bars and arenas/stadiums used to be one of Joanne era concepts Plus the only Joanne track that comes after an interlude was John Wayne and thats pretty electronic Link to post Share on other sites More sharing options...
Retron 2,605 Posted November 25, 2018 Share Posted November 25, 2018 9 minutes ago, Stef said: At times the JWT felt more like a celebration of Gaga’s career as opposed to the tour that was meant to represent the album. I agree with this entire post, but the above sentiment especially. I attended the Tampa JWT and felt it was very much a "greatest hits" kind of affair. That's by no means a bad thing. It was fantastic. One of the best live shows I've ever seen. Link to post Share on other sites More sharing options...
VoldeLorde2 8,389 Posted November 25, 2018 Share Posted November 25, 2018 My delusional mind likes to think that there was going to be a "Joanne Monster" EP after the tour, but my sane mind just thinks that that's what she wanted to do for the visuals. I still want "Trapped" interlude to leak Link to post Share on other sites More sharing options...
TEANUS 15,577 Posted November 25, 2018 Share Posted November 25, 2018 I think she planned to put out SOMETHING during the tour...first around 5F2 but then she was out, then before/ during the rescheduled European leg but then she was out again so it just got shelved. Gaga kinda seems to hint at her next direction during the current tour. Born This Way Ball she used green hair, spoke about ARTPOP a lot. At the artRave she began covering a folk, rock style song What’s Up and had C2C going at the same time, hinting at a stripped down LG5. And Coachella+JWT both had heavy electronic interludes and elements. Now she’s working with Sophie, BloodPop, and Boys Noize, all heavy electronic producers....yeah, not a coincidence British social ladies with upturned pinkies, glasses clinking // xoxoTEANUS Link to post Share on other sites More sharing options...
TimisaMonster 31,073 Posted November 25, 2018 Share Posted November 25, 2018 I kinda felt the JWT was a greatest hits tour and very "Vegas on the road" themed... The interludes I think were nods to her original theme of "art of darkness" giving very AHS visuals... Stream my new single, 💜"Heartbeat"💜, on Spotify! Link to post Share on other sites More sharing options...
DC 25,164 Posted November 26, 2018 Share Posted November 26, 2018 1 hour ago, River said: I think she couldn't resist after a long time of being a good American girl, so she just said f-ck it I'm going crazy at least for the interludes. Link to post Share on other sites More sharing options...
Damon 10,904 Posted November 26, 2018 Share Posted November 26, 2018 I like to think she got quite inspired by AHS but the Joanne era aesthetic didn't really fit around the horror concept so she did a twist for the tour concept I actually see the JWT more like a greatest hits tour rather than a Joanne one though ... and now i just sit in silence. Link to post Share on other sites More sharing options...
Killa 17,667 Posted November 26, 2018 Share Posted November 26, 2018 they were too good to not serve it's true potential. Link to post Share on other sites More sharing options...
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