Chromatislaps 34,851 Posted March 23, 2015 Share Posted March 23, 2015 I mean they slayed on the TF, TFM & BTW, clearly all the RedOne tracks were standouts, but can they take it to the next level? We saw some crazy stuff on ARTPOP (Aura, Venus & MJH), what do you think RedOne will go for production wise. Zedd had already done some fairly complex production work on ARTPOP, so do you think RedOne will try to make even more complex music (not necessarily EDM) or will it be completely left field? instrumentally I expect more RNB/ Soulection Urban vibes with a Dance twist: Link to post Share on other sites More sharing options...
Fiona Apple 13,006 Posted March 23, 2015 Share Posted March 23, 2015 TFM's music is actually way more complex than ARTPOP's Link to post Share on other sites More sharing options...
fucbjk 631 Posted March 23, 2015 Share Posted March 23, 2015 TFM's music is actually way more complex than ARTPOP's Wut? Link to post Share on other sites More sharing options...
HausOfNena 1,712 Posted March 23, 2015 Share Posted March 23, 2015 I except a masterpiece & slayage. Link to post Share on other sites More sharing options...
Chromatislaps 34,851 Posted March 23, 2015 Author Share Posted March 23, 2015 TFM's music is actually way more complex than ARTPOP's actually no, there is more repetitiveness in the construction of those songs on TFM...saying this from a producers standpoint Link to post Share on other sites More sharing options...
Bloody 64,631 Posted March 23, 2015 Share Posted March 23, 2015 I'm pretty sure they'll surprise us. Their collaborations never fail to impress me, they always take it to the next level GAGA + REDONE = SLAYAGE Link to post Share on other sites More sharing options...
djBuffoon 12,136 Posted March 23, 2015 Share Posted March 23, 2015 TFM's music is actually way more complex than ARTPOP'sHow? Lyrically, perhaps. Certainly not melodically or in the production, to me. Link to post Share on other sites More sharing options...
Curunir 7,510 Posted March 23, 2015 Share Posted March 23, 2015 I expect to be slayed Link to post Share on other sites More sharing options...
Yves 1,891 Posted March 23, 2015 Share Posted March 23, 2015 All I'm hoping is that it reaches the masses so she won't be viewed by the GP as a flop. Mess at y'all keep defending A-R-T-P-O-P Link to post Share on other sites More sharing options...
djBuffoon 12,136 Posted March 23, 2015 Share Posted March 23, 2015 To answer the initial quesiton, I am expecting RedOne's technical know-how matched with Gaga's innovation. Mess at y'all keep defending A-R-T-P-O-P Many of us actually love it, despite what others think. Deal with it. Link to post Share on other sites More sharing options...
Fiona Apple 13,006 Posted March 23, 2015 Share Posted March 23, 2015 How? Lyrically, perhaps. Certainly not melodically or in the production, to me.actually no, there is more repetitiveness in the construction of those songs on TFM...saying this from a producers standpointWut?Actually it is.. ARTPOP has a lot louder instrumentals and they sound fuller.But if you listen to some TFM instrumentals they are really complex..Most ARTPOP's instrumentals are pretty simple and loud. Link to post Share on other sites More sharing options...
Yves 1,891 Posted March 23, 2015 Share Posted March 23, 2015 Actually it is.. ARTPOP has a lot louder instrumentals and they sound fuller.But if you listen to some TFM instrumentals they are really complex..Most ARTPOP's instrumentals are just noise. I fixed it for you Link to post Share on other sites More sharing options...
Yves 1,891 Posted March 23, 2015 Share Posted March 23, 2015 Many of us actually love it, despite what others think. Deal with it. Link to post Share on other sites More sharing options...
djBuffoon 12,136 Posted March 23, 2015 Share Posted March 23, 2015 Actually it is.. ARTPOP has a lot louder instrumentals and they sound fuller.But if you listen to some TFM instrumentals they are really complex..Most ARTPOP's instrumentals are pretty simple and loud.In "Mary Jane Holland", for example, there is a keyboard interval bit that we hear in the very first seconds of the track. It continues throughout the song, just underneath everything else, constantly changing and modulating with the chord changes.That touch alone, in my opinion, is more complex than most of what TFM has going on. But I'd definitely love to hear your examples. Link to post Share on other sites More sharing options...
Fiona Apple 13,006 Posted March 23, 2015 Share Posted March 23, 2015 In "Mary Jane Holland", for example, there is a keyboard interval bit that we hear in the very first seconds of the track. It continues throughout the song, just underneath everything else, constantly changing and modulating with the chord changes. That touch alone, in my opinion, is more complex than most of what TFM has going on.This keyboard is pretty simple tho .It's repetitive and it just changes in every chord.. That's a pretty simple thing to do Link to post Share on other sites More sharing options...
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